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Recycling der Gegenkultur Die neue Ästhetik der „Zweiten Welt“
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, Slavic Languages.
2019 (German)In: Osteuropa: Zeitschrift für Gegenwartsfragen des Ostens, ISSN 0030-6428, Vol. 69, no 5, p. 55-72Article in journal (Refereed) Published
Abstract [en]

n contemporary Russian film, music and fashion, a recycling of protagonists, aesthetics and ideas from the late Soviet underground and the post-Soviet years during the 1990s can be observed. What at that time were utopias of a Russian ideological and aesthetic alternative to the West are now becoming increasingly mainstream. The artists view the world through meta-modern eyes. They fluctuate between hope and melancholy, empathy and apathy, between the modern search for meaning and the post-modern doubt about the meaning of everything. Their cultural practice is the harmless, commercially attractive imitation of a revolution. The culture of the metamodern fits in with the current central political theme in Russia: “Globalisation without westernisation”, incorporation into the global market, while at the same time turning its back on the norms of the “first world”.

Place, publisher, year, edition, pages
2019. Vol. 69, no 5, p. 55-72
National Category
Visual Arts
Identifiers
URN: urn:nbn:se:uu:diva-390183OAI: oai:DiVA.org:uu-390183DiVA, id: diva2:1340916
Available from: 2019-08-07 Created: 2019-08-07 Last updated: 2020-02-20Bibliographically approved

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https://www.zeitschrift-osteuropa.de/hefte/2019/5/

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Engström, Maria

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