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  • 1.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    [Rec. Bokbyggare. Carlssons bokförlag under 30 år, Johanna Dahlin, Gustav Källstrand, Bengt Erik Eriksson, m.fl.]2014In: Biblioteksbladet, ISSN 1651-5447, no 3, 31-31 p.Article, book review (Other (popular science, discussion, etc.))
  • 2.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    En unik författarkarriär: [rec. Lena Lundgren & Lisbeth Wikner, Maria Lang. Vår första deckardrottning]2014In: Upsala Nya Tidning, ISSN 1104-0173, no 24/3Article, book review (Other (popular science, discussion, etc.))
  • 3.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Simone Murray, The Adaptation Industry. The Cultural Economy of Contemporary Literary Adaptation (Routledge Research in Cultural and Media Studies, 32). Routledge. Abingdon & New York 20122013In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, Vol. 134, 378-384 p.Article, book review (Other academic)
  • 4.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Som en roligare och mörkare Hamilton: [rec. Thomas Engström, Söder omhelvetet]2014In: Svenska Dagbladet, ISSN 1101-2412, no 20/8Article, book review (Other (popular science, discussion, etc.))
    Abstract


  • 5.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Thrillertraditionellt av Lapidus: [rec. Jens Lapidus, VIP-rummet]2014In: Upsala Nya Tidning, ISSN 1104-0173, no 20/6Article, book review (Other (popular science, discussion, etc.))
  • 6.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    När succén blir mer intressant än boken2012In: Svenska Dagbladet, ISSN 1101-2412, no 1 nov, 10-11 p.Article in journal (Other (popular science, discussion, etc.))
  • 7.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Detectives in the Literary Market: Statistical Perspectives on the Boom in Swedish Crime Fiction2012In: Scandinavica - International Journal of Scandinavian Studies, ISSN 0036-5653, Vol. 51, no 2, 38-57 p.Article in journal (Refereed)
    Abstract [en]

    Crime novels from Scandinavia are commercial successes all over the world. In Sweden, the dominance of the crime genre on the book market is even more significant. According to Swedish book trade magazine Svensk Bokhandel, twelve of the top twenty books in the bestseller charts of fiction in 2010, were domestic crime novels. This has started intensive debates, where crime novels are blamed for out-competing other genres. Domestic crime fiction has had a commanding position of the commercial side of Swedish publishing business in the 2000s, but this has not always been the case. When did this literary genre-takeover take place? How did it take place? How can it be explained? Even though some research concerning Scandinavian crime fiction has been carried out over the last couple of years, no one has mapped the book market phenomenon as such. This article aims to fill this gap by offering a neutral and extensive description on the role and position of crime fiction in Swedish publishing between 1977 and 2010.

  • 8.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    När profithungern blir obegriplig: [rec: Carolina Neurath, Fartblinda]2016In: Svenska Dagbladet, ISSN 1101-2412, no 29/1Article, book review (Other (popular science, discussion, etc.))
  • 9.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Beck – "myterna"2016In: Flamman, ISSN 1403-7424, no 11/2Article in journal (Other (popular science, discussion, etc.))
  • 10.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Fördjupad Salander banaliserar Millennium: [rec. David Lagercrantz, Det som inte dödar oss]2015In: Flamman, ISSN 1403-7424, no 9/9Article, book review (Other (popular science, discussion, etc.))
  • 11.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Klichéerna tar inte semester: [rec. Mari Jungstedt & Ruben Eliasson, En mörkare himmel]2015In: Svenska Dagbladet, ISSN 1101-2412, no 13/1Article, book review (Other (popular science, discussion, etc.))
  • 12.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Ryssen kommer – igen: [rec. Harry Winter, Operation Garbo, del 1–3]2015In: Flamman, ISSN 1403-7424, no 15/4Article, book review (Other (popular science, discussion, etc.))
  • 13.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Deckardrottningar kontra deckarkungar: Om könsbundna marknadsföringsstrategier i 2000-talets svenska deckargenre2015In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 36, no 3, 29-56 p.Article in journal (Refereed)
    Abstract [en]

