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  • 1.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Conduite and Text. Paradigms of a galant Literature Model in the Works of Christian Friedrich Hunold (Menantes)2013In: Studia Neophilologica, ISSN 0039-3274, Vol. 85, no 2, 230-232 p.Article, book review (Other academic)
  • 2.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    „Dintfaß oder Blakkhorn“, „Metschker“ und „Burkan“: Beobachtungen zu Orthographie und Wortschatz in fünf Wörterbüchern der Offizin des Georg Matthias Nöller in Riga (1684–1712)2012In: Studia Neophilologica, ISSN 0039-3274, Vol. 84, no 1, 47-81 p.Article in journal (Refereed)
  • 3.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Female Writing in Manuscript and Print: Two German Examples from the Cultural and Political Context of Late Seventeenth-Century Sweden - Maria Aurora von Konigsmarck (1662-1728) and Eva Margaretha Frolich (?-1692)2014In: Studia Neophilologica, ISSN 0039-3274, Vol. 86, no S1, 9-28 p.Article in journal (Refereed)
    Abstract [en]

    Aurora von Konigsmarck and Eva Margaretha Frolich, two noblewomen of German descent in late seventeenth-century Sweden, were both influenced by currents in contemporary theology and piety. Aurora von Konigsmarck, her sister, and two of their female cousins formed a circle around the Swedish queen Ulrica Eleonora (the elder). Together they wrote strongly emotional religious poetry in German, which is preserved in an exquisite volume in the Uppsala University Library.Eva Margaretha Frolich expected the Swedish king Charles XI to play a central role in the imminent apocalyptic drama and become the ruler of the world. After she had been exiled from Sweden, she propagated for these views in a number of tracts published in Amsterdam.The present article explores some important paratextual features in Nordischer weyrauch', the manuscript collection of religious poetry written in Aurora von Konigsmarck's hand, and in the works by Eva Margaretha Frolich. The discussion shows the importance of paratextual analysis for the interpretation of texts from the literary and intellectual culture of early modern Europe.

  • 4.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Jacob Böhmes Denken in Bildern: eine kognitionslinguistisch orientierte Analyse der Wirklichkeitskonstruktion in der Morgen Röte im auffgang (1612)2007Book (Other academic)
  • 5.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Order in Insanity: Eva Margaretha Frolich (d. 1692) and her National Swedish Eschatology2014In: Mental Health, Spirituality, and Religion in the Middle Ages and Early Modern Age. / [ed] Albrecht Classen, 2014, 579-592 p.Conference paper (Refereed)
  • 6.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Rev. of Wilhelm Schmidt-Biggemann: Geschichte der christlichen Kabbala. Bd 1–2 (2012–2013)2014In: Studia Neophilologica, ISSN 0039-3274, Vol. 86, no 1, 102-106 p.Article, book review (Other academic)
  • 7.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Riederer, Friedrich: Spiegel der wahren Rhetorik; Joachim Knape und Stefanie Luppold: Kommentar zu Friedrich Riederers Spiegel der wahren Rhetorik2012In: Studia Neophilologica, ISSN 0039-3274, Vol. 84, no 1, 125-127 p.Article, book review (Other academic)
  • 8.
    Andersson, Bo
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Tyskt språk och tysk kultur i 1600-talets SverigeManuscript (preprint) (Other academic)
  • 9.
    Blomqvist, Kristina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Rightful Narration. Study on Thomas Mann's Novel "The Tables of the Law", on Theodor Storm and Ernst Toller2013In: Studia Neophilologica, ISSN 0039-3274, Vol. 85, no 2, 236-240 p.Article, book review (Other academic)
  • 10.
    Blomqvist, Kristina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Walter Kempowskis Tadellöser & Wolff im Lichte narratologischer Theorien2009Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Walter Kempowski (1929-2007) is one of the most important authors in post-war German literature. In 1971, he published his first novel, Tadellöser & Wolff. This historical novel takes its point of departure in the everyday life of the bourgeois Kempowski family in Rostock shortly before and during World War II until the surrender of the city to the Red Army. The novel was initially very well received by literary critics and was also a commercial success. After the adaptation of the novel for film in 1975, Kempowski became even more of a public figure and won popular acclaim. In the film, however, important aspects of the novel’s literary mediation were lost, and as a result, the attitude among critics towards Kempowski changed considerably. In some groups he was viewed with suspicion and seen as the uncritical representative of the bourgeoisie. It was not until the beginning of the 1990s that he received extensive praise and recognition, much due to the publication of his multi-volume historical documentary work, Echolot.

