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  • 1.
    Agnidakis, Paul
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Recension av Carlsson, Bergdahl, Annika & Andersson, Jerker: Hembygd - någonstans i Sverige2013In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 4Article, book review (Other academic)
  • 2.
    Agnidakis, Paul
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Recension av Ericsson, Christer: Bandybaronen i folkhemmet. Familjen De Geer, bruket och folket2015In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 2-3Article, book review (Other academic)
  • 3.
    Andersson, Maj-Britt
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Gårdarna utanvedes: presentation av ett nytt forskningsfält.2003In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 86, no 3, p. 174-177Article in journal (Refereed)
  • 4.
    Andersson, Maj-Britt
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Roland Andersson m fl, Dalmåleri: Dalmålarna-deras liv och verk.2008In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4Article, book review (Other (popular science, discussion, etc.))
  • 5.
    Andersson, Maj-Britt
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Svar till Erik Nordin.2004In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 52-53Article in journal (Other (popular science, discussion, etc.))
  • 6.
    Andersson, Maj-Britt
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Till gårdens prydnad: en jämförande studie av Forsadörrar och Pehr Westman-portaler2006In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 3, p. 139-155Article in journal (Refereed)
    Abstract [en]

    Portals of beauty

    The county of Hälsingland is well-known for its large, red-painted farms decorated with impressing porches. In Forsa though, there are white doors typical for this parish. They are decorated with ornaments like flowers, fabulous beasts and biblical inscriptions. The aim of this essay is to compare doors created by the carpenters in Forsa Jöns Månsson and Jonas Lust with the portals by the artist Pehr Westman in the parish of Hemsö, Ångermanland, at the beginning of the 19th century. The carpenters are studied in their social, economical, cultural and architectural context. Jöns Månsson and Jonas Lust developed characteristic mixtures of rococo, Swedish Classicism, empire for decoration of doors, portals, interiors, and furniture. They belonged to a social category called outsiders who were not farmers but often farm-hands, tenement soldiers and craftsmen. Their work can be studied as artistic interpretations of the local mentality, its normsystem, style-codex. The portals of Pehr Westman in Hemsö, Ångermanland, are considered as independent works by a self-conscious talented artist who did not follow a local aesthetic system. Westman was a farmer himself, but delivered artistically expressiv Gustavian portals to local farmers, mansions, burghers in nearest town Härnösand, and Stockholm, where he also had his education. Pehr Westman introduced the Swedish Classicism in Ångermanland. His local cultural knowledge and the style of the regional rural architecture facilitated his introducation of a new style. Storsnickare in Norrland were stylists in independent pre-industrial communities aware of new fashion styles, and of the different tastes in other parishes and nearest town. The craftsman who was at the one with the aesthetics of the parishioners and could add some innovation, was the most sought after, in Hälsingland as well as Ångermanland.

  • 7.
    Arvastson, Gösta
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Himlens ordning2014In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 97, no 4Article in journal (Refereed)
  • 8.
    Arvastson, Gösta
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Jonas Frykman: Berörd. Plats, kropp och ting i fenomenologisk kulturanalys. Carlsson Bokförlag. Stockholm 20122013In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 2, p. 105-107Article, book review (Other academic)
  • 9.
    Asplund Ingemark, Camilla
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Skratt som fastnar: Kulturella perspektiv på skratt och humor2017In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 2, p. 113-115Article, book review (Other academic)
  • 10.
    Bodén, Daniel
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology. Uppsala university.
    Institution2013In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, ISSN 0035-5267, no 1, p. 43-45Article, book review (Other academic)
    Abstract [sv]

    Recension av Jönsson, Persson och Sahlins bok om institutionsbegreppet - Institution.