    This article deals with the successful Swedishcrime writers and the gendered aspects of how they are marketed towards thereaders in the 2000s. The purpose is to show how Swedish publishers follow distinctgender patterns in their marketing of crime fiction, and to discuss how thisaffects the responses to male and female crime novelists in cultural and mediallandscapes. The empirical material consists of 153 Swedish crime novels,published in paperback between 1998 and 2011. Theoretically, the article connectsto the field of book history insofar as the printed book itself is seen asimportant when it comes to how literary works are perceived by their readers.The results show that male and female authors of crime fiction in general havebeen marketed recognizably different in almost all possible ways. In the books’extra materials and other author-centred peritexts, female authors areassociated with the private and the family related. Male authors, on the otherhand, are most often described as proficient, well writing and engaged insocial criticism. Furthermore, the book covers are clearly gendered: covers bymale authors are darker, more serious and more traditional to the crime genre;covers by female authors are brighter, more “fun” and reminiscent of chick litrather than of traditional crime fiction. The main conclusion is that thegender gap shown in these paperbacks support and maintain the stereotype thatmale and female authors write different types of crime fiction, with maleauthors being valued the most. The paratextual division of male and femalecrime writers, thus, upholds the established and gendered hierarchy in thegenre.

  • 14.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Roman om en rättegång: [rec. Malin Persson Giolito, Störst av allt]2016In: Flamman, ISSN 1403-7424, no 11 augArticle, book review (Other (popular science, discussion, etc.))
  • 15.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Den svenska deckarvågen tar aldrig slut: [essä om den svenska deckarvågens breddning]2016In: Svenska Dagbladet, ISSN 1101-2412, no 20 augArticle in journal (Other (popular science, discussion, etc.))
  • 16.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Algoritmen som bygger en bästsäljare: [rec. Jodie Archer & Matthew L. Jockers, The Bestseller Code: Anatomy of the Blockbuster Novel]2016In: Svenska Dagbladet, no 28 novArticle, book review (Other (popular science, discussion, etc.))
  • 17.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Ett halvt sekel litteratursociologi: En kvantitativ genomgång av skriftserien Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala 1967–20152016In: Spänning och nyfikenhet: Festskrift till Johan Svedjedal / [ed] Gunnel Furuland, Andreas Hedberg, Jerry Määttä, Petra Söderlund & Åsa Warnqvist, Möklinta: Gidlunds förlag, 2016, 482-499 p.Chapter in book (Other academic)
  • 18.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Mordförpackningar: Omslag, titlar och kringmaterial till svenska pocketdeckare 1998–20112016Book (Other academic)
    Abstract [en]

    This study examines how Swedish crime fiction has been packaged in the book trade in the early 2000s. The main material consists of 153 Swedish crime fiction paperbacks published in Sweden 1998–2011 and written by the most successful authors of crime fiction of that period. The term peritext, coined by Gérard Genette, is used to cover all aspects of books that affect the reader apart from the literary work itself. Five empirical chapters focus on five different aspects: 1) cover design; 2) titles and subtitles; 3) citations and blurbs; 4) acknowledgements; and 5) author presentations, extra material and advertising. It is shown that the packaging of crime fiction is crucial when it comes to genre formation and author branding. Among the results are how these “murder packages” have become increasingly elaborated over time, that male and female writers of crime fiction have been presented in distinctly different ways, and how the reliability and realism of a story often is emphasized in the peritext.

