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Bach and the Corporeality of Emotions
Varwig, Bettina
University of Cambridge; Cambridge, UK.
Tatlow, Ruth
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Uppsala University, Swedish Collegium for Advanced Study (SCAS).
ORCID iD:
0000-0003-3367-9921
Butt, John
University of Glasgow, Glasgow, UK.
ORCID iD:
0000-0002-0411-8220
Irving, David (Contributor)
Institució Milà i Fontanals de Recerca en Humanitats, Barcelona, Spain.
ORCID iD:
0000-0003-3849-1549
Tatlow, Ruth
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Uppsala University, Swedish Collegium for Advanced Study (SCAS).
ORCID iD:
0000-0003-3367-9921
Reul, Barbara M.
University of Regina, Regina, Canada.
Froc, Benton
University of Regina, Regina, Canada.
Show others and affiliations
2022 (English)
In:
Discussing Bach, E-ISSN 2633-9951, Vol. 4
Article in journal (Other academic) Published
Place, publisher, year, edition, pages
Bach Network , 2022. Vol. 4
Keywords [en]
History of Music Theory, Performance, Emotional effect of Music
National Category
Humanities and the Arts
Research subject
Musicology; Aesthetics; History of Sciences and Ideas
Identifiers
URN:
urn:nbn:se:uu:diva-483840
OAI: oai:DiVA.org:uu-483840
DiVA, id:
diva2:1693057
Note
Moderated by David Irving
Editors: Ruth Tatlow and Barbara M. Reul. Editorial assistant: Benton Froc
Available from:
2022-09-05
Created:
2022-09-05
Last updated:
2022-10-18
Bibliographically approved
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No full text in DiVA
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Bach Network website including texts
Video discussion on YouTube
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Tatlow, Ruth
Tatlow, Ruth
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