    The present study explores Kempowski’s mode of writing in Tadellöser & Wolff from a narratological perspective. The main theoretical points of departure for the analysis are Franz K. Stanzel, one of the leading scholars of classical narratology, and Monika Fludernik, his successor in postmodern narratology. The mediation in the novel is very intricate and carries its theme in a complex and significant way. Though the novel depicts the milieu and atmosphere of the time in a detailed and realistic manner and, through the narrator, the voices, thoughts and opinions of the period resonate in a rich polyphony, yet the predominant narrative perspective is exploited in such a marked way as to create distance to what is portrayed. The fictional first-person narrator proves to be not altogether reliable.

  • 11.
    Cöllen, Sebastian
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Minne und Metapher: Die Lichtmetaphorik Heinrichs von Morungen in kognitionslinguistischer Beleuchtung2012In: Studia Neophilologica, ISSN 0039-3274, Vol. 84/2, 201-220 p.Article in journal (Refereed)
  • 12.
    Erbes, Ellen
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Norberg, Ulf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Rezension: Mikael Nystrand und Klaus Rossenbeck: Praktisk tyska. En resonerande grammatik med övningar.2011In: Studia Neophilologica, ISSN 0039-3274, E-ISSN 1651-2308, Vol. 83, no 1, 141-144 p.Article, book review (Other academic)
  • 13.
    Grub, Frank Thomas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    "Italienisches Zimmer - Afrikanische Nacht": Reisedarstellungen in Serien des Fernsehens der DDR am Beispiel von "Zur See" und "Treffpunkt Flughafen"2014In: Der reisende Europäer / [ed] Linda Karlsson Hammarfelt, Edgar Platen, München: IUDICIUM Verlag GmbH, 2014, 1, 259-274 p.Chapter in book (Other academic)
  • 14.
    Grub, Frank Thomas
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Von der Scham des Überlebt-Habens. Georges-Arthur Goldschmidts faszinierende Erzählung "Der Ausweg": [Georges-Arthur Goldschmidt: Der Ausweg. Eine Erzählung. Aus dem Französischen vom Verfasser. Frankfurt a.M.: S. Fischer, 2014]2014In: Livres - Bücher. Tageblatt (Luxemburg), Vol. 20, no Septembre - Octobre, 16- p.Article, book review (Other (popular science, discussion, etc.))
  • 15.
    Hauber, Agneta
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    "Das Siebte Kreuz": Eine intermediale Analyse des Romans von Anna Seghers, des Comics von William Sharp und des Filmes von Fred Zinnemann2016Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
  • 16.
    Jobin, Bettina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Semantically driven change in German(ic) gender morphology2011In: Folia linguistica, ISSN 0165-4004, E-ISSN 1614-7308, Vol. 45, no 2, 317-353 p.Article in journal (Refereed)
    Abstract [en]

    There are many examples of gender loss in the Germanic languages, but none of the rise or return of a particular gender. However, there has been substantial change in gender morphology, involving an increase in morphological complexity. The gender system of German appears to be extremely robust when it comes to the number of genders. In this article, I will introduce a principle for the semantic restructuring of gender systems. Focusing on target gender morphology, I argue that constructive changes have as their point of departure semantic features that lie at the core of the gender system. I stress that such changes affect sub-systems, resulting in layers of gender markers that can evolve at different paces. To exemplify how layers of sub-systems can serve to uphold an overall tripartite gender system, I use the repeated restructuring of semantic distinctions in Germanic adjective inflection.