  • 19.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    A Turn to the Rights: The Advent and Impact of Swedish Literary Agents2014In: Hype: Bestsellers and Literary Culture / [ed] Jon Helgason, Sara Kärrholm & Ann Steiner, Lund: Nordic Academic Press, 2014, 67-87 p.Chapter in book (Refereed)
  • 20.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Ikonen, myten, legenden: Marie Curie som kändis2011In: Marie Skłodowska / Madame Curie / [ed] Aron Ambrosiani & Karl Berglund, Stockholm: Nobelmuseet , 2011, 1, 45-52 p.Chapter in book (Other (popular science, discussion, etc.))
  • 21.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Marie Skłodowska / Madame Curie2011Collection (editor) (Other (popular science, discussion, etc.))
  • 22.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Marie Skłodowska / Madame Curie2011Collection (editor) (Other (popular science, discussion, etc.))
  • 23.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Snille och smak och mord: Om genreproblematik och Nobelpristematik i Karin Alvtegens Skugga2010 (ed. 1)Book (Other academic)
  • 24.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    The Icon, the Myth, the Legend: Marie Curie the Celebrity2011In: Marie Skłodowska / Madame Curie / [ed] Aron Ambrosiani & Karl Berglund, Stockholm: Nobelmuseet , 2011, 1, 45-52 p.Chapter in book (Other (popular science, discussion, etc.))
  • 25.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Deckarboomen under lupp: Statistiska perspektiv på svensk kriminallitteratur 1977–20102012 (ed. 1)Book (Other academic)
    Abstract [en]

    This study examines the boom in Swedish crime fiction from a statistical perspective. Theoretical input and methods are derived from the fields of sociology of literature, book history, and bibliometrics. With a quantitative approach, all Swedish crime fiction published in 1977–2010 (just over 1,700 titles) are compiled to identify patterns over time. The main source for bibliographical information and delimitations is “Deckarkatalogen” (an annual bibliography published by the Swedish crime fiction magazine Jury).

    Main results: Nearly 2.5 times as many first editions of crime fiction were issued in Sweden in the first decade of the 2000s, compared to the 1980s. The increase was particularly vast in the years following the turn of the millennium. All kinds of publishers have contributed to this expansion, but two types stand out: major publishers and self-publishers. The share of crime fiction written by women increased in the same period of time from between 10 and 20 percent to just over 30 percent. Furthermore, the gender balance among the bestsellers of crime fiction in the 2000s is nearly even. Crime fiction has been extremely dominant on the bestseller charts in Sweden during the 2000s, and the genre outnumbers all other fiction taken together. A few major publishing groups are publishing a growing share of the crime fiction bestsellers. Mostly newer authors are bestsellers in the 2000s, and the time from debut to commercial success is shrinking.

    In the conclusion it is argued that crime fiction can be seen as the normal literature – a term coined by Franco Moretti – among bestsellers of fiction in Sweden during the first decade of the 2000s. The study gives insight into the interplay between authors, publishers, and the reading public, and helps us understand how genre, from a sociological point of view, operates on the literary market.

  • 26.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    With a Global Market in Mind: Agents, Authors, and the Dissemination of Contemporary Swedish Crime Fiction2017In: Crime Fiction as World Literature / [ed] Louise Nilsson, David Damrosch & Theo D'haen, New York: Bloomsbury Academic, 2017, 77-89 p.Chapter in book (Other academic)
  • 27.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Rec. Torbjörn Forslid, Jon Helgason, Lisbeth Larsson, Christian Lenemark, Anders Ohlsson & Ann Steiner, Höstens böcker. Litterära värdeförhandlingar 2013, Makadam: Göteborg & Stockholm, 20152016In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, Vol. 137, 297-302 p.Article, book review (Other academic)
  • 28.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Stieg Larsson blev det svenska deckarundrets största stjärna2017In: Parnass, ISSN 1104-0548, no 2, 16-17 p.Article in journal (Other (popular science, discussion, etc.))
  • 29.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Agents in Crime: The Symbiotic Rise of Swedish Crime Fiction and Swedish Literary Agents2014Conference paper (Refereed)
  • 30.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Covering Crime: The Making and Marketing of Swedish Crime Fiction through Book Covers2013Conference paper (Refereed)
    Abstract [en]

