Some particular sub-domains of social sciences, such as entrepreneurship and arts management have struggled with bridging artists, artistry, creativity and organizations in one way or another. In this paper I take a start in my practitioner-based art research and combine the insights with a philosophical reasoning; a reasoning with a micro-perspective, taking its start in the individual and her constituents . Subjectivity, which in society, in many aspects, has been marginalized. Irrespective of the vehicles for subjective creation processes of the individual, I treat these vehicles equal - an art piece, a new commercial product, a piece of astonishing architecture, a new spark for an organization, or a “true” aesthetic-based organization. They are all vehicles for unique ideas to travel into an uncertain future in space and time. My interest does not lie in bridging them, explaining them, theorizing about them, or putting one before another. My aim is to develop research methods for academics in their efforts of better understanding “the subjective”, and auto learning-methods based on subjective grounds, making it possible for artists, entrepreneurs and managers to identify and enhance their subjective world views and make their subjective ideas survive in or outside organizations.
After all, we are all different, where some individuals use their subjective view on the world to produce unique ideas – to be creators. Common for the creators are a subjective ontological base and the struggle to convey and transfer this base into something understood and accepted by others – an effort to develop ideas into reality. This paper thus aims to establish a first framework for the development of new methods to reveal, enhance, and communicate the subjective ontological base among creators and academic researchers.
2008. Vol. 2, no 1, 16- p.