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  • 1.
    Arwill-Nordbladh, Elisabeth
    et al.
    Göteborg universitet, Institutionen för historiska studier.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Affective interventions and ‘the hegemonic other’ in runestones from Västergötland and Södermanland, Sweden2021Ingår i: Current Swedish Archaeology, ISSN 1102-7355, Vol. 29, nr 1, s. 155-182Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    In the eleventh century AD, the Scandinavian countries were in the final stage of the process of conversion to Christianity. Local and regional processes of negotiations towards a Christian hegemony took various courses in different parts of Scandinavia. There are few substantial indications that social tensions resulted in violence. Rather, archaeological evidence indicates a gradual change. This paper highlights how these processes of negotiations were expressed by counter-hegemonic groups that took advantage of the affective affordances of runestones. By raising specific runestones, these non-Christian groups were part of an agonistic political process, as described by the political philosopher Chantal Mouffe.

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  • 2.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Art as entangled material practices: The Case of Late Iron Age Scandinavian Gold Foil Figures in the Making2019Ingår i: Artistic Practices and Archaeological Research / [ed] Dragos Gheorghiu, Theodor Barth, Oxford: Archaeopress, 2019, s. 21-30Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    This paper discusses Late Iron Age gold foil figures from Scandinavia. The figures can be described as tiny humanoid beings stamped on very thin gold foil. They date to c. AD 550–800, and are commonly interpreted in representationalist ways, and as being symbols. By contrast, this paper starts from the assumption that art and imagery are simultaneously material, affective and emergent. As a consequence the gold foil figures are seen as to be continuously in the making, where Karen Barad’s concepts of intra-action and agential realist ontology are especially helpful to illuminate the open-ended and generative character of the figures.

  • 3.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Diskussion: Den ontologiske vendingen i arkeologien2015Ingår i: In Situ. Västsvensk arkeologisk tidskrift, ISSN 1403-4964, s. 115-117Artikel i tidskrift (Refereegranskat)
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  • 4.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Estrid - moder, mäktig och maskulin?: Berättelser om en rekonstruktion av en senvikingatida kvinna2016Ingår i: Fiktion och verklighet: Mångvetenskapliga möten / [ed] Anna Bohlin och Lena Gemzöe, Göteborg - Stockholm: Makadam Förlag, 2016, s. 195-210Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    This paper investigates the stories that unfold and are created after an excavation in 1990s in Sweden of a few Late Viking Age burials. The excavation is followed by excavation reports, articles and an exhibition that also showcases a reconstruction made of one of the buried persons. The analysis is made from three perspectives; from the archaeological, the museum and the municipality. It is demonstrated that the stories presented on different levels contain both fictional and factual components. By acknowledging this, it is argued, it is possible for everyone to become involved in the interpretations and discussions of the past. The research paper appears in an inter-disciplinary book where several researchers from different academic disciplines investigate what is fiction and what is reality in a variety of societal areas, and how the relationship between the two concepts fiction and reality is full of tensions.

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  • 5.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Handlingar på gränsen: En hypotes kring hetero- och homoerotiska uttryck på heliga Helgö och närliggande Hundhamra under yngre järnålder2014Ingår i: Med hjärta och hjärna : En vänbok till professor Elisabeth Arwill-Nordbladh / [ed] Henrik Alexandersson, Alexander Andreeff & Annika Bünz, Göteborg: Göteborgs universitet, 2014, s. 259-275Kapitel i bok, del av antologi (Övrigt vetenskapligt)
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  • 6.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Härjad hög i Hallunda: Arkeologisk undersökning av anläggning 34 från yngre järnålder på gravfält RAÄ 75, Hallunda, Botkyrka sn, Södermanland2000Rapport (Övrigt vetenskapligt)
    Abstract [sv]

    På ett gravfält, RAÄ 75, beläget ca 200 meter sydost om Hallunda gård, Botkyrka sn, Södermanland, upptäcktes att en gravhög, nr 34, ca 9 m i diameter och 1 m hög, i mitten hade en kraftig grop, där såväl ett fåtal brända ben som keramikskärvor var fullt synliga i gropens ytskikt.  Därför genomfördes en utgrävning av hög nr 34, då det befarades att graven i sitt utsatta skick snart skulle vara helt förstörd.