    Which fiction that counts as crime fiction is both easy and difficult to distinguish. In the respect of style, theme and narration, crime fiction is a rather vague term, possible to hold many different types of stories. But if you walk into a bookshop or a library and take a look at the book covers, there is no doubt which titles belong to the genre. Crime fiction on the book market is distinctly separated from other forms of fiction. In fact, paratexts are fundamental in the formation of the crime genre. In this paper, I will analyze book covers of Swedish crime fiction paperbacks in a broad sense, using both quantitative and qualitative methods. With a corpus of around 130 books, written by bestselling authors and published in Sweden 1998–2010, a multiple of aspects regarding paratextual genre conventions and typical attributes are discussed: titles and subtitles; branding and seriality; blurbs and review excerpts; backside summaries and presentations of authors; design, typography, motifs and color choices. An analysis of book covers gives new insights into the Scandicrime phenomena, and helps to understand how genre, from a sociological point of view, operates in the literary marketplace.

  • 31.
    Berglund, Karl
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    The Space Between: The Usefulness of Semi-Distant Readings and Combined Research Methods in Literary Analysis2017Conference paper (Refereed)
    Abstract [en]

    The study of literature has traditionally been a qualitative scientific endeavour. Researchers have, generally, analysed few and canonised works, and these works have been examined in great detail, with “close readings” being the typical choice of method. Franco Moretti’s term “distant reading” and the rise of digital humanities and different sorts of text mining methods have, at least partly, changed this.

     

    Moretti and his ilks in a way turned the scholarship of literature upside down by focusing units much bigger or much smaller than singular works of literature: “devices, themes, tropes – or genres and systems”, as Moretti put it. Instead of reading the most well-known works of a specific period or genre it was suddenly possible to read almost all literature published and draw other sorts of conclusions (though this also meant handing over much of the reading process to computers).

     

    Most literary scholars engaged in text mining have used very large data corpuses. The general rule seems to have been “the bigger data, the better”. This is certainly true when it comes to showing statistical patterns etcetera. However, the bigger the material, the longer is also the distance between the machine-generated results and the qualitative analysis of these results. If your corpus consists of thousands of books it is simply not possible to know the content of this corpus very well. This is at the same time the strength and the weakness of the text mining research on literature conducted in recent years.

     

    In my opinion, debates about pros and cons of text mining methods in the study of literature have been far too black and white. Instead of either or (big data or canonised work, distant reading or close reading) I argue for a position in between. My field of study is contemporary Swedish crime fiction. In an on-going study I use a corpus of 116 Swedish crime fiction novels published 1998–2015 and written by the most well-known and commercially successful authors of this period of time. Hence, I do not analyse the entire genre, yet not only the most renowned novels within it, but instead around ten per cent of all Swedish novels published in this period (the top decile). This choice makes it possible to both get the bigger picture and be very familiar with the material.

     

    Moreover, I approach this corpus through a combination of methods, where some are computer aided and digital (word frequencies, topic modelling), others more traditional and analogue (shallow thematically-oriented readings of the entire corpus). Together these methods provide solid knowledge of the genre that is both quantitative and qualitative.

     

    In my presentation I argue that such a combination of methods on semi-big data or corpuses can be very fruitful to many literary studies, with material from different epochs and genres. Literary scholars should start to make use of this “space between” the very distant and the very close, and let computer-aided methods serve as a helping hand rather than a goal in itself.

