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When cultural workers become an urban social movement. Political subjectification and alternative cultural production in the Macao movement, Milan
Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Social Sciences, Department of Social and Economic Geography.
2015 (English)In: Environment and planning A, ISSN 0308-518X, E-ISSN 1472-3409, Vol. 47, no 3, p. 643-659Article in journal (Refereed) Published
Abstract [en]

This paper explores the relationship between cultural production and insurgent political activity.  The specific context for the study is the urban cultural movement of Macao in Milan. Macao is an urban social movement that aims to challenge neoliberal cultural production and neoliberal urban politics through alternative cultural production models. The overarching argument is that Macao pursues its subjectification process through aesthetic tactics: the process of the formation of a political subject passes through arts and creative expressions to impact and re-configure the sensible domain. This collective subject is created: first, by re-appropriating urban spaces; second, by enacting alternative practices of cultural production; third, by guerrilla branding tactics. Ultimately, the paper explores the potential of alliances between urban struggles and struggles over commodification and exploitation of culture.  

Place, publisher, year, edition, pages
2015. Vol. 47, no 3, p. 643-659
Keywords [en]
urban social movement, cultural production, subjectification, activism, aesthetics
National Category
Other Social Sciences
Identifiers
URN: urn:nbn:se:uu:diva-237044DOI: 10.1068/a140096pISI: 000352365600010OAI: oai:DiVA.org:uu-237044DiVA, id: diva2:766174
Available from: 2014-11-26 Created: 2014-11-26 Last updated: 2017-12-05Bibliographically approved
In thesis
1. Pushing borders: Cultural workers in the restructuring of post-industrial cities
Open this publication in new window or tab >>Pushing borders: Cultural workers in the restructuring of post-industrial cities
2017 (English)Doctoral thesis, comprehensive summary (Other academic)
Abstract [en]

This research explores the agency and positioning of cultural workers in the restructuring of contemporary cities. This positioning is ambiguous. Cultural workers often lead precarious professional lives, yet their significant symbolic and cultural capital is widely mobilised in the service of neoliberal urban restructuring, including ‘creative city’ flagship developments and gentrification. But cultural workers’ actual agency, their reactions to urban processes that exploit their presence, and their relations to other urban social groups, are poorly understood and hard to decipher. This thesis addresses these issues through three articles.

Paper I examines a process of artist-led gentrification ongoing in Bushwick, Brooklyn, New York. It shows that artists, gallerists and other members of the local art scene contribute to sustaining gentrification through their everyday practices and discourses. The gentrification frontier is constructed on an everyday level as a transitional space and time in the scene members’ lives. Gentrification is de-politicised by discursively underplaying its conflictual components of class and racial struggle. Forms of resistance to gentrification amongst scene members are found, but they appear to be sector-specific and exclusive. Finally, scene members tend to fail at establishing meaningful relationships with long-time residents.

Paper II brings the perspectives of long-time residents in Bushwick to the forefront. Examination of the emotional and affectual components of displacement reveals that these aspects are as important as material re-location to understanding displacement and gentrification. The encounter with newcomers’ bodies in neighbourhood spaces triggers a deep sense of displacement for long-time residents, evoking deep-rooted structural inequalities of which gentrification is one spatial expression.

Paper III examines the case of Macao, a collective mobilisation of cultural workers in Milan, Italy. There, cultural workers have mobilised against neoliberal urbanism, top-down gentrification, corruption, growing labour precarity and other regressive urban and social issues. The paper considers the distinctive resources, aesthetic tactics and inaugurative practices mobilised and enacted in the urban space by Macao and it argues that by deploying their cultural and symbolic capital, cultural workers can reframe the relations between bodies, space and time, and hence challenge power structures.

Cultural workers might not have the power to determine the structural boundaries and hierarchies that organize urban society, including their own positioning in it. Nonetheless, through their actions and discourses and subjectification processes, they can reinforce or challenge those borders. 

Place, publisher, year, edition, pages
Uppsala: Department of Social and Economic Geography, 2017. p. 153
Series
Geographica, ISSN 0431-2023 ; 14
National Category
Social and Economic Geography
Research subject
Social and Economic Geography
Identifiers
urn:nbn:se:uu:diva-318548 (URN)978-91-506-2631-5 (ISBN)
Public defence
2017-05-19, Hörsal 2, Ekonomikum, Kirkogårdsgatan 10, Uppsala, 10:15 (English)
Opponent
Supervisors
Available from: 2017-04-28 Created: 2017-03-25 Last updated: 2017-04-28

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Valli, Chiara

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