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  • 1.
    Hedemark, Åse
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Karlsson, Maria
    Unga läser. Läsning, normer och demokrati2017Conference proceedings (editor) (Refereed)
  • 2.
    Hemmungs Wirtén, Eva
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Ryman, MariaUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Mashing-up Culture: the Rise of User-generated Content: Proceedings from the COUNTER workshop Mashing-up Culture, Uppsala University, May 13-14, 20092009Conference proceedings (editor) (Other academic)
    Abstract [en]

    These are the proceedings of the first COUNTER workshop "Mashing-up Culture: The Rise of User-generated Content", Uppsala University, May 13-14, 2009. COUNTER is a European research project exploring the consumption of counterfeit and pirated goods. Sampling, remixing, mash-ups and appropriation are part of the digital creative milieu of the twenty-first century. Sites such as YouTube and deviantART have offered new outlets for creativity and become hubs for innovative forms of collaboration, thus playing their part in challenging modernist notions of what it means to be a creator as well as a consumer. Drawing on this general background, the ten papers presented in these proceedings are examining areas such as: Sampling, mash-ups, and appropriation; Creativity and collaborative practices; Creative Industries and intellectual property; Copyright, Cultural Heritage and Cultural Policy; and Formal and informal regulations of intellectual property. The ten authors are all contributing to an international and interdisciplinary scientific discussion on the mash-up. Mash-ups and user-generated content are social and cultural phenomena which in these papers are put into various contexts, from legal ones, over technology, to the nation as a framework.

  • 3.
    Huvila, Isto
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Holmberg, KimInformation Studies, Åbo Akademi University.Kronqvist-Berg, MariaInformation Studies, Åbo Akademi University.
    Information Science and Social Media: Proceedings of the International Conference Information Science and Social Media ISSOME 2011, August 24-26, Åbo/Turku, Finland2011Conference proceedings (editor) (Other academic)
  • 4.
    Rodéhn, Cecilia
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Att anpassa sig till landskapet - en avancerad form av teknik2002Conference proceedings (editor) (Other academic)
  • 5.
    Rodéhn, Cecilia
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Democracy, Lifelong Learning and Labour Market Policies2010Conference proceedings (editor) (Other academic)
  • 6.
    Rodéhn, Cecilia
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of ALM.
    Transforming Collections : Socio-political discourses of heritage2009Conference proceedings (editor) (Other academic)
    Abstract [en]

    Before and after the South African democratic election in 1994 South African museums had in earnest started to reconsider the production of heritage. This is referred to as Transformation and entails a transition from apartheids racial and unjust society to democracy. Transformation in terms of museums led to a body of negotiations concerning laws, regulations and policy documents aimed to change the outcome of heritage production and find new ways to represent a multicultural South Africa. This paper aims to address Transformation in collections based on field research (2004-2007) carried out in ‘Msunduzi Museum Incorporating the Voortrekker Complex’ and the ‘Natal Museum’ both located in Pietermaritzburg, KwaZulu-Natal, South Africa. The museums represent an Afrikaner respectively an anglophile institutions that has become multicultural institutions. I will exemplify how Transformation in collections was brought about, what was changed and what remained and how the museums negotiated acts and policy documents to alter heritage productions. Coupled with Transformation is the critique of museums as eurocentric, colonial and apartheid productions given negative association. This is employed to polarise Transformation against past eras to locate the political position from where Transformation is argued. However the critique only reflects a simplified version of a complex heritage landscape and I will explain the many similarities in the articulation and consistency of collections in past and present times to highlight the multivocal and complex socio-political transition of South African museums.

1 - 6 of 6
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