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"The eloquence of something that has no language": Adorno on Hölderlin's Late Poetry
Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Centrum för genusvetenskap. (Humanimal Studies)ORCID-id: 0000-0002-8296-0173
2018 (engelsk)Inngår i: Adorno Studies, ISSN 1927-8748, Vol. 2, nr 1, s. 1-27Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

This article focuses on the importance of Hölderlin for Adorno's comprehension of the art–nature relationship. Adorno's most detailed discussion of Hölderlin appears in the essay, "Parataxis: On Hölderlin's Late Poetry." Adorno has been accused of projecting his own philosophical beliefs on Hölderlin. However, I will show that there is valid support in Hölderlin's poetry as well as in his philosophical and poetological writings to reinforce Adorno's claim that Hölderlin’s late poetry is striving to give voice to what is traditionally thought to be art's opposite: nature. The ability of art to mediate nature, and specifically natural beauty, is also of central importance in Adornos Aesthetic Theory, and many of the claims of the "Parataxis" essay re-emerge in this later work.

sted, utgiver, år, opplag, sider
2018. Vol. 2, nr 1, s. 1-27
Emneord [en]
Theodor W. Adorno, Friedrich Hölderlin, poetry and philosophy, art, aesthetics, Aesthetic Theory, nature
HSV kategori
Forskningsprogram
Estetik
Identifikatorer
URN: urn:nbn:se:uu:diva-373519OAI: oai:DiVA.org:uu-373519DiVA, id: diva2:1278908
Prosjekter
Konst och natur. De tidiga tyska romantikerna, Schelling och Adorno
Forskningsfinansiär
Swedish Research Council, 421-2013-1849Tilgjengelig fra: 2019-01-15 Laget: 2019-01-15 Sist oppdatert: 2020-01-27bibliografisk kontrollert

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http://adornostudies.org/ojs/index.php/as/article/view/21/29

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