  • 11.
    Edquist, Samuel
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of History.
    recension av Torbjörn Andersson, Kung Fotboll. Den svenska fotbollens kulturhistoria från 1800-talets slut till 1950, Stockholm/Stehag 20022002In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 3Article, book review (Other academic)
  • 12.
    Fiebranz, Rosemarie
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of History.
    Självmord under arbetet: Berättelsen om hustru Karin Eriksdotters nesliga hädanfärd, Gärde i Bjuråkers socken pingstafton 17602002In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4, p. 212-221Article in journal (Other academic)
  • 13.
    Garberding, Petra
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Den nazistiska raspolitiken - "en förolämpning mot majoriteten av det tyska folket": 1930-talets föreställningar om vetenskap, politik, kultur och ras i det svensk-tyska samarbetet inom folkminnes- och folklivsforskningen2010In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4, p. 193-209Article in journal (Refereed)
  • 14.
    Hellsing, My
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Edman, Victor: Sjuttonhundratalet som svenskt ideal. Moderna rekonstruktioner av historiska miljöer2010In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 4, p. 246-248Article, book review (Other academic)
  • 15.
    Hellsing, My
    Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap.
    Gudrun Andersson: Stadens dignitärer: den lokala elitens statur- och maktmanifestation i Arboga 1650-17702010In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 57-59Article, book review (Other academic)
  • 16.
    Lindelöf, Karin S.
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Centre for Gender Research.
    Woube, Annie
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Centre for Gender Research.
    Tjejhelg, umgänge - och ett lopp: Tjejlopp som en modern husmorssemester2017In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 2, p. 65-84Article in journal (Refereed)
  • 17. Meurling, Birgitta
    Med sportbil genom Europa: En förälskad kvinnas resebrev från 1950-talet2016In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 3, p. 129-156Article in journal (Refereed)
    Abstract [sv]

    When my father Hans died in 1997 he left behind a wooden box containing sixteen love letters from a woman, Mimmi (fictive name), whom he had met as a young clergyman in the 1950s. Mimmi, who was about the same age as Hans, was a well-educated woman with a university degree and a part time job at a publishing house in Stockholm. She had married well when marrying Anders (fictive name), who belonged to a welthy upper class family. The family owed several estates in the middle of Sweden and the young couple spent a lot of time in the family properties, when not working in Stockholm. Hans worked  for some time in the parish nearby the manor house that Mimmi and Anders used to visit on a regular basis and Mimmi seem to have fallen in love with him. As I do not have any letters from Hans to Mimmi it is not possible say if he had fallen in love, but reading between the lines I think he must have been interested.

     

    Five of Mimmi’s letters describe how Mimmi and Anders travelled in a sportscar through Europe for some months in the autumn of 1953. The young couple started their journey in Sweden, went through West Germany and Austria and stopped in Positano at the Amalfi coast in Italy before they went back to Sweden. Mimmi presents in a humous way the landscape they travel through and the people they meet. Villages, small towns and cities, such as St. Wolfgang, Venice and Naples, are vividly described as are, with a great deal of self-irony, Anders’ and Mimmi’s relationship and their ”conversation” with their absent friend Hans, whom Mimmi seem to long for a lot.

     

    The letters also give information about the couple’s life style, that partly seems to be bohemian, partly bourgeoise or aristocratic. There is wine, liqeur and something called ”snow”. Snow seems to be some kind of medicine, maybe Fenedrin, that was forbidden in Sweden and several other European countries in the early 1950s.

     

    Letters do not actually tell us what it was like to live in the past, but they give us information about the author’s everyday life, thoughts, feelings and attitudes. They reveal some truths, conceal others and are part of the writer’s construction of identity. Mimmi was a woman in love and she missed Hans during the journey through Europe, but what I think she missed the most is, in Virginia Woolf’s words, a room of her own. As a well-educated woman with no children to look after she wanted to be something more than merely Anders’ beautiful wife. In her letters she shows that she is an intellectual person with good linguistic skills and a certain interest in cultural and religious issues. For a period Hans was her listener. Mimmi did not leave Anders and in the beginning of the 1960s Hans married my mother to be.

     

     

  • 18.
    Pripp, Oscar
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Cultural Anthropology and Ethnology.
    Elisabeth Högdahls ”Att göra gata”2005In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 23-26Article, book review (Other academic)
  • 19.
    Ronström, Owe
    Gotland University, School of the Humanities and Social Science.
    Intressedominas och motivattraktion: form och innehåll i Albert Eskeröds Årets äring2008In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 91, no 2, p. 85-93Article in journal (Refereed)
    Abstract [en]

    This article discusses goals and aims as well as ideas about meaning, form and content in Swedish ethnology. The central question concerns whether artefacts, objects, forms should be treated as primary objects of study or as secondary, signs or symbols of an underlying level of content or meaning. A common understanding among Swedish ethnologists is that while earlier ethnologists were mainly occupied with ‘form’ at a ‘surface level’, modern ethnology, from around 1970 and on, became more occupied with ‘content’ and ‘meaning’, at a deeper underlying level. In a similar vein earlier ethnology is described as ‘positivistic’, concerned with the world as an objective ‘outer’ phenomenon, while contemporary ethnology is described as ‘fenomenological’, concerned more with the world as an inner phenomenon.

