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Engström, Maria
Publikasjoner (10 av 27) Visa alla publikasjoner
Engström, M. (2019). Cultural recycling Metamodern flows in Russia's culture. Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, 69(5), 55-+
Åpne denne publikasjonen i ny fane eller vindu >>Cultural recycling Metamodern flows in Russia's culture
2019 (engelsk)Inngår i: Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, ISSN 0030-6428, Vol. 69, nr 5, s. 55-+Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

In contemporary Russian film, music and fashion, a recycling of protagonists, aesthetics and ideas from the late Soviet underground and the post-Soviet years during the 1990s can be observed. What at that time were utopias of a Russian ideological and aesthetic alternative to the West are now becoming increasingly mainstream. The artists view the world through metamodern eyes. They fluctuate between hope and melancholy, empathy and apathy, between the modern search for meaning and the post-modern doubt about the meaning of everything. Their cultural practice is the harmless, commercially attractive imitation of a revolution. The culture of the metamodern fits in with the current central political theme in Russia: "Globalisation without westernisation", incorporation into the global market, while at the same time turning its back on the norms of the "first world".

sted, utgiver, år, opplag, sider
BWV-BERLINER WISSENSCHAFTS-VERLAG GMBH, 2019
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-394179 (URN)000482997900004 ()
Tilgjengelig fra: 2019-10-04 Laget: 2019-10-04 Sist oppdatert: 2019-10-04bibliografisk kontrollert
Engström, M. (2019). Recycling der Gegenkultur Die neue Ästhetik der „Zweiten Welt“. Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, 69(5), 55-72
Åpne denne publikasjonen i ny fane eller vindu >>Recycling der Gegenkultur Die neue Ästhetik der „Zweiten Welt“
2019 (tysk)Inngår i: Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, ISSN 0030-6428, Vol. 69, nr 5, s. 55-72Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

n contemporary Russian film, music and fashion, a recycling of protagonists, aesthetics and ideas from the late Soviet underground and the post-Soviet years during the 1990s can be observed. What at that time were utopias of a Russian ideological and aesthetic alternative to the West are now becoming increasingly mainstream. The artists view the world through meta-modern eyes. They fluctuate between hope and melancholy, empathy and apathy, between the modern search for meaning and the post-modern doubt about the meaning of everything. Their cultural practice is the harmless, commercially attractive imitation of a revolution. The culture of the metamodern fits in with the current central political theme in Russia: “Globalisation without westernisation”, incorporation into the global market, while at the same time turning its back on the norms of the “first world”.

HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-390183 (URN)
Tilgjengelig fra: 2019-08-07 Laget: 2019-08-07 Sist oppdatert: 2020-02-20bibliografisk kontrollert
Engström, M. (2019). Utopins återkomst och ”den sovjetiska antikens” andra liv. Arche. Tidskrift för psykoanalys, humaniora och arkitektur (66-67), 155-161
Åpne denne publikasjonen i ny fane eller vindu >>Utopins återkomst och ”den sovjetiska antikens” andra liv
2019 (svensk)Inngår i: Arche. Tidskrift för psykoanalys, humaniora och arkitektur, ISSN 2000-7817, nr 66-67, s. 155-161Artikkel i tidsskrift (Annet vitenskapelig) Published
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-383276 (URN)
Tilgjengelig fra: 2019-05-13 Laget: 2019-05-13 Sist oppdatert: 2020-02-27bibliografisk kontrollert
Engström, M. (2018). ‘A Hedgehog Empire’ and ‘Nuclear Orthodoxy’: The radical and conservative context of Putin’s New Russian Doctrine. Intersection: Russia/Europe/World
Åpne denne publikasjonen i ny fane eller vindu >>‘A Hedgehog Empire’ and ‘Nuclear Orthodoxy’: The radical and conservative context of Putin’s New Russian Doctrine
2018 (engelsk)Inngår i: Intersection: Russia/Europe/WorldArtikkel i tidsskrift (Fagfellevurdert) Published
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-345630 (URN)
Tilgjengelig fra: 2018-03-11 Laget: 2018-03-11 Sist oppdatert: 2018-03-12bibliografisk kontrollert
Engström, M. (2018). Against the New Middle Ages: Imperial Remodernism in Contemporary Russian Visual Culture. In: : . Paper presented at Uppsala-BASEES Conference-Regimes and Societies in Conflict: Eastern Europe and Russia since 1956, 13-14 September 2018, Institute for Russian and Eurasian Studies, Uppsala University and the British Association for Slavonic and East European Studies (BASEES), Uppsala.
Åpne denne publikasjonen i ny fane eller vindu >>Against the New Middle Ages: Imperial Remodernism in Contemporary Russian Visual Culture
2018 (engelsk)Konferansepaper, Oral presentation with published abstract (Fagfellevurdert)
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-364154 (URN)
Konferanse
Uppsala-BASEES Conference-Regimes and Societies in Conflict: Eastern Europe and Russia since 1956, 13-14 September 2018, Institute for Russian and Eurasian Studies, Uppsala University and the British Association for Slavonic and East European Studies (BASEES), Uppsala
Tilgjengelig fra: 2018-10-24 Laget: 2018-10-24 Sist oppdatert: 2019-03-06bibliografisk kontrollert
Engström, M. (2018). Conservative imperfection: The visual aesthetics of Leningrad. Intersection: Russia/Europe/World
Åpne denne publikasjonen i ny fane eller vindu >>Conservative imperfection: The visual aesthetics of Leningrad
2018 (engelsk)Inngår i: Intersection: Russia/Europe/WorldArtikkel i tidsskrift (Annet vitenskapelig) Published
Abstract [en]