  • 17.
    Jobin, Bettina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Sprachwandel im Vergleich: Präsentation eines Forschungsprojekts2010In: Sprache-Literatur-Kultur: Text im Kontext - Beiträge zur 8. Arbeitstagung schwedischer Germanisten in Uppsala, 10.-11.10.2008 / [ed] Andersson, Bo, Gernot Müller und Dessislava Stoeva-Holm, Uppsala: Acta Universitatis Upsaliensis , 2010Conference paper (Other academic)
    Abstract [de]

    Deutsch, Schwedisch und Englisch sind eng miteinander verwandte Sprachen, deren Genussysteme sich typologisch stark voneinander unterscheiden. Alle gehen auf ein protoindogermanisches System mit drei Genus und relativ eindeutigen semantischen Zuweisungskriterien. zurück, d. h. Bezeichnungen für Männer und Frauen waren Maskulinum bzw. Femininum, Kollektiva sind überwiegend feminin und alle Substanzen wie Metalle sowie Flüssigkeiten waren Neutra. Man ist sich heute einig, dass alle Genussysteme einen semantischen Kern haben. Aber bereits im Protogermanischen war dieser vergleichsweise schwer nachvollziehbar, statt dessen findet sich von Anfang an eine starke Verbindung zwischen Deklinationsklasse und Genus. Das heutige Deutsch ist zusammen mit dem Isländischen innerhalb der eigenen Sprachfamilie aber auch global eine der Sprachen mit dem am stärksten formalen Genussystem. Im typologische Gegensatz dazu hat das Englische heute ein rein semantisches System, in dem die Pronomen he, she und it zu Bezeichnung von männlichen und weiblichen Menschen und höheren Tieren bzw. von Unbelebtem benutzt werden. Der Wandel vom stark formalen Drei-Genussystem im Alt-Englischen zum heutigen semantischen pronominalen Genussystem lässt sich bereits in den ältesten Dokumenten ablesen, wird heute aber in der Zeit von 900 bis 1250 angesetzt, zeitgleich mit dem verschwinden der Kasusmorphologie. Das Schwedisch ähnelt im Bereich der Pronomen dem Englischen, mit einem Maskulinum und Femininum für Animata und die zwei Formen den und det für Inanimata. Wir finden aber die letzteren Kategorien, Neutrum und Utrum, bei allen Substantiven. Auch wenn fast alle Neutra Unbelebtem vorbehalten sind. Die Umwandlung des pronominalen Genussystems im Schwedischen ist erst gegen 1650 weitgehend durchgeführt, mit archaischen Resten im heutigen Schwedisch. Auch fanden sich bis ins 19. Jahrhundert Genusmarkierungen in den Kategorien Maskulinum und Femininum in den Wörterbüchern der schwedischen Sprache, obwohl diese bei den kongruierenden Elementen schon längst zum Utrum verschmolzen waren. Entscheidende Veränderungen haben also in dokumentierten Sprachstadien stattgefunden. Der Vergleich so relativ eng verwandter Sprachen lässt die Zahl der möglichen Variablen in den Entwicklungen begrenzen, so dass entscheidende Faktoren besser isoliert werden können. Auch ist es von Vorteil, dass verwandte Wörter und ihre Genuszuweisungen untersucht werden können.

  • 18.
    Landgren, Gustav
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Hermann Hesses Roßhalde, Klingsors letzter Sommer und Steppenwolf im Kontext von Kunstkritik, Künstlerkrise und Intermedialität2011Doctoral thesis, monograph (Other academic)
    Abstract [en]

    With an estimated 100 million copies of his works sold, Hermann Hesse (1877-1962) is still one of the most popular German authors worldwide. Taking Hesse’s position in the aesthetic debates from 1900-1927 as a starting point, this study examines the influence of art criticism, artistic crisis, and intermediality in Hesse’s novels Roßhalde (1914), Klingsor’s last summer (1919) and The Steppenwolf (1927). A major chapter deals with Hesse as an art critic from 1910 to 1930, providing a framework for the further analysis of his novels. Important for Hesse’s aesthetic development is the art historian Wilhelm Worringer, who criticizes the Western art canon and underlines the importance of the artistic will. From Worringer, Hesse learns to interpret “exotic”, non-mimetic works of art.

    Of major philosophical importance for the artistic crisis depicted in Hesses’s works is the idea of the principle of individuation (principium individuationis) which Hesse derives from Arthur Schopenhauer and Friedrich Nietzsche. The polarity between burgher and artist in Hesse’s works is a result of the principium indviduationis: In contrast with the self-sufficient bourgeois, the artist suffers from the torments of individuation.

