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  • 1.
    Aaro Thörneby, Polly
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Visbys zoologiska läroverkssamling: En studie av en zoologisk skolsamling2024Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    In this study the zoological school collection from the former Visby läroverk has been analyzed. The purpose is to examine how it has been managed historical and what pedagogic significance it has today. This is done  to illustrate the pedagogic ideals in schools and natural science teaching that have affected and continues to affect the collection. This has been studied through a literature study, an interview and a visit to the museum storage building and the museum where the collection now is managed.

    The study has shown that the collection that started in 1829 at Visby läroverk is today in majority cared for by Gotland’s Museum. Since 1985 it has been managed by nature conservators, but before this it has been cared for by mostly teachers and assistant professors. The last documented acquisition was during the 1950s. During this time the care of the collection seems to have been insufficient. A lot of foreign material was donated during the 1800s, but acquisitions during the 1900s was primarily of local breeds. Today the collection is a pedagogical tool for imparting knowledge in school and teaching history. It is a document of the nature and culture of Gotland. Today it is used in exhibitions to spread information about natural science, cultural history and ethnology.

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  • 2.
    Abbaspour, Benjamin
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Isoleringsegenskaper hos frodvuxen gran: En studie av dess värmeledningsförmåga och funktion2024Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This study investigates the potential of fast-grown spruce (Picea abies) as an insulation material in historic buildings, aiming to evaluate the relationship between density and thermal conductivity. The background of the study lies in the need for sustainable and efficient insulation materials that can be used to improve the energy performance of buildings while preserving their historical character and aesthetic value. Fast-grown spruce has a lower density then the lowest available in the Swedish standard for materials heat conductivity. 

    The methodology included both laboratory analyses and field studies. In the laboratory part, a hot-disk instrument was used to measure thermal conductivity, followed by calculations of density and moisture content. The field studies were conducted to identify practical applications and challenges in using fast-grown spruce as a construction material. These studies involved inspections of buildings constructed with fast-grown spruce and interviews with those responsible for their construction to investigate its potential functionality as a construction material. 

    The main results from the laboratory analyses showed a strong correlation between density and thermal conductivity, indicating that fast-grown spruce, with its lower density, has improved insulation properties compared to slow-grown spruce. The field studies confirmed that fast-grown spruce can be used as a construction material in buildings, but also pointed out its tendency to exhibit greater movement during drying, which can be accounted for to prevent issues during the drying process. 

    The conclusions suggest that fast-grown spruce can be a valuable addition to existing insulation materials due to its improved insulation performance. The study recommends further research to examine long-term degradation effects and the material's moisture properties, which are critical for its practical use in buildings. Additionally, further research should investigate the ability of fast-grown spruce to serve as a substrate for plaster, both for clay and lime-based plasters, to determine the wood's compatibility with these materials. 

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    Frodvuxen gran värmeledning
  • 3.
    Ahmed, Jama M.
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Bulale, Nasir
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    En jämförande studie om strandskyddsdispenser och bygglovsansökningar: En undersökning för vilka faktorer som avgör om en ansökan ska beviljas eller avslås2023Independent thesis Basic level (professional degree), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Shoreland protection is an important issue in today's urban planning and aims to ensure long-term public access to coastal protection areas while maintaining good living conditions for animals and plants. Shoreland protection was introduced in the 1950s to protect the coasts, and the shoreland protection zone includes both land and water. Shoreland protection  zones generally extend 100 meters inland and 100 meters out into the water from the shoreline, but can be extended to 300 meters. Despite this, an increasing trend of granted exemptions from shoreland protection has been observed. A new report from the Swedish Society for Nature Conservation