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Art as entangled material practices: The Case of Late Iron Age Scandinavian Gold Foil Figures in the Making
Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
2019 (engelsk)Inngår i: Artistic Practices and Archaeological Research / [ed] Dragos Gheorghiu, Theodor Barth, Oxford: Archaeopress, 2019, s. 21-30Kapittel i bok, del av antologi (Fagfellevurdert)
Abstract [en]

This paper discusses Late Iron Age gold foil figures from Scandinavia. The figures can be described as tiny humanoid beings stamped on very thin gold foil. They date to c. AD 550–800, and are commonly interpreted in representationalist ways, and as being symbols. By contrast, this paper starts from the assumption that art and imagery are simultaneously material, affective and emergent. As a consequence the gold foil figures are seen as to be continuously in the making, where Karen Barad’s concepts of intra-action and agential realist ontology are especially helpful to illuminate the open-ended and generative character of the figures.

sted, utgiver, år, opplag, sider
Oxford: Archaeopress, 2019. s. 21-30
Emneord [en]
Imagery, art, Barad, humanoid figures
HSV kategori
Identifikatorer
URN: urn:nbn:se:uu:diva-377177ISBN: 978-1-78969-140-5 (tryckt)ISBN: 978-1-78969-141-2 (digital)OAI: oai:DiVA.org:uu-377177DiVA, id: diva2:1289113
Forskningsfinansiär
Swedish Research Council, 2014-6444EU, FP7, Seventh Framework Programme, INCA600398Tilgjengelig fra: 2019-02-15 Laget: 2019-02-15 Sist oppdatert: 2020-03-18bibliografisk kontrollert

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