    The publication of The Steppenwolf (1927) with its complex narrative structure is a milestone in Hesse’s aesthetic development as a writer. The novel can indeed be read as one of the most prototypical ones of the 1920s, dealing with topics such as the Americanization of European culture, the growing media competition through cinema, gramophone, and radio, as well as a critique of the cultural decline of Europe. The German philosopher Oswald Spengler’s The Decline of the West (1918-22) is of importance for the genesis of this novel.

    Hesse’s skeptical approach towards the technical reproduction of works of art is established through a number of essays as well as in the media reflections in The Steppenwolf. Despite Hesse’s criticism of the new media in the novel, however, the Magic Theater with its cinematic short stories, jump cuts, and zooming techniques is clearly influenced by the silent film of the 1920s. My main thesis is that Hesse – despite the harsh criticism of radio, film and gramophone – uses the techniques of the new media in his novel to criticize the impact of the new media on the contemporary culture of Weimar Germany.

  • 19.
    Larsson, Kristian
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Masken des Erzählens: Studien zur Theorie narrativer Unzuverlässigkeit und ihrer Praxis im Frühwerk Thomas Manns2011Book (Other academic)
    Abstract [de]

    Der Band behandelt das Verhältnis zwischen Spielarten der Maskierung in der Fiktionsprosa Thomas Manns und dem Phänomenbereich narrativer Unzuverlässigkeit. Anliegen ist einerseits das Spektrum von Unzuverlässigkeit, Ambivalenz und Ironie der erzähldiskursiven Repräsentation, andererseits die Konzeption einer mimetischen Unzuverlässigkeit zu durchleuchten.

    Die Studie bietet eine Analyse der Früherzählungen Manns, von Vision (1893) bis zum Tod in Venedig (1912), in einem Wechselspiel von Ästhetik und Erzähltheorie. Verschiedene Aspekte wie Außenseitertum, Fremdsein, Homoerotik und Triebwelt werden aus dem spezifischen Blickwinkel ihrer fiktionalen – diegetischen beziehungsweise mimetischen – Repräsentation  diskutiert. Strategien der Maskierung erweisen sich als ein Spiel mit dem impliziten Subtext, der Identität der „auktorialen“ Instanzen, und der Simulation der Fiktionswelt in ihrer Klischeehaftigkeit und Inauthentizität.

  • 20.
    Larsson, Kristian
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Masken des Erzählens: Studien zur Theorie narrativer Unzuverlässigkeit und ihrer Praxis im Frühwerk Thomas Manns2010Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Thomas Mann (1875-1955) is a key figure in literary modernism. The status of Mann as a German intellectual and cultural icon of the 20th century was firmly established only after the appearance of the novella Death in Venice (Der Tod in Venedig) in 1912. Mann’s early fiction from 1893 up to then was marked by attempts to experiment with what was perceived as the “traditional” storytelling of his bestselling novel Buddenbrooks (1901). Whereas Mann’s later work, after 1912, which mainly consists of novels, to a large extent draws on “diegesis”, that is the act of narration as well as the voice of the narrator, the early work between 1893 and 1912, which is dominated by novellas and short stories, is much more a play with perspectivism and metafiction. It is an experiment with “mimesis”, world modeling, in the sense of simulation, namely the dissolving of the real and the unreal, the authentic and the inauthentic.

    This dissertation is a study of Mann’s early novellas and short stories. Taking the theory of “unreliable narration” as a starting point, the study focuses on what Mann, referring to Little Herr Friedemann (Der kleine Herr Friedemann, 1897), called his narrative “masks”. The conceptual framework of mimesis as simulation allows for a critical examination and modification of the conventional understanding of fictional unreliability. A major theoretical argument of the study is that the theory of unreliability needs to consider a type of mimesis, found in Thomas Mann among others, which is autonomous in relation to diegesis, the realm of the narrator. The concept of “simulated focalization” is introduced to capture textual strategies of ambivalence and masking working together on different levels in the narrative. A “pseudo-authorial” relationship between author, narrator and author-protagonist in stories of central importance such as Tonio Kröger and Tristan is also explored within the framework of masking.

