uu.seUppsala University Publications
Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
“Blås upp vind och gunga bölja...”: August Strindbergs sagospel Lycko-Pers resa, Himmelrikets nycklar, Abu Casems tofflor samt Svanevit. Sago- och sägenmotiv, narrativa grundmönster och mytisk initiationssymbolik
Uppsala University, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Faculty of Arts, Department of Literature.
2005 (Swedish)Doctoral thesis, monograph (Other academic)
Abstract [en]

This dissertation deals with four of Strindberg’s fairy-tale plays produced over a period of three decades, plays to which he himself gave the subtitle “sagospel”, fairy-tale plays. The first of them, Lucky Peter’s Journey, written in 1882, takes a central place in the investigation. The play is interesting for several reasons; it is the first in a total of five fairy-tale plays that Strindberg wrote - if the The Black Glove is included among them - thereby initiating a period of dramaturgic creativity that was to be an important part of his total production. It is the first in a succession of five “journey plays”; along with Gillets hemlighet and Herr Bengts hustru, with which it has many points in common from the point of view of motifs and ideas, it is a representative of Strindberg’s dramatic production in the early eighties, which heralded the whole of his future dramatic authorship. On stage, it was the most successful of all Strindberg’s plays as regards the number of performances during his lifetime: a total of 183 in Stockholm theatres. One of the least appreciated of Strindberg’s works, it has commonly been dismissed with gentle indulgence and regarded as flawed by imperfections attributable to youthful incompetence.

Taking this quintessential drama as its starting point, the dissertation analyses the motifs that establish it as belonging to the drama of the eighties and at the same time heralding the later fairy-tale plays. Its close affinity with the verbal traditions of the folk tale permits analysis on the syntagmatic and morphologic plane using developments in some of the 20th century methods of structural analysis. This has been combined on an overarching paradigmatic level with observations on theories concerning the form and contents of the distinctive nature of the folktale as well as on an empirical “mythological” methodology.

Place, publisher, year, edition, pages
2005. , 568 p.
Keyword [en]
Literature, August Strindberg, fairy-tale plays, folklore, folk tale, structural analysis, initiatory archetypes
Keyword [sv]
Litteraturvetenskap
National Category
General Literature Studies
Research subject
Literature
Identifiers
URN: urn:nbn:se:uu:diva-4726ISBN: 91-628-5738-X (print)OAI: oai:DiVA.org:uu-4726DiVA: diva2:165593
Public defence
2005-01-21, Lärosal IX, Universitetshuset, Uppsala, 10:15
Opponent
Supervisors
Available from: 2004-12-13 Created: 2004-12-13Bibliographically approved

Open Access in DiVA

No full text

By organisation
Department of Literature
General Literature Studies

Search outside of DiVA

GoogleGoogle Scholar

isbn
urn-nbn

Altmetric score

isbn
urn-nbn
Total: 802 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf