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  • 1.
    Bonds, Mark Evan
    et al.
    Univ N Carolina, Chapel Hill, NC 27515 USA.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Ginsborg, Hannah
    Univ Calif Berkeley, Berkeley, CA 94720 USA.
    Levitz, Tamara
    UCLA, Los Angeles, CA USA.
    Landerer, Christoph
    Austrian Acad Sci, Inst Kunst & Mus Hist Forsch, Vienna, Austria.
    Zangwill, Nick
    Univ Hull, Kingston Upon Hull, N Humberside, England.
    Absolute Music: The History of an Idea2017In: British Journal of Aesthetics, ISSN 0007-0904, E-ISSN 1468-2842, Vol. 57, no 1, p. 68-95Article, book review (Other academic)
  • 2.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    A Dinner Engagement2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6068, p. 12-12Article in journal (Other (popular science, discussion, etc.))
  • 3.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    A fair hearing: Review of Mozart, Così fan Tutte, ENO, and Strauss, Der Rosenkavalier, Glyndebourne2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
  • 4.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    A Passion beyond our reach2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of John Adams, The Gospel According to the Other Mary

  • 5.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Absolute programme music2017In: British Journal of Aesthetics, ISSN 0007-0904, E-ISSN 1468-2842, Vol. 57, no 1, p. 71-75Article in journal (Refereed)
    Abstract [en]

    Mark Evan Bonds’ recent book, Absolute Music, deepens considerably the historical context within which Eduard Hanslick’s famous treatise on musical beauty can be read. This paper argues that, with the aid of this expanded context, we can understand Hanslick’s treatise to have provided contemporary and subsequent audiences with a kind of meta-programme for listening to symphonic and other non-texted music. That is to say, Hanslick’s text arguably informed and directed the way audiences came to listen to instrumental music by furnishing them with imaginative constructs (about musical form and its spiritual significance) which could then be applied to the practice of musical listening. In much the same way as the texts which supply the poetic scenarios of so-called programme music, Hanslick’s ‘meta-programme’ became indispensable to an expanding culture of musical listening in the second half of the 19th century and beyond beyond. My claim thus contradicts the well-known formalist tenets of Hanslick’s musical aesthetics.

  • 6.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    “Almost Miraculous”: Britten’s Music for Orchestra2013In: Britten’s Century / [ed] Mark Bostridge, London: Bloomsbury Academic, 2013, p. 144-156Chapter in book (Refereed)
  • 7.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Anthropocene2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6044, p. 24-24Article, book review (Other academic)
  • 8.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Art and the prevention of imagination2016Conference paper (Refereed)
    Abstract [en]

    The idea that the experience of art makes use of our imagination is deeply ingrained in Western thinking about all artforms. Indeed, the notion that art stimulates the imaginations of its audiences, spectators and readers is widely promoted as being one of the principle benefits it brings both to societies and individuals. 

     

    Certainly, it would be hard to deny that the making of works of art does indeed involve imagination. Making a work of art involves, after all, a degree of invention and a weighing up of possibilities. Describing such a process would arguably necessarily involve reference to something like a concept of imagination. However, our assumption that the consumption of art necessarily involves imagination may be less secure.  My paper argues that while the consumption of art may “stimulate” our imagination in a general sense, the way in we typically experience artworks is marked not by the freeing up of imagination but by its curtailment. That is to say, aesthetic experience is marked not by an increase but by a decrease in imaginative activity.

     

    My argument will be pursued as follows. First I will outline a rough working concept of the imagination which aligns a classic definition (Scruton) with the idea that the imagination functions to regulate and improve everyday perception (it arises as a result of our evolved ability to doubt or reflect critically upon our perceptions). Second I will briefly compare the imagination’s role in some examples of everyday perception with some examples of artistic perception drawn from music, film, literature and painting. Third, I will outline an analytic argument according to which aesthetic experience is related to the perception of particular features as necessary and desirable. In this way I claim that states of extreme aesthetic engagement – where we are, for example, “transfixed” or “transported” by a work – require by definition a suspension and curtailment of imaginative activity. 