In the framework of this new aesthetics of imperfection, the art of Sergei Shnurov and the band Leningrad can be regarded the most successful project in Russia in ideological and commercial terms. In the context of Russian symbolic politics, Leningrad’s visual language is of particular interest - especially recent music videos(actually short films) created by director Anna Parmas.

HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-337724 (URN)
Tilgjengelig fra: 2018-01-04 Laget: 2018-01-04 Sist oppdatert: 2018-02-01bibliografisk kontrollert
Engström, M. (2018). Die Internationalisierung des Hochschulwesens und das Fernstudium von russischer Sprache und Literatur in Schweden. Forum “Digitale Slavistik”. Bulletin der deutschen Slavistik (24), 31-33
Åpne denne publikasjonen i ny fane eller vindu >>Die Internationalisierung des Hochschulwesens und das Fernstudium von russischer Sprache und Literatur in Schweden
2018 (tysk)Inngår i: Forum “Digitale Slavistik”. Bulletin der deutschen Slavistik, nr 24, s. 31-33Artikkel i tidsskrift (Annet vitenskapelig) Published
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-356068 (URN)
Tilgjengelig fra: 2018-07-13 Laget: 2018-07-13 Sist oppdatert: 2018-10-04bibliografisk kontrollert
Engström, M. (2018). Gosha Rubchinskiy:: Conservative Queer and Biopolitics of Fashion. In: : . Paper presented at CFP - Regimes and Societies in Conflict: Eastern Europe and Russia since 1956, 13-14 September 2018, Institute for Russian and Eurasian Studies, Uppsala University and the British Association for Slavonic and East European Studies (BASEES), Uppsala, Sweden.
Åpne denne publikasjonen i ny fane eller vindu >>Gosha Rubchinskiy:: Conservative Queer and Biopolitics of Fashion
2018 (engelsk)Konferansepaper, Oral presentation with published abstract (Fagfellevurdert)
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-364153 (URN)
Konferanse
CFP - Regimes and Societies in Conflict: Eastern Europe and Russia since 1956, 13-14 September 2018, Institute for Russian and Eurasian Studies, Uppsala University and the British Association for Slavonic and East European Studies (BASEES), Uppsala, Sweden
Tilgjengelig fra: 2018-10-24 Laget: 2018-10-24 Sist oppdatert: 2019-03-07bibliografisk kontrollert
Engström, M. (2018). Metamodernism and Post-Soviet Conservative Avant-Garde: Timur Novikov's New Academy. Novoe literaturnoe obozrenie (3), 264-278
Åpne denne publikasjonen i ny fane eller vindu >>Metamodernism and Post-Soviet Conservative Avant-Garde: Timur Novikov's New Academy
2018 (russisk)Inngår i: Novoe literaturnoe obozrenie, ISSN 0869-6365, E-ISSN 2309-9968, ISSN 0869-6365, nr 3, s. 264-278Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

The article deals with the Neo-academism movemen which has been launched in Leningrad in 1989 by Timur Novikov (1958-2002), an artist and an art theorist. The New Academy of Fine Arts became the first community of an aesthetic "reactionism" and in many respects anticipated the ideological conser vative turn of the mid-2010s. Engstrom interprets the neo-academism as an attempt to overcome the artistic practices of post-modernism and as the first metamodernist movement in the post-Soviet visual arts.

Abstract [ru]

B статье рассматривается движение неоакаде-мизма, основанное художником и теоретикомкультуры Тимуром Новиковым (1958—2002)вЛенинграде в 1989 году. Новая академияизящных искусств стала первым сообществомэстетической «реакции» и во многом предвос-хитила идеологический консервативный по -ворот середины 2010-х годов. Неоакадемизминтер претируется как попытка преодоленияпостмодернистских художественных практики как первое метамодернистское направлениев постсоветском искусстве

Emneord
neoacademism, conservatism, queer, metamodernism, Timur Novikov, Georgy Guryanov
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-398421 (URN)000496345000019 ()
Tilgjengelig fra: 2019-12-11 Laget: 2019-12-11 Sist oppdatert: 2019-12-11bibliografisk kontrollert
Engström, M. (2018). Monetochka:: The Manifesto of Metamodernism. Riddle
Åpne denne publikasjonen i ny fane eller vindu >>Monetochka:: The Manifesto of Metamodernism
2018 (engelsk)Inngår i: RiddleArtikkel i tidsskrift (Fagfellevurdert) Published
HSV kategori
Identifikatorer
urn:nbn:se:uu:diva-356067 (URN)
Tilgjengelig fra: 2018-07-13 Laget: 2018-07-13 Sist oppdatert: 2018-10-04bibliografisk kontrollert
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