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  • 1.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    From Venice to Naples2015In: Early Music, Vol. 43, no 4, p. 703-705Article, book review (Other academic)
  • 2.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    "Obtained by peculiar favour, & much difficulty of the singer": Vincenzo Albrici and the Function of Charles II’s Italian Ensemble at the English Restoration Court2018In: Journal of the Royal Musical Association, ISSN 0269-0403, E-ISSN 1471-6933, Vol. 143, no 2, p. 325-359Article in journal (Refereed)
    Abstract [en]

    This article discusses the function of Vincenzo Albrici and Charles II's Italian ensemble at the English Restoration court. The article cites newly discovered archival evidence to suggest that Albrici arrived at the English court in 1664 to become the leader of an exclusive ensemble performing Italian chamber music. The employment of the Italian ensemble imitated Mazarin's patronage of Italian music at the French court, arguably to rehabilitate the recently restored Stuart dynasty in the eyes of Continental courts. The article suggests that the ensemble performed chamber music privately at court, and also occasionally appeared in the queen's Catholic chapel after 1666. The recruitment of Albrici and the Italian ensemble shows that the English court participated in Continental musical fashions after the Restoration, and illustrates the complex webs of cultural exchange in mid-seventeenth-century Europe.

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  • 3.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Report: The Düben Database Catalogue2012In: Early Music Performer, ISSN 1477-478X, Vol. 31, p. 25-27Article, review/survey (Other (popular science, discussion, etc.))
  • 4. Lebedinski, Ester
    Roman Vocal Music in England, 1660-1710: Court, Connoisseurs and the Culture of Collecting2014Doctoral thesis, monograph (Other academic)
  • 5.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Romersk vokalmusik i England under 1600-talet2015In: Tidig Musik, Vol. 35, p. 28-32Article in journal (Other (popular science, discussion, etc.))
  • 6.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    "The Magnificence of the Sublime": Carissimi's Music in Restoration England2014In: Reappraising the Seicento: Composition, Dissemination, Assimilation / [ed] Andrew Cheetham, Joseph Knowles, Jonathan Wainwright, Newcastle-upon-Tyne: Cambridge Scholars Publishing , 2014, p. 151-180Chapter in book (Other academic)
  • 7.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology. Royal Holloway Univ London, London, England.;Örebro Univ, Sch Mus Theatre & Art, Örebro, Sweden..
    The travels of a tune: Purcell's 'If love's a sweet passion' and the cultural translation of 17th-century English music2020In: Early music, ISSN 0306-1078, E-ISSN 1741-7260, Vol. 48, no 1, p. 75-89Article in journal (Refereed)
    Abstract [en]

    This article discusses Henry Purcell's theatre song 'If love's a sweet passion' (from The Fairy Queen, 1692) and its journey into various contexts in England and abroad. The article analyses the song's appearance in printed songbooks, broadside ballads and single-sheet engravings, and in the Dutch manuscript songbook Finspang 9096:7 (now in Norrkoping, Sweden), to show how the song was adapted to various contexts and conventions. The appearance of 'If love's a sweet passion' in Finspang 9096:7 further suggests that there was greater reciprocity in the exchanges between England and continental Europe than hitherto thought. I nuance this claim by arguing that such exchanges were dependent on translation and mediation by musicians such as John Abell (1653-after 1716) or translators such as Abel Boyer (?1667-1729). Boyer used 'If love's a sweet passion' in his Compleat French-Master (1694) and his French lyrics appear in Finspang 9096:7. The article shows the variety of uses and adaptations of 'If love's a sweet passion' in English and French-language contexts. This both challenges notions of 'elite' and 'popular' music as entirely separate, and invites scholars and performers to imagine Purcell's theatre songs performed and consumed in new ways.

  • 8.
    Lebedinski, Ester
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Victor Brandt (1878–1940)2015In: Levande musikarvArticle, review/survey (Other academic)
  • 9.
    Lebedinski, Ester
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Musicology.
    Laube, Matthew
    University of Cambridge.
    Report: Baroque Conference2012In: Early music, ISSN 0306-1078, E-ISSN 1741-7260, Vol. 49, p. 540-542Article, book review (Other (popular science, discussion, etc.))
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