  • 9.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    BEING WAGNER: The triumph of the will2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5957, p. 20-22Article, book review (Other academic)
  • 10.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Carnival and commedia: Review of Berlioz, Benvenuto Cellini, London Coliseum, and Offenbach, Vert-Vert, Wormsley Park2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
  • 11.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Criticism as retrieval, criticism as renewal2015Conference paper (Refereed)
    Abstract [en]

    In this paper I contrast Richard Wollheim's concept of art criticism as retreival with a revised version where criticism is accorded a more creative function 

  • 12.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Cyborgs and psychopaths2016In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Rolf Wallin, Elysium, and Modest Mussorgsky, Boris Godunov, performed at Norwegian National Opera House and Royal Opera House, London

  • 13.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Don Giovanni: English National Opera2016In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5923, p. 22-22Article, book review (Other academic)
  • 14.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    DONNERSTAG AUS LICHT Royal Festival Hall2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6062, p. 22-22Article, book review (Other (popular science, discussion, etc.))
  • 15.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    E lucevan le stelle: La Forza Del Destino, Giuseppe Verdi2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6053, p. 18-18Article, book review (Other academic)
  • 16.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    E lucevan le stelle: Libuše, Bedrich Smetana2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6053, p. 18-18Article, book review (Other academic)
  • 17.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Earth-bound emotion2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Verdi, I Due Foscari, Royal Opera House, London

  • 18.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Embroidery of inestimable value: Chromatic fireworks from the pit in a new production of Wagner’s ‘Romantische Oper’2018In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, Vol. June 22, no 6012, p. 20-20Article in journal (Other academic)
  • 19.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Fishing for Arias2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Shostakovich, Lady Macbeth of Mtsensk, Oslo Opera House

  • 20.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Freedom and passion, not peace: A Long-Neglected Opera, Marked By The Absence Of Dmitri Hvorostovsky2018In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6005, p. 18-18Article in journal (Other academic)
  • 21.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Freedom Obtained Through Love2014In: Wagner: Tristan und Isolde: Royal Opera House Programme, London: Royal Opera House , 2014, p. 38-43Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    Analysis of philosophical background to Wagner's Tristan und Isolde

  • 22.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Gardening Classes2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Mozart, La Finta Giardiniera, Glyndebourne Festival Opera

  • 23.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Gods and monsters2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Mozart, Idomeneo, Royal Opera House

  • 24.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Uppsala Univ, Uppsala, Sweden..
    Hamlet: From his lowest note to the top of his compass2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5960, p. 21-22Article, book review (Other academic)
  • 25.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Happily ever after2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6068, p. 12-12Article in journal (Other (popular science, discussion, etc.))
  • 26.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    How they came to be where they are: The comic and the tragic in Beckettian stalemate in György Kurtág’s first opera2018In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6034, p. 20-21Article, book review (Other (popular science, discussion, etc.))
  • 27.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    In the beginning was the deed: review of Szenen Aus Goethes Faust2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5978, p. 22-23Article in journal (Refereed)
  • 28.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Inconceivable Grace: Review of Schoenberg, Moses und Aron (Cardiff) and Poulenc, Dialogues des Carmélites (London)2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
  • 29.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Lessons in love and life2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6090, p. 30-31Article in journal (Other (popular science, discussion, etc.))
  • 30.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Letters gone astray: [Review of: Das Jagdgewehr, Carmen, The Barber of Seville]2018In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6024, p. 19-19Article, book review (Other academic)
  • 31.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Lions and villains2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Verdi, Otello, London Coliseum, and Otello, ed Gary Kahn, Overture Opera Guides

  • 32.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Crit Circle, Mus Sect, Uppsala, Sweden..
    Madam Butterfly2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5942, p. 22-22Article, book review (Refereed)
  • 33.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Marnie2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5982, p. 24-24Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Nico Muhly MARNIE, English National Opera.

  • 34.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Mythical spaces: Opera, from an organ room to an ice rink2018In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6016, p. 20-20Article in journal (Other (popular science, discussion, etc.))
  • 35.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Nightmare heroics2015In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Rossini, Guillaume Tell, Royal Opera House, London, and Verdi, Aida, Opera Holland Park

  • 36.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Not so subtle tragedies2015In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Bartok, Le Chateau de Barbe-Bleu and Poulenc, La Voix Humaine, Palais Garnier, Paris, and Mascagni, Cavalleria Rusticana, and Leoncavallo, Pagliacci, Royal Opera House, London

  • 37.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Oedipus and Free Will2016In: George Ensescu and Edmund Fleg: Oedipe: Royal Opera House Programme Book, London: Royal Opera House , 2016, p. 38-43Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    Analysis of the concept of free will in relation to the myth of Oedipus and its ancient and modern handling  

  • 38.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    On the infinite sea2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6057, p. 18-19Article, book review (Other academic)
  • 39.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Guildhall School of Music and Drama.
    Opera and the Limits of Philosophy:: on Bernard Williams's Music Criticism2010In: British Journal of Aesthetics, ISSN 0007-0904, E-ISSN 1468-2842, Vol. 50, no 4, p. 469-479Article in journal (Refereed)
    Abstract [en]

    This paper provides a reading of the opera criticism of Bernard Williams in the light of his philosophical writings. Beginning with the observations that his philosophical writing lacks engagement with musical and aesthetic issues, and his operatic writing appears to present no particular philosophy of the subject, I try to draw together certain themes by mapping Williams's operatic concerns onto his philosophical project more generally. I argue that the 'excessive' nature of the artform—the idea that opera tends to exceed its musico-dramatic functions—was of particular interest to Williams, partly because it resonated with his dislike of easy theoretical solutions to thorny practical issues. More speci cally, Mozart's Cosi fan tutte is related, via the way the way its emotional register exceeds its dramatic context, to the issues examined by Williams in his work on moral luck. Similarly, I discuss the way Williams's essay on Debussy's Pelléas et Mélisande seems to hint at an account of the emotions which is otherwise missing from Williams's oeuvre. 

  • 40.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Operatic Pile-Ups2014In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Puccini, Manon Lescaut, Royal Opera House, London

  • 41.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Uppsala Univ, Philosophy & Mus, Uppsala, Sweden.
    ORPHEE2019In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6087, p. 22-23Article in journal (Refereed)
  • 42.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Out of the Shadows2015In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5870, p. 18-18Article, book review (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Hans Gefors, Notorious, Gothenburg Opera

  • 43.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Passing fancy and passionate intensity: Review of Emmanuel Chabrier, L'Étoile and Umberto Giordano, Andrea Chénier2016In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5889, p. 21-21Article, review/survey (Other academic)
    Abstract [en]

    Review of Emmanuel Chabrier, L'Étoile and Umberto Giordano, Andrea Chénier, performances at the Royal Opera House, London and Leeds Grand Theatre

  • 44.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    PELLEAS AND MELISANDE2018In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 6016, p. 20-20Article, book review (Refereed)
  • 45.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Crit Circle, Mus Sect, London, England..
    Puccini - La Boheme2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5974, p. 19-19Article, book review (Other academic)
  • 46.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Review: L'Invisible2017In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5978, p. 22-23Article in journal (Other academic)
  • 47.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Romantic Fictions2016In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Gaetano Donizetti, Lucia di Lammermoor, at the Royal Opera House, London

  • 48.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Sacrificial Acts2015In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211Article, review/survey (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Donizetti, Poliuto, Glyndebourne Festival Opera; Bizet, Carmen, English National Opera; Gilbert and Sullivan, The Pirates of Penzance, English National Opera. 

  • 49.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Shifts and Shocks: Between Worlds2015In: TLS - The Times Literary Supplement, ISSN 0307-661X, E-ISSN 1366-7211, no 5846, p. 17-17Article in journal (Other (popular science, discussion, etc.))
    Abstract [en]

    Review of Tansy Davies, Between Worlds, Barbican Theatre

  • 50.
    Dammann, Guy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Shostakovich THE NOSE2016In: TLS-THE TIMES LITERARY SUPPLEMENT, ISSN 0307-661X, no 5926, p. 22-22Article, book review (Refereed)
12 1 - 50 of 70
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