    Questioning this figure of thought, the author goes on to discuss Albert Eskeröds ”Årets äring”. This dissertation from 1947 is surprisingly ‘modern’, neither “positivistic”, nor occupied with form at a surface level. Eskeröd strongly critizises earlier ethnological practices and notions, especially that of survival, and clearly heralds “modern ethnology”, by his strong focus on meaning, and in his ambition to anchor ‘meaning ’in perspectives borrowed from social psychology and structural functionalism.

  • 20.
    Ronström, Owe
    Gotland University, School of the Humanities and Social Science.
    Recension av Dragan Nikolic: Tre städer, Två broar och ett museum2013In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 29-34Article, book review (Other academic)
  • 21.
    Ronström, Owe
    Gotland University, School of the Humanities and Social Science.
    Si si komplejni: klapplekar och globalisering på 1980-talets svenska skolgårdar2010In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 1-17Article in journal (Refereed)
    Abstract [en]

    The article discusses aspects on children’s games. The opening overview concludes that while some old games such as ball games, chasing, swinging games etc, still are practiced in Swedish schoolyards in the 1980´s, other have more or less disappeared, such as singing games. Among newer types of games the article discusses jump-rope games, “twist”-jumping games, and, in greater detail, a new type of clapping games with funny words and exciting rhythms that swept over Sweden in the 1980’s. It is concluded that these games show Afro-American characteristics; that at least some of them can be traced to the 1950’; that they were introduced  in the early 1980’s by girls of 8 to 13 years; and that they spread horizontally, from child to child, in institutional contexts, such as scout camps, riding camps, and schools. While to a certain degree the new clapping games build on old formulas and structures, most of them were considered new and clearly different from traditional Swedish games of the 1800th and early 19th century in Sweden. A reason for their fast spread and wide popularity is that they point towards the modern, urban and international, and especially to Afro-American popular culture. It is argued that yet another reason for the popularity of the new clapping games are that they are especially well adapted to the growing demands on children’s use of body, space and time, that in the 70’s and 80’s became institutionalised in day-care settings, schools and camps. In conclusion, the author discusses clapping games as an example of globalisation in the schoolyards, where they, together with pop music and film, constituted a not only a marked difference to older cultural forms, but also a symbol of thorough-going changes in the life-worlds of Swedish school-children.

  • 22.
    Widén, Per
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History.
    Kulturarvsturism innan massturismen: Besökare på kungliga slott ca. 1750-18702017In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 100, no 3, p. 150-162Article in journal (Refereed)
    Abstract [en]

    Heritage tourism before the age of mass tourism – visitors to Swedish Royal Palaces c. 1750-1870

    The early 19th century saw an increasing number of visitors to the royal palaces of Sweden. Much like the situation in Great Britain or the German states, people from the lower middle strata of society and upwards went on short weekend holidays to enjoy the countryside and each other’s company – and to visit a royal palace. The aim of the visits seems to have been to experience history and to some degree art. The royal connection of the palaces seems to have been secondary though, although the court and monarchy tried to inscribe themselves as part of the historical heritage as a way of using the interest in the palaces to their favor.

    The court met the public interest by opening up the palaces to what seems like a higher degree than earlier, and by having guidebooks that describes the palaces and their surroundings written and sold on site. To make the visits possible an infrastructure of for example inns were visitors could eat and lodge, and palace custodians that could show visitors around in the palaces was established, some on the initiative of the court, some of private origin. Around 1820 steam boat lines started their traffic in the area around Stockholm, and after a few years most of the royal palaces were connected to the capital on a regular basis. This did of course make palace visits even cheaper and obtainable even for the lower classes.

    This early form of tourism, short recreational travel to what can be called heritage sites, forms a background and gives the preconditions to the late 19th century tourism to dramatic mountain- and coastal areas. The goal in both cases were, in some ways, to get to know the nation – either its history or its geography.

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