  • 21.
    Larsson, Kristian
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Narrativ opålitlighet eller diskordans i Döden i Venedig?2009In: Codex and Code: Aesthetics, Language and Politics in an Age of Digital Media / [ed] Kerstin Bergman, Per Bäckström, Christian Claesson m.fl., Linköping: Linköping University Electronic Press , 2009, 335-349 p.Conference paper (Other academic)
    Abstract [sv]

    Teoribildningen kring ”opålitligt berättande” (”unreliable narration”) kretsar i regel kring jag-berättare. Men hur skall man förhålla sig till narrativ opålitlighet då berättaren inte är en del av fiktionsvärlden? Thomas Manns novell Döden i Venedig (Der Tod in Venedig, 1912) bildar utgångspunkten för min diskussion.     Dorrit Cohn (1983; 2000) argumenterar för ideologisk eller värdemässig opålitlighet – ”narrativ diskordans” – i Döden i Venedig. Konkret innebär detta att berättarens moraliserande hållning gentemot huvudpersonen Gustav Aschenbach framstår som överdriven och missriktad. Med Wayne C. Booth (1974) kan man tala om ”stabil ironi” (eller ett ”ironiskt porträtt”): Berättarens auktoritet undergrävs av den implicite författaren. Det är dock tveksamt om berättarens ”värdesystem” i Döden i Venedig på något enkelt sätt kan beskrivas som ironiserad av författaren.     I min analys tar jag fasta på två aspekter som Cohns begrepp utesluter. För det första den mimetiska diskursen. Exempelvis finns det inslag av otillförlitligt figurperspektiv (fokalisering) i Döden i Venedig. För det andra ”instabil ironi” (Booth), det vill säga fiktionsprosans karaktär av oegentlighet och simulering, som inte behöver kopplas till en berättarfigur eller ett fixerbart värdesystem. I Manns novell är homoerotikens diskursiva ”kamouflage” (Detering 1994) särskilt viktig.

  • 22.
    Larsson, Kristian
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Potentielle narrative Unzuverlässigkeit in Thomas Manns frühen Erzählungen (1893-1912)2010In: Sprache – Literatur – Kultur: Beiträge zur 8. Arbeitstagung schwedischer Germanisten in Uppsala, 10.-11.10.2008 / [ed] Bo Andersson, Gernot Müller & Dessislava Stoeva-Holm, Uppsala: Uppsala universitet , 2010, 233-242 p.Conference paper (Other academic)
  • 23.
    Mazur, Jennie
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Die ,schwedische‘ Lösung: Eine kultursemiotisch orientierte Untersuchung der audiovisuellen Werbespots von IKEA in Deutschland2012Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The Swedish furniture company IKEA is famous worldwide for its successful advertising and communication strategies. In the years 1997–2007, the company attained a very prominent status in Germany through audiovisual advertisements in the mass media of television and the Internet, including YouTube. A striking example of this phenomenon is the campaign launched by IKEA on St. Knut’s Day, the date that traditionally ends the Christmas holidays in Sweden. In its advertising, IKEA invented a Swedish tradition of throwing out the Christmas tree through the window in order to create more space for IKEA furniture at home.

    The present study examines the process of establishing IKEA as a Swedish brand in Germany through audiovisual advertising. This is done within an interdisciplinary framework of primarily cultural semiotics, communication theory and advertising research. The theoretical concepts of Ego and Alter cultures are employed in order to grasp the interaction between the Swedish company and the German consumer culture. IKEA constructs a model of itself and enters into a dialogue with the German market.

    The analysis of 48 audiovisual advertisements, published by IKEA during the period 1997–2007 for a German target audience, shows that the company very consciously draws on various notions of ‘Swedishness’ and Nordic stereotypes. In the last few years, however, the advertising has also included typical German topics that concern domestic, everyday life themes, including equality issues such as parental leave after the birth of a child, women’s careers, and wealthy men being interested in home styling. Over the years, the messages have moved from being indirect and humorous/self-ironic to becoming more serious and direct. The in-depth analyses of six selected audiovisual advertisements explore in detail how IKEA’s presentation of itself as a Swedish company on the German furniture market functions.

  • 24.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Bild und Sprache: Eine Untersuchung der Metaphern in dem Roman Das Blütenstaubzimmer von Zoë Jenny2002In: Text im Kontext 4 : Beiträge zur 4. Arbeitstagung schwedischer Germanisten / [ed] Biedermann, Edelgard, Nordén, Magnus, Stockholm: Germanistisches Institut, Univ. , 2002, 131-140 p.Conference paper (Refereed)
  • 25.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Der Apfel fällt nicht leicht vom Stamm. Aspekte der Sprachstörungen bei Altersdemenz.2011In: / [ed] Pamies, Antonio, 2011Conference paper (Refereed)
  • 26.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Die Metaphern als Übersetzungsproblem in Strindbergs Roman Hemsöborna (Die Leute auf Hemsö)2006In: Phraseology in Motion I. Methoden und Kritik: Akten der Internationalen Tagung zur Phraseologie (Basel, 2004) / [ed] Häcki Buhofer, Annelies/Burger, Harald, Baltamannsweiler, 2006, 315-324 p.Conference paper (Refereed)
  • 27.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Die Panne von Friedrich Dürrenmatt und die drei Fassungen aus intertextueller Perspektive1998In: Der Gingko-Baum. Germanistisches Jahrbuch für Nordeuropa, ISSN 0359-7210, 272-282 p.Article in journal (Refereed)
  • 28.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Die Phraseologismen in der Gattung 'Essay' am Beispiel von Botho Strauß Die Fehler des Kopisten2003In: Europhras 2000: internationale Tagung zur Phraseologie vom 15.-18. Juni 2000 in Aske/Schweden / [ed] Palm, Christine, Tübingen: Stauffenburg , 2003, 299-308 p.Conference paper (Refereed)
  • 29.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Die Problematik der Übersetzung von Phraseologsimen in Comics.: Eine Untersuchung anhand der Übersetzungen von Asterix ins Deutsche und Schwedische2004In: Phraseologismen als Gegenstand sprach- und kulturwissenschaftlicher Forschung: Akten der Europäischen Gesellschaft für Phraseologie (EUROPHRAS) und des Westfälischen Arbeitskreises "Phraseologie/Parömiologie" (Loccum 2002) / [ed] Földes, Csaba/Wirrer, Jan, Schneider Verlag: Baltmannsweiler , 2004, 227-240 p.Conference paper (Refereed)
  • 30.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Metaphern in literarischen Übersetzungen: Eine vergleichende Analyse der sechs deutschen Übersetzungen von Strindbergs Roman Hemsöborna2006Book (Other academic)
  • 31.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Mytologiska kvinnogestalter i Christa Wolfs verk2001In: Språkets gränser och gränslöshet: Då tankar, tal och traditioner möts, Uppsala, 2001, 295-302 p.Conference paper (Other academic)
  • 32.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    "Phraseologismen aus semantischer und stilistischer Sicht in Christa Wolfs Medea."2003In: Flut von Texten - Vielfalt der Kulturen: Ascona 2001 zur Methodologie und Kulturspezifik der Phraseologie / [ed] Burger, Harald/Häcki Buhofer, Annelies/Gréciano, Gertrud, Baltmannsweiler: Schneider Hohengehren , 2003, 443-453 p.Conference paper (Refereed)
  • 33.
    Mitrache, Liliana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Von Euripides zu Christa Wolf. Die Wiederbelebung des Mythos in Medea. Stimmen2002In: Studia Neophilologica, ISSN 0039-3274, Vol. 2, no 74, 207-214 p.Article in journal (Refereed)
  • 34.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    39. Skandinavien2012In: Kanzleisprachenforschung: Ein internationales Handbuch / [ed] Albrecht Greule, Jörg Meier und Arne Ziegler, Berlin/Boston: Mouton de Gruyter, 2012, 623-633 p.Chapter in book (Refereed)
  • 35.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Det senmedeltida Stockholm - en språklig och kulturell smältdegel2010Book (Refereed)
  • 36.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Geven vnde screven tho deme holme: Variablenlinguistische Untersuchungen zur mittelniederdeutschen Schreibsprache in Stockholm2008Book (Other academic)
  • 37.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Low German texts from Late Medieval Sweden2012In: Contact between Low German and Scandinavian in the Late Middle Ages. 25 Years of Research. / [ed] Lennart Elmevik and Ernst Håkon Jahr, Uppsala: Kungl. Gustav Adolfs Akademien för svensk folkkultur , 2012, 113-122 p.Chapter in book (Refereed)
  • 38.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Mittelniederdeutsche Urkunden aus Schweden (1360-1375)2004In: westfeles vnde sassesch: Festgabe für Robert Peters zum 60. Geburtstag. / [ed] Robert Damme & Norbert Nagel, Bielefeld: Verlag für Regionalgeschichte , 2004, 101-113 p.Chapter in book (Other academic)
  • 39.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Selma Colliander - eine Pionierin der schwedischen Germanistik2003In: Studia Neophilologica, ISSN 0039-3274, no 75, 198-207 p.Article in journal (Refereed)
  • 40.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Stockholmer mittelniederdeutsche Briefe und Urkunden des 14. und 15. Jahrhunderts2010In: Sprache in der Stadt: Akten der 25. Tagung des Internationalen Arbeitskreises Historische Stadtsprachenforschung. Luxemburg, 11.-13. Oktober 2007 / [ed] Claudine Moulin, Fausto Ravida, Nikolaus Ruge, Heidelberg: Universitätsverlag Winter , 2010, 133-145 p.Chapter in book (Other academic)
  • 41.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Studien zum mittelniederdeutschen Adverb2004Book (Other academic)
  • 42.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Studien zur mittelniederdeutschen und westgermanischen Syntax: Ein Projektbericht2009In: Korrespondenzblatt des Vereins für niederdeutsche Sprachforschung, ISSN 0342-0752, Vol. 116, no 1, 6-11 p.Article in journal (Refereed)
  • 43.
    Mähl, Stefan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Zur Verbstellungsvariation im Mittelniederdeutschen. Ein Projektbericht.2012In: Niederdeutsches Wort, ISSN 0078-0545, no 52, 47-64 p.Article in journal (Refereed)
  • 44.
    Müller, Gernot
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Heinrich von Kleists replik till 'ut pictura poesis'-doktrinen2005In: Kungl. Humanistiska Vetenskaps-Samfundet i Uppsala. Årsbok 2003, ISSN 0349-0416, Vol. Årsbok 2003, 75-92 p.Article in journal (Other academic)
    Abstract [de]

