uu.seUppsala University Publications
Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Blickar och betydelser: Digitala rekonstruktioner av tavelhängningarna på Stockholms slott 1795–1866
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History. (The Virtual Museum)
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of History of Science and Ideas. Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History. (The Virtual Museum)
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Game Design. (The Virtual Museum)
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Game Design.ORCID iD: 0000-0002-5153-9036
2019 (Swedish)In: 1700-tal: Nordic Journal for Eighteenth-Century Studies, ISSN ISSN 1652-4772, Vol. 16, p. 79-103Article in journal (Refereed) Published
Abstract [en]

During the years 1795–1866 the Swedish national art collection, today’s Nationalmuseum, was on display at the Royal Palace in Stockholm at what was known as Kongl. Museum. This museum consisted of two sculpture galleries adjacent to the palace garden Logården and a paintings gallery and a few more rooms on the second floor. While the sculpture galleries are well known as well as reconstructed in situ, there has been much less research on the display of paintings at the museum. In the cross disciplinary research project »Virtual Museum at the Royal Palace» we are using a digital 3D model to reconstruct the display of paintings in the so-called smaller gallery of the palace, as it was displayed during the period. The reconstruction deals with two different hangings of the gallery, in 1795 and c. 1843, made by the curators Carl Fredric Fredenheim and Lars Jacob von Röök respectively. Our preliminary findings show that, contrary to earlier claims, the two hangings are rather different and constructed on quite different ideologies of museum display, something that is possible to see thanks to the method of using digital 3D-models as a basis for analysis.

Place, publisher, year, edition, pages
2019. Vol. 16, p. 79-103
Keywords [sv]
Virtual Museum, Stockholms slott, Kongligt Museum, Samlingshistoria, Hängningshistoria, Museihistoria, Digital konstvetenskap, 3D-rekonstruktion, Visualiseringsteknik, Fredenheim, Von Röök
National Category
Humanities and the Arts
Research subject
History of Art
Identifiers
URN: urn:nbn:se:uu:diva-399434DOI: 10.7557/4.4881OAI: oai:DiVA.org:uu-399434DiVA, id: diva2:1378518
Conference
NCECS 2017
Funder
VinnovaThe Joint Committee for Nordic research councils in the Humanities and Social Sciences (NOS-HS)Available from: 2019-12-13 Created: 2019-12-13 Last updated: 2020-01-24Bibliographically approved

Open Access in DiVA

No full text in DiVA

Other links

Publisher's full text

Authority records BETA

Widén, PerBachelder, StevenHayashi, Masaki

Search in DiVA

By author/editor
Eriksson, JohanWidén, PerBachelder, StevenHayashi, Masaki
By organisation
Department of Art HistoryDepartment of History of Science and IdeasDepartment of Game Design
Humanities and the Arts

Search outside of DiVA

GoogleGoogle Scholar

doi
urn-nbn

Altmetric score

doi
urn-nbn
Total: 39 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf