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How they came to be where they are: The comic and the tragic in Beckettian stalemate in György Kurtág’s first opera
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.ORCID iD: 0000-0003-1070-0193
2018 (English)In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6034, p. 20-21Article, book review (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
2018. no 6034, p. 20-21
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Musicology
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URN: urn:nbn:se:uu:diva-373530ISI: 000451106900019OAI: oai:DiVA.org:uu-373530DiVA, id: diva2:1278948
Note

WoS title: Endgame scenes and monologues

Available from: 2019-01-15 Created: 2019-01-15 Last updated: 2019-01-15Bibliographically approved

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Dammann, Guy

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