    Die im 18. Jahrhundert - nicht zuletzt durch Lessings Laokoon-Schrift von 1766 verabschiedete Formel von der Poesie als redender Malerei und der Malerei als stummer Poesie ("ut pictura poesis") scheint in der 1808 von kleist mitherausgegebenen Zeitschrift "Phöbus" zu neuem Leben erweckt.

    Ein näheres Studium von Kleists Gesamtwerk zeigt, dass unterschiedliche Formen des Zusammenspiels von Bild und Text die Werkgeschichte gleichsam wie ein Ariadnefaden durchziehen. Diese Entwicklung setzt um 1800 mit den ikonischen Projektionen in Kleists frühen Briefen ein und setzt sich fort bis zum Esaay "Über das Marionettentheater" aus dem Jahre 1810 mit seinen den Kunstgeschmack der Zeit provozierenden Allusionen auf die niederländische Genremalerei.

    Einen Sonderfall im Blick auf Kleists Poesie aus dem Geist der Malerei bildet das Lustspiel "Der zerbrochne Krug". Im Rahmen des ästhetischen Programms der Zeitschrift "Phöbus" lässt sich dieses Lustspiel als "Bildgedicht auffassen, mit dem Kleist Lessings Frage "von den Grenzen der Malerei und Poesie" neu erörtert.Die Transformation des Gemäldes "Le juge de village" von Jean Philibert Debucourt, die Kleist in seinem Lustspiel vornimmt, erweist sich zugleich als Vorbehaltgegen die idealistische Ästhetik des deutschen Klassizismus Weimarer Prägung.