    Gravhögens plundringsgrop synes ha uppkommit dels i omedelbar nutid och dels i äldre historiska tider då den fungerat som potatiskällare. Trots högens omfattande skador eller mångskiftande användningsområden (och därmed mångtydigheter), var en liten del av brandlagret intakt. Här anträffades rikligt med brända ben, flera järnföremål, såsom nitar och stift, keramikskärvor samt kamfragment och textilfragment av silke av hög kvalitet, där textilanalys utförts av Anita Malmius. Utifrån analyser av fynden har gravhögen daterats till vikingatid.

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  • 7.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Images in the Making2019Ingår i: Tidens landskap: En vänbok till Anders Andrén. / [ed] Ljung, C., Sjögren, L., Berg, I., Engström, E., Hållans-Stenholm, A.-M.,Jonsson, K.,Klevnäs, A.,Qviström, L. and Zachrisson, T., Lund: Nordic Academic Press , 2019, s. 147-149Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    The article discusses Scandinavian gold foil figures of the Vendel Period (c. AD 550-800) through the lense of Karen Barad's concepts of intra-action and phenomenon.

  • 8.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Materials of Affect: Miniatures in the Scandinavian Late Iron Age (AD 550-1050)2013Ingår i: Archaeology after interpretation: Returning materials to archaeological theory / [ed] Alberti, Benjamin, Jones, Andrew Meirion and Pollard, Joshua, Walnut Creek, California: Left Coast Press Inc., 2013, s. 325-344Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    This paper discusses Scandinavian gold foil figures – small human-like figures hammered or cut out of thin foil – from the early part of the Scandinavian Late Iron Age (AD 550--1050) from a relational perspective. Earlier interpretations largely approach them as symbols and representations, which downplays a practice or performative role, and results in static or embalmed objects. In this paper the affective dimensions of the figures are discussed as well as some of the myriad rhizomatic relations that were generated through processes of making, manipulation and visual encounter. It is argued that during the Late Iron Age in Scandinavia certain human beings and gold foil figures were ontological equivalents. It is further argued that ontological equivalence also included other spheres; these were considered equivalent because the same desirable properties of wealth and regeneration were seemingly produced by different technical processes with different materials. Hence the processes of formation were primary, not states of matter. Seen this way gold foil figures go far beyond our contemporary understanding of representations.

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  • 9.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    More Theory for Mortuary Research of the Viking World2016Ingår i: European Journal of Archaeology, ISSN 1461-9571, E-ISSN 1741-2722, Vol. 19, nr 3, s. 519-531Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This themed journal issue provides many examples of ways forward in the study of death and memory in the Viking world. While all contributions demonstrate that there are exciting new ways to study remains from funerary contexts that focus on different forms of citation involving material culture and monuments, this article will very briefly discuss dimensions that have not been addressed here. Specifically, it showcases how the mortuary citations approach can also use post-humanist theory for further development and exploration of mortuary practices in the Viking world. Although short, this article discusses rune stones, particularly rune stones with kuml inscriptions, which I have examined elsewhere.

    The term kuml appears on contemporary rune stones; it refers to different material entities such as rune stones, mounds/cairns, and other standing stones. The being and becoming of kuml is briefly discussed through the concepts of intra-action and agential cuts championed by Karen Barad.

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  • 10.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Review of Ruth M. Van Dyke, ed. Practicing Materiality, Tucson: The University of Arizona Press, 2015.2017Ingår i: European Journal of Archaeology, ISSN 1461-9571, E-ISSN 1741-2722, Vol. 20, nr 1, s. 168-171Artikel, recension (Övrigt vetenskapligt)
  • 11.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    The Social Qualia of Kuml: An Exploration of the Iconicity of Rune-stones with Kuml Inscriptions from the Scandinavian Late Viking Age2016Ingår i: Current Swedish Archaeology, ISSN 1102-7355, Vol. 23, s. 157-178Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article discusses qualitative experiences (qualia) of Scandinavian Late Viking Age runestones from a semiotically theorized perspective. Rune-stones with kuml inscriptions receive particular attention. Despite the fact that kuml referred to different material entities, such as rune-stone, other standing stones, and/or grave, it is suggested that they resembled one another on iconic grounds. The quality associated with the multiple qualia was a sensation of safety that resulted in shared experiences that had positive social values. The article demonstrates that the semiotics of Peirce can be of great value to archaeologists who want to delve deeper into the social analysis of things.

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  • 12.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia.
    Walking Down Memory Lane: Rune-Stones as Mnemonic Agents in the Landscapes of Late Viking-Age Scandinavia2015Ingår i: Early Medieval Stone Monuments: Materiality, Biography, Landscape / [ed] Howard Williams, Joanne Kirton and Meggen Gondek, Woodbridge: Boydell & Brewer, 2015, s. 62-86Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    The archaeological approach adopted in this contribution wishes to explore the mnemonic agency of the rune-stones through highlighting some of the myriad rhizomatic relations that were generated through the embodied processes of making, staging and encountering rune-stones. It equally emphasises that memory work is practical, performative and therefore necessarily embodied in its constitution.

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  • 13.
    Back Danielsson, Ing-Marie
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Jones, Andrew MeirionSouthampton University, United Kingdom.
    Images in the Making: Art, Process, Archaeology2020Samlingsverk (redaktörskap) (Refereegranskat)
    Abstract [en]

    This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies ranging from prehistoric Britain, Scandinavia, Iberia, the Americas, and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a new materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb ‘imaging’ to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections ‘Emergent Images’ which focuses on practices of making; ‘Images as Process’ which examines the making and role of images in prehistoric societies; and, ‘Unfolding Images’ which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognize the dynamic and changeable character of images.

  • 14.
    Back Danielsson, Ing-Marie
    et al.
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Jones, Andrew Meirion
    Southampton University.
    Introduction2020Ingår i: Images in the making: Art, process, archaeology / [ed] Ing-Marie Back Danielsson & Andrew Meirion Jones, Manchester: Manchester University Press, 2020Kapitel i bok, del av antologi (Refereegranskat)
    Abstract [en]

    This introduction addresses and challenges long held assumptions concerning archaeological art and images, and offers new ways to approach and understand them. It is less concerned with the thorny question of defining art, and instead primarily focus on images. We develop approaches that enable us to follow images in their making, their unfolding, their transformation, their multiplicity. We also discuss how images can be understood, given that they appear to be in constant motion.

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    Front matter and abstract
  • 15.
    Dawson, Ian
    et al.
    Winchester School of Arts.
    Back Danielsson, Ing-Marie
    Uppsala universitet, Humanistisk-samhällsvetenskapliga vetenskapsområdet, Historisk-filosofiska fakulteten, Institutionen för arkeologi och antik historia, Arkeologi.
    Jones, Andrew Meirion
    Stockholm University.
    Minkin, Louisa
    Central St martins, University of the Arts, London.
    Reilly, Paul
    Southampton University.
    Diffracting Digital Images in the Making2021Ingår i: Visual Resources, ISSN 0197-3762, E-ISSN 1477-2809, Vol. 37, nr 1, s. 31-43Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This paper presents a diffractive dialogue between ethnographic accounts of imagery, digital or computational imaging, and art and archaeology practices. It develops the notion of images in the making in the context of the digital domain, to discuss what an image is and can be today. It focusses on two digital imaging techniques developed within archaeology and cultural heritage – Reflectance Transformation Imaging (RTI) and Structure from Motion photogrammetry (SfM) – exploring how these techniques play out in heritage and art world contexts and practices. The paper highlights digital images as unstable compositions, and explores how digital images in the making enable us to reconsider the shifting temporal character of the image, and discuss the way in which the digital image forces us to disrupt the representational assumptions bound up in the relationship between the virtual and the actual. The authors argue that the diffractive moments in these encounters between archaeology and art practice disclose the potential of digital imaging to recursively question the complex ontological composition of images and the ability of images to act and affect.

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