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  • 1.
    Axelsson, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Philosophy, Aesthetics.
    Recension av Music as a Science of Mankind in Eighteenth-Century Britain (förf. Maria Semi)2013In: Eighteenth-Century Music, ISSN 1478-5706, E-ISSN 1478-5714, Vol. 10, no 1, p. 134-136Article, book review (Other academic)
  • 2.
    Berglund, Lars
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Musiken och passionerna: med Claudio Monteverdi i backspegeln2012In: Passioner: konst och känslor genom fem sekler / [ed] Karin Sidén & Janna Herder, Stockholm: Nationalmuseum , 2012, p. 218-245Chapter in book (Other (popular science, discussion, etc.))
  • 3.
    Cop, Simon
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Philosophy, Aesthetics.
    Musikobjektets estetiska relevans2018Independent thesis Advanced level (degree of Master (Two Years)), 30 credits / 45 HE creditsStudent thesis
    Abstract [en]

    When listening to recorded music, we tend to hear properties which cannot be attributed to the musical work. For example, if I listen to Glenn Gould’s 1981 recording of Bach’s Goldberg Variations, I can hear Gould quietly humming along with the notes played on the keyboard. Further, if I listen to a recording of Bach’s Cello Suite no. 1 performed in Uppsala Cathedral, I am likely to hear the great reverberation in the church. Drawing on Bence Nanay’s concept of aesthetically relevant properties, I point to the fact that these features cannot be ignored, since attending to them seems to make an aesthetic difference in our experience of the music. This raises a fundamental question: if clearly audible properties such as Gould’s humming and the reverberation in Uppsala Cathedral cannot be attributed to the musical work, then to which musical phenomenon do we attribute these properties?

    Bach did not specify the condition that the musician must vocalize spontaneously in order to perform the Goldberg Variations correctly. Neither did he specify the condition that a performance of his Cello Suite no. 1 must take place in a cathedral in order to be correct. According to the standard view, then, none of these properties can be attributed to the musical work. Therefore, audible properties such as spontaneous vocalizations and reverberations are commonly thought of as belonging to the performance of musical works.

    In this thesis, I argue against the intuitive claim that these properties can be attributed to the performance. Instead, I propose that audible properties such as Gould’s humming and the reverberation in Uppsala Cathedral can be attributed to what I term the musical object, i.e. the perceptual object we encounter when listening to recorded music. The musical object is defined as the musical end-product created through performance, improvisation, or digital music-making, and is as such both transient and reproduceable. Thus, musical objects are distinct from (but may include) musical works.

    If my proposal is correct, then we can explain how musical works, performances and recordings of music tend to be evaluated independently of each other.

  • 4.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    BEING WAGNER: The triumph of the will2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5957, p. 20-22Article, book review (Other academic)
  • 5.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Don Giovanni: English National Opera2016In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5923, p. 22-22Article, book review (Other academic)
  • 6.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Crit Circle, Mus Sect, Uppsala, Sweden..
    Madam Butterfly2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5942, p. 22-22Article, book review (Refereed)
  • 7.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Passing fancy and passionate intensity: Review of Emmanuel Chabrier, L'Étoile and Umberto Giordano, Andrea Chénier2016In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5889, p. 21-21Article, review/survey (Other academic)
    Abstract [en]

    Review of Emmanuel Chabrier, L'Étoile and Umberto Giordano, Andrea Chénier, performances at the Royal Opera House, London and Leeds Grand Theatre

  • 8.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Shostakovich THE NOSE2016In: TLS-THE TIMES LITERARY SUPPLEMENT, ISSN 0307-661X, no 5926, p. 22-22Article, book review (Refereed)
  • 9.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Crit Circle, Mus Sect, Uppsala, Sweden..
    Verismo in action2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5942, p. 22-22Article in journal (Refereed)
  • 10.
    Davidsson, Åke
    Uppsala University, University Library.
    Musical treasures in the University Library of Uppsala: exhibition arranged for the Sixth International Congress of music librarians by Åke Davidsson1962Collection (editor) (Other (popular science, discussion, etc.))
  • 11.
    Edling, Anders
    Uppsala University, University Library.
    Musiken på Carolina: utställning i Uppsala universitetsbibliotek 4 juni-30 september 19911991Collection (editor) (Other (popular science, discussion, etc.))
  • 12. Eklund, Karl Johan
    Johan Niclas Cahman och orgeln i Leufsta bruk2016Collection (editor) (Other (popular science, discussion, etc.))
  • 13.
    Eriksson, Karin
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Omholt, Per Åsmund
    Institutt for folkekultur på Rauland, Høgskolen i Sørøst-Norge.
    Zornmerket, kappleik og kvalite 2016Article in journal (Other (popular science, discussion, etc.))
  • 14.
    Fallahzadeh, Mehrdad
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Linguistics and Philology.
    Hassanabadi, Mahmoud
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Linguistics and Philology.
    SHAMS AL-AṢVĀT2012 (ed. 370)Book (Other academic)
    Abstract [en]