  • 32.
    Borg, Alexandra
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Läsning i den digitala tidsåldern2013In: Läsning. RJ:s årsbok 2013/2014 / [ed] Jenny Björkman & Björn Fjæstad, Stockholm: Makadam Förlag, 2013, 165-175 p.Chapter in book (Refereed)
  • 33.
    Broborg, Sanna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Förläggaren som medskapare: Om Harry Martinson, Moa Martinson och samarbetet med förläggarna på Albert Bonniers förlag 1928–19392017Independent thesis Advanced level (degree of Master (Two Years)), 30 credits / 45 HE creditsStudent thesis
    Abstract [en]

    Authors are often described as lone creators of their work. However, in many cases there are several others included in the production of a literary work, amongst them the publishing house. It is previously known that Swedish authors Harry Martinson and Moa Martinson both had an exchange with their publishers Karl Otto Bonnier, Tor Bonnier and Kaj Bonnier at Albert Bonniers förlag (a leading Swedish publishing house). This thesis examines in what ways the publishers’ acts as “co-creators” of the authors literary works by analysing the communication in letters between the publishers and the authors regarding numerous manuscripts written during 1928–1939. The thesis frames several questions and analyses patterns in the publishers’ letters and their comments of the authors’ writing, the dialogue between the five respective parties and what function the publishers can be said to have in the literary production. The overall purpose of the thesis is to further understand the relationship between the two professions and how that affects the production of a literary work, up until the original publication of the work. The analysis concludes that there are some distinguishable patterns in the publishers’ critique of the authors’ manuscripts regarding language, content and disposition, the recipient, the publish houses’ interests as well as the friendship between the authors and publishers. While the relationship between the authors and publishers changes, so does the publishers comments and the authors response to those comments. Harry Martinson and Tor Bonnier develops a friendship which affects their working relationship, while Moa Martinson presumably feels left out and treated less amicably by Albert Bonnier’s. There is a difference between how the authors are treated by the publishers in that Harry Martinson gets less critique and does not need to make as extensive changes in his writings whilst Moa Martinson on the other hand has to do the opposite. The publishers, especially Karl Otto Bonnier, also demands that Moa Martinson make changes regarding unsuitable topics in her writing. Both authors show gratitude for the publishers’ commentary, though they are at first often unwilling to make the suggested changes. In the end Harry Martinson and Moa Martinson tend to yield to the publishers wishes, possibly in order to get their works published. The thesis concludes that the publishers could be considered “co-creators” of the authors’ literary works mainly by contributing to and shaping the authors’ views on what literature is and how it should be written, thus affecting their writings in the long run.

  • 34.
    Engström, Alexis
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    En osäker framtid: Om hot mot planeten i Kurt Vonneguts författarskap2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsen har som mål att se hur läsningen av Kurt Vonnegut kan kompletteras med ekokritiska perspektiv. Som ämne valdes hot mot planeten och det undersökta materialet var fyra av Vonneguts böcker: Player Piano (1954), Breakfast of Champions (1973), Slapstick (1976) samt A Man without a Country (2005). Böckerna undersöktes utifrån frågorna: Har det tidigare i Vonneguts författarskap förekommit hot mot planeten? Vilka är i sådana fall dessa hot och vilka är aktörerna bakom hoten? samt Hur framställs hoten och hur har hoten och framställningen förändrats från Vonneguts debut till hans avslutande roman? Undersökningen visade att det genom hela Vonneguts författarskap har funnits ett tema som säger att livet som levs är ohållbart. Det tar sig form i olika hotbilder mot planeten. Dessa hot består fram för allt i konsumtion av fossila bränslen, västerländsk kultur och människans natur. Den primära förändringen mellan böckerna är att Vonnegut skiftar mellan att lägga skulden på människans natur och västerländsk kultur. Framställningen går också från att vara processdriven till att domineras av direkt anföring. Vonnegut går även från ett extra-heterodiegetiskt berättande till ett intra-homodiegetiskt. Samtidigt blir stoffet allt mer personligt.