  • 45.
    Norberg, Ulf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Rezension: Paul Kussmaul: Übersetzen - nicht leicht gemacht.2011In: Studia Neophilologica, ISSN 0039-3274, Vol. 83, no 2, 228-230 p.Article, book review (Other academic)
  • 46.
    Nydahl, Margareta
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Heinrich von Kleist und die Auflösung der Zeit: Wahrheit und Wirklichkeit in Die Marquise von O...2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 47.
    Raag, Nicolaus Janos
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Substantivkomposita und Sinngebung im Kontext frühmittelalterlicher Wissensvermittlung: Eine kulturanalytisch-linguistische Untersuchung zur Wortbildung bei Notker III2016Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This thesis approaches the question of how nominal compounds as linguistic means contribute to the construction of cultural meaning within the framework of knowledge transfer in the medieval monastic school. The starting point for the study is the semiotic definition of culture, which sees culture as shared models for perceiving, relating and interpreting among members of a social group. Language is seen as the place where cultural meaning is constructed and manifests itself in significant patterns, i.e., patterns of language usage that have meaning due to the fact that they are patterns. The central objective of this study is to reveal such patterns in nominal compounds drawn from Old High German (or rather bilingual hybrid) adaptations of Latin school texts translated, or adapted by Notker III (Labeo). Focus is placed on newly formed compounds, as well as compounds that differ distinctively from their Latin models. Methodologically this study combines the morphosemantic analysis of nominal compounds with a hermeneutic approach interpreting compounds in their textual and cultural context. Three significant patterns were established: (1) explication of implied meaning, (2) summary of complex expressions, and (3) explanatory translation. The first pattern can be observed in cases where the power of compounds to give additional information was utilised, e.g., in order to ensure a certain interpretation of a metaphorical expression. The second pattern demonstrates the capacity of compounds to refer to more complex concepts, expressing underlying syntactic constructions in a more memorisable manner. Finally, recourse was taken to explanatory translation in order to make the concept easier to understand. The three patterns are not necessarily the only patterns used by Notker III (Labeo); rather they are to be seen as an exemplification of the potential of nominal compounds for meaning construction.

  • 48.
    Raag, Nicolaus Janos
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Wissensvermittlung durch Substantivkomposita im frühmittelalterlichen Kloster2016In: Wortbildung im Deutschen: Aktuelle Perspektiven / [ed] Elke Hentschel, Tübingen: Narr Francke Attempto , 2016, 89-110 p.Chapter in book (Refereed)
    Abstract [en]

    In my dissertation project I propose a linguistic approach to nominal compounds from a cultural perspective. The role of nominal compounds in knowledge transfer in the early medieval monastic school is at the center of this research, which analyzes material from Notker III's didactic German language adaptions of Latin school texts. The purpose of this paper is to show how Notker makes use of nominal compounds when translating from Latin to German, especially where new words have to be found for ideas or concepts not previously expressed in German.

    First I will give a short introduction to the material and an overview of general properties of nominal compounds as the object of research. The following section presents the theoretical background of cultural analysis. It also provides a semiotic definition of culture, according to which culture is seen as the shared models for perceiving, relating and interpreting among members of a social group and knowledge transfer is described as a form of cultural transfer. Finally, I analyze four examples of the role of nominal compounds in passages that impart theological ideas and interpretations, or in which translations of technical terms are needed in order to comprehend what these terms denote.

  • 49.
    Solling, Daniel
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Die Stellung des attributiven Genitivs im Lübischen Stadtrecht und in den Rüthener Statutarrechten2015In: Regiolekt, Funktiolekt, Idiolekt: Die Stadt und ihre Sprache: Akten der 31. Tagung des Internationalen Arbeitskreises Historische Stadtspracehnforschung. Bonn, 29. September - 02. Oktober 2013 / [ed] Anna Karin, Silvia Ulivi, Claudia Wich-Reif, Vandenhoeck & Ruprecht, 2015, 133-153 p.Chapter in book (Refereed)
  • 50.
    Solling, Daniel
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of Modern Languages, German.
    Karsthans. Thomas Murner's "Hans Karst" and its Effect on six Texts of the Reformation Era2013In: Studia Neophilologica, ISSN 0039-3274, Vol. 85, no 2, 233-235 p.Article, book review (Other academic)
12 1 - 50 of 85
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