    This study is an attempt to provide a critical edition and English translation of an Indo-Persian treatise entitled Shams al-aṣvāt, a Persian translation-cum-commentary on the monumental medieval Sanskrit musicological work Saṅgītaratnākara of Śārṅgadeva. Shams al-aṣvāt was written in 1698 by Ras Baras, the son of Khushḥāl Khān Kalāvant. The critical edition is followed by an English translation of the edited text.

    The treatise represents the Subcontinent stream of Persian post-scholastic writings on music theory which began in the 16th century and lasted to the middle of the 19th century when Persian lost its status as the literary language of the subcontinent and was replaced by English.

    In the introduction to the critical edition, the editors try to trace the treatise back to the original Sanskrit work and prove that Shams al-aṣvāt is a translation-cum-commentary on Saṅgītaratnākara.

    The most important conclusions drawn in the present study are that Persian translations of Sanskrit music theoretical works were not merely translations but also “harmonizations”, according to the current practice of their time. Furthermore, the present study shows that in order to reconstruct the archetype/autograph regarding musical terms, despite the risk of confusing and mixing newer terms and descriptions with the older ones, an eclectic approach is the most successful and fruitful. Using primary and parallel sources reduces the risk considerably.

  • 15.
    Forsberg, Andreas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Genusframställning i svenska skolsångböcker: En studie av Sjung Svenska Folk 1959-19892016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Syftet med denna studie är att studera genusframställningen i skolsångböcker under tidsperioden 1959-1989. Genom textanalys av sångboksserien Sjung Svenska Folk ska skillnader mellan hur de båda könen framställs påvisas. I studien görs detta utifrån samhällets förväntningar på manliga och kvinnliga egenskaper, yrkesutövning samt maktförhållandet mellan könen. Skolsångböcker har historiskt sett haft en viktig betydelse i förmedlandet av värderingar och i formandet av framtidens samhällsmedborgare. Utifrån analys av sångtexter från fyra olika decennier kan en tydlig skillnad observeras i hur kön framställts. Analysen i studien utgår från tre olika analytiska teman; yttre egenskaper, yrkesutövning och sysslor, samt maktförhållande. Slutsatsen som kan göras utifrån genomförd studie är att Sjung svenska folks sångtexter tydligt är förmedlare av samhällets förväntningar på män och kvinnor, en tydlig genusframställning görs i Sjung svenska folk. Denna framställning medför en reproduktion av genus i form av förväntningar på ett visst köns yttre egenskaper, yrkesutövning och sysslor samt maktförhållandet gentemot det andra könet under respektive decennium. Dock har intressanta avvikelser iakttagits för hur genusframställning skett under de fyra decennierna. Denna avvikelse kan bland annat härledas till 70-talet och framåt.

  • 16.
    Grub, Frank Thomas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages.
    Über die Kehrseiten des Klassik-Betriebs in Ost und West. Andrei Gavrilovs Autobiografie: [Andrei Gavrilov: Tschaikowski, Fira und ich. Erzählung meines Lebens. München: Diederichs, 2014]2015In: Livres – Bücher [. Un supplément du] "Tageblatt", Vol. 21, no Juillet - Août, p. 16-Article, book review (Other (popular science, discussion, etc.))
  • 17.
    Hayashi, Masaki
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Game Design.
    Bachelder, Steven
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Game Design.
    Nakajima, Masayuki
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Game Design.
    Microtone Analysis of Blues Vocal: Can Hatsune-Miku sing the Blues?2014Conference paper (Refereed)
  • 18. Hedell, Kia
    Svenska musikförläggareföreningen genom 75 år2003Book (Other (popular science, discussion, etc.))
  • 19. Hedell, Kia
    et al.
    Heintz, Veslemöy
    På autografjakt i Stallet: rariteter i Musik- och teaterbibliotekets arkiv2011In: Arkiven sjunger: nedslag i svensk musikhistoria, Stockholm: Riksarkivet, 2011, p. 108-119Chapter in book (Other (popular science, discussion, etc.))
  • 20.
    Jansson, Johan
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Social Sciences, Department of Social and Economic Geography.
    Nilsson, Jimi
    School of Business, Economics and Law, Gothenburg University, Sweden.
    Musicians and temporary spaces: The case of music festivals in Sweden2016In: The Production and Consumption of Music in the Digital Age / [ed] Brian J. Hracs, Michael Seman, Tarek E. Virani, New York: Routledge, 2016, p. 144-157Chapter in book (Refereed)
  • 21.
    Johansson, Linus
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Pippi tillbaks in skottlinjen2014In: ProletärenArticle in journal (Other (popular science, discussion, etc.))
  • 22. Johansson, Louise
    Resa med Jenny Lind: sällskapsdamen Louise Johanssons dagböcker1986Book (Other academic)
  • 23.
    Kallin, Linus
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Punky Reggae Party.: Ideologisk och musikalisk jämförelse av reggae och punk.2011Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Kallin, Linus. Punky Reggae Party. Ideologisk och musikalisk jämförelse av reggae och punk. C-uppsats Uppsala universitet, 2011.