  • 35.
    Furuland, Lars
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Folkbildningens och folkrörelsernas betydelse för arbetarlitteraturen i Sverige2007Book (Other (popular science, discussion, etc.))
  • 36.
    Furuland, Lars
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Furuland, Gunnel
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Resenärer i Dalarna: från Carl von Linné till Göran Palm2007Book (Other (popular science, discussion, etc.))
  • 37.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Maria Engberg, Born Digital. Writing Poetry in the Age of New Media: Uppsala 20072008In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, Vol. 129, 390-394 p.Article, book review (Other academic)
  • 38.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Berättelse blir spel: Om ludiseringen av J.K. Rowlings Harry Potter and the Philosopher's Stone2007In: Datorspelandets dynamik: Lekar och roller i en digital kultur / [ed] Jonas Linderoth, Lund: Studentlitteratur, 2007, 111-136 p.Chapter in book (Other academic)
  • 39.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    The Migration of Media: Harry Potter in Print and Pixels2009In: Critical Perspectives on Harry Potter: 2nd edition / [ed] Elizabeth Heilman, New York: Routledge, 2009, 2, 291-307 p.Chapter in book (Other academic)
  • 40.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Japanskt på svenska ur Nobelprisperspektiv: Om Nobelpriset i litteratur och utgivningen av japansk skönlitteratur i svensk översättning 1950–20092011In: Litteratur i gränszonen: Transnationella litteraturer i översättning ur ett nordiskt perspektiv / [ed] Elisabeth Bladh & Christina Kullberg, Falun: Högskolan Dalarna , 2011, 64-80 p.Chapter in book (Other academic)
  • 41.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Hypertext2011In: Världens litteraturer: En gränsöverskridande historia / [ed] Margareta Peterson, Lund: Studentlitteratur, 2011, 1Chapter in book (Other academic)
  • 42.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    In the Wake of a Nobel Prize: On Modern Icelandic Literature in Swedish 1940-19692011In: The Invasion of Books in Peripheral Literary Fields: Transmitting Preferences and Images in Media, Networks and Translation / [ed] Petra Broomans and Ester Jiresch, Groningen: Barkhuis , 2011, 105-116 p.Chapter in book (Other academic)
  • 43.
    Gunder, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Garanterade författare: Om biblioteksersättningen och den garanterade författarpenningen 1972-20102012Book (Other academic)
  • 44.
    Hedberg, Andreas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Det diktade bruket: Skönlitterära berättelser om vallonbruk i Uppland 1787–20122013Book (Other academic)
  • 45.
    Hedberg, Andreas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Modernitetens lära om Kristus2012In: Bibelns lära om Kristus: Provokation och inspiration / [ed] Birthe Sjöberg, Jimmy Vulovic, Lund: Språk- och Litteraturcentrum i Lund , 2012, 109-114 p.Chapter in book (Other academic)
  • 46.
    Hirvonen, Irene
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Gods Gone Wild: En queerteoretisk undersökning av Neil Gaimans American Gods2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 47.
    Larsen, Jeanette
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Förklädnad för frihet: En performativitetstudie av Lian Hearns Blossoms and shadows2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 48.
    Määttä, Jerry
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    The Politics of Post-Apocalypse: Ideologies on Trial in John Wyndham's The Day of the Triffids2017In: Science Fiction, Ethics and the Human Condition / [ed] Christian Baron, Peter Nicolai Halvorsen & Christine Cornea, New York: Springer, 2017, 207-226 p.Chapter in book (Refereed)
  • 49.
    Nilsson, Louise
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    A Past Left Out in the Cold: An Essay about the Reuse of a Naval Base in Eastern Europe2012In: Industrial Heritage Around the Baltic Sea / [ed] Nisser Marie, Isacson Maths, m.fl., Acta Universitatis Upsaliensis, 2012Chapter in book (Refereed)
  • 50.
    Rydbeck, Kerstin
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Literature, Sociology of Literature.
    Nykter läsning: den svenska godtemplarrörelsen och litteraturen 1896-19251995Doctoral thesis, monograph (Other academic)
12 1 - 50 of 80
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