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  • 1. Sundberg, Johan
    et al.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Richter, Bernhard
    Sopranos with a singer's formant?: Historical, Physiological, and Acoustical Aspects of Castrato Singing2007In: QPSR, 49, 2007, 2007, 1-6 p.Conference paper (Refereed)
  • 2.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Bellman : en historia2007Other (Other (popular science, discussion, etc.))
  • 3.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Det tredje könet: mellan dyrkan och förakt2004Book (Other (popular science, discussion, etc.))
  • 4.
    Tråvén, Marianne
    Stockholms universitet.
    Don Giovanni - Don Juan: om översättning av musikaliskt bunden text : en studie av Mozarts Da Ponte-opera Don Giovanni i sex svenska översättningar1999Doctoral thesis, monograph (Other academic)
  • 5.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    En svensk diplomats dagbok: Musik i 1750-talets Madrid2011In: Arkiven sjunger: nedslag i svensk musikhistoria / [ed] Riksarkivet, Stockholm: Riksarkivet , 2011, 32-59 p.Chapter in book (Other academic)
  • 6.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Formed to Perform: Educating Students at the Opera School in Stockholm 1773-18502012In: Opera on the Move in the Nordic Countries during the Long 19th Century / [ed] Anne Sivuoja et al., Helsinki: Sibelius Academy, 2012, 1, 50-82 p.Chapter in book (Refereed)
  • 7.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Getting emotional: Mozart's 'Turkish' Operas and the Emotive Aspect of Slavery2012In: Ottoman Empire and European Theatre, Vol. 1: The Age of Sultan Selim III and Mozart (1756-1808) / [ed] Michael Hüttler & H. E. Weidinger, Wien: Hollitzer Verlag , 2012, 1Chapter in book (Refereed)
  • 8.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Getting emotional: Mozart's Turkish Operas and the Emotive Aspect of Slavery2009In: Ottoman Empire and European Theatre / [ed] Don Juan Archive Vienna, Vienna: Don Juan Archive , 2009Conference paper (Refereed)
  • 9.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Indianer och afrikaner intar Hornsgatan: Två målningar efter förlagor av den italienske konstnären Jacopo Amigoni.2007In: Blick, ISSN 1652-8328, Vol. 4, 28-35 p.Article in journal (Other academic)
  • 10.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Mozarts musikaliska retorik: En studie av musikaliskt avbildande element i Mozarts operor2011In: Sjuttonhundratal: Nordic Yearbook for Eighteenth-Century Studies 2011 / [ed] David Dunéer, Uppsala: Svenska sällskapet för 1700-talsstdier , suomen 1700-luvun tutkimuksen scura, Norsk selskap for 1700-tallsstudier , 2011, 209-225 p.Chapter in book (Refereed)
    Abstract [en]

    This article investigates and describes the components of Wolfgang Amadeus Mozart’s musical rhetoric as they are visible in his operas from Zaide (1780) to Die Zauberflöte (1791). The relationship between verbal text and musical text is in these operas especially intimate, and Mozart used the musical text to illustrate, paint and comment the verbal text. Mozart’s views on the compositional process, visible in his letters, rested on the notion that music should portray the characters, emotional content and action of the play, all within the harmonic laws of the time. To achieve that he used a combination of traditional musical rhetoric figures, conventions understood by his contemporaries, paralinguistic elements such as emotional prosody, and extralinguistic elements such as musical gesture, to portray actions and objects as well as concepts.

  • 11.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Musical Rhetoric - The Translator's Dilemma: A Case for Don Giovanni2006In: Song and Significance, Amsterdam: Rodopi , 2006Conference paper (Refereed)
  • 12.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Paralinguistic and Extralinguistic Structures in Mozart's Operas2002Conference paper (Refereed)
  • 13.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    The importance of Musical Rhetoric when Translating Mozarts Opera Don Giovanni2000Conference paper (Refereed)
  • 14.
    Tråvén, Marianne
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    The Third Gender : Between Adoration and Contempt.2004Other (Other (popular science, discussion, etc.))
1 - 14 of 14
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