    ABSTRACT

    Uppsatsens syfte är att skapa förståelse för musikstilarna reggae och punk och deras respektivesubkulturer. Detta genomförs genom att utforska deras ideologier och se hur dessa speglar sig imusiken för att sedan jämföra och analysera dem med fokus på klass och ras. Uppsatsens fokusligger på musikerna och musiken snarare än andra delar av subkulturen.Den störta likheten mellan de båda subkulturerna var motståndet mot överheten. Dettaspeglar sig i deras kläder, attityd och musik på mer eller mindre subtila sätt. De var även mycketmer klass- och rasmedvetna än de flesta andra populärmusikgenrer och subkulturer vid denna tid.Båda var relativt enkla att spela och således anpassade för folk utan lång musikalisk utbildning.Det som skiljer dem är främst musiken. Reggaens disciplinerade, bakåtlutade gung motpunkens frenetiska, spretiga skrammel. Av olika anledningar sågs genrerna som tydligt ”svarta”respektive ”vita”. Även religionens roll i subkulturen är en stor olikhet då reggaen ofta var tungtreligiös medan punken snarare var irreligiös.

  • 24. Light, Nathan
    Turkestan chinois. Le Muqam des Dolan. Musique des Ouïgours du désert de Taklamakan. (Chinese Turkestan. The Muqam of the Dolan. Music of the Uyghurs of Taklamakan Desert): CD recording review2011In: Asian Music, ISSN 0044-9202, E-ISSN 1553-5630, Vol. 42, no 2, p. 140-143Article, book review (Other academic)
    Abstract [en]

    Turkestan chinois. Le Muqam des Dolan. Musique des Ouïgours du désert de Taklamakan. (Chinese Turkestan. The Muqam of the Dolan. Music of the Uyghurs of Taklamakan Desert). Pierre Bois. Trans. Frank Kane and Mukaddas Mijit. Paris: INEDIT/Maison des Cultures du Monde, 2006. CD-ROM with liner notes in French and English.

    Dolan muqam music from Xinjiang, China, has gained some renown in recent years because it is one of the few suite-like musical forms that has not had to be revived from the moribund condition of other Uyghur muqam traditions. The performers are generally not educated, modernized, urban professionals, but have come in a steady stream from the same social and religious contexts as earlier performers. They are representative of traditional Central Asian performers because they are generally local community members who have spent their lives performing at large dance celebrations. Their heterophonic style of singing is a remarkable contrast to the mostly mono-melodic forms of other Uyghur music, both muqam and folk.

  • 25.
    Ling, Jan
    et al.
    University of Gothenburg.
    Bohlin, Folke
    Lund University.
    Case Chapter 3. Music in the Baltic Region2002In: The Baltic Sea Region: Cultures, Politics, Societies / [ed] Witold Maciejewski, Uppsala: Baltic University Press , 2002, 1, p. 198-205Chapter in book (Other (popular science, discussion, etc.))
  • 26.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    August Lundh: Biografisk artikel2016Other (Other (popular science, discussion, etc.))
  • 27.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Baltzar Knölcke: Biografisk artikel2015Other (Other (popular science, discussion, etc.))
  • 28.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Carl Johan Lewerth: Biografisk artikel2016Other (Other (popular science, discussion, etc.))
  • 29.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Daniel Jeisler: Biografisk text för "Levande Musikarv"2016Other (Other academic)
  • 30.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Gustaf Mankell: Biografiskt text för "Levande musikarv"2016Other (Other academic)
  • 31.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Henrik Tobin Ett gemensamt kosmos. Perspektiv på musik, liturgi och teologi.2017In: Årsbok för Svenskt Gudstjänstliv, p. 255-258Article, book review (Refereed)
  • 32.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Herman Palm: Biografisk artikel2016Other (Other (popular science, discussion, etc.))
  • 33.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Johann Bahr: Biografisk artikel2015Other (Other (popular science, discussion, etc.))
  • 34.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Jonathan Arnold Sacred Music in Secular Society2015In: Årsbok för Svenskt Gudstjänstliv, p. 170-172Article, book review (Refereed)
  • 35.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Jonathan Arnold: Sacred Music in Secular SocietyIn: Literature and TheologyArticle, book review (Refereed)
  • 36.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Messiaen's Les Corps Glorieux: Konserter i Västerås domkyrka, 9 och 23 maj 20152015Other (Other (popular science, discussion, etc.))
  • 37.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Olivier Messiaen's L'Ascension och Messe de la Pentecôte: Konsert i S:t Jakobs kyrka, Stockholm, 30 maj 20152015Other (Other (popular science, discussion, etc.))
  • 38.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Olivier Messiaen's Le Nativité du Seigneur: konsert i Malmö S:t Petri kyrka 14 dec 20142014Other (Other (popular science, discussion, etc.))
  • 39.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Olivier Messiaen's Les Corps Glorieux: konsert i Bergen domkirke 1 nov 2014 inom ramen för festivalen Bergen Kirkeautunnale 20142014Other (Other (popular science, discussion, etc.))
  • 40.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Olivier Messiaen's Livre d'Orgue: Complete performance at Uppsala Cathedral 26 september 20152015Other (Other (popular science, discussion, etc.))
  • 41.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Olivier Messiaen's Livre du Saint Sacrament: Complete performance at Hedvig Eleonora church, Stockholm, 22 november 20152015Other (Other (popular science, discussion, etc.))
  • 42.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Ragnar Althén: Biografisk artikel2016Other (Other (popular science, discussion, etc.))
  • 43.
    Lundblad, Jonas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    The complete organ works by Olivier Messian: Recital nr. 1 of 7. Kungsholms kyrka, Stockholm, 6/1 20152015Other (Other (popular science, discussion, etc.))
  • 44.
    Nilsson, Ann-Marie
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Instrumentbesättningar i tidigare "militäroktetter"2011In: Marschnytt, ISSN 0345-777X, no 156, p. 20-23Article in journal (Other (popular science, discussion, etc.))
  • 45.
    Nilsson, Ann-Marie
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    På jakt efter den gamla blåsoktetten2006In: Inte bara krig: nio föreläsningar i Krigsarkivet, Stockholm: Krigsarkivet , 2006, p. 139-153Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    En redogörelse för författarens musikvetenskapliga forskning om blåsoktetter i Krigsarkivet och för olika typer av källmaterial till gang för sådan och likartad forskning: musikalier, räkenskaper, rullor, orderböcker, kontrakt, foton m.m.

  • 46.
    Nordquist, Gullög
    Uppsala University.
    Allmänna sången 150 år: utställning i Uppsala universitetsbibliotek 29 maj - 22 juni 19801980Book (Other (popular science, discussion, etc.))
  • 47.
    Plebuch, Tobias
    Humboldt University Berlin, Germany.
    Commentary to the Versuch über die wahre Art das Clavier zu spielen2011Collection (editor) (Other academic)
  • 48.
    Plebuch, Tobias
    Humboldt University Berlin, Germany.
    Versuch über die wahre Art das Clavier zu spielen2011Collection (editor) (Other academic)
  • 49.
    Sjösvärd, Thomas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature.
    Svart jul2017In: Flamman, ISSN 1403-7424, no 50, p. 9-12Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    An essay on the song "Fairytale of New York" by The Pogues and Kirsty MacColl.

  • 50.
    Stenström, Thure
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature.
    Juristen i ord, ton och bild.2012In: I lag med böcker.: Festskrift till Ulf Göranson / [ed] Krister Östlund, Uppsala: Uppsala universitet, 2012, p. 323-332Chapter in book (Other (popular science, discussion, etc.))
    Abstract [sv]

    Essän är ägnad jurister vilka genom tiderna ägnat sig åt ordkonst, tonkonst eller bildkonst samt åt porträtt av juristen, domstolsscener etc inom litteraturen och bildkonsten, alltifrån Bibeln och Platon fram till nutiden. Den avslutas med vice häradshövdingen Jacob Åkerhielms försök (år 1748) att på alexandriner versifiera hela 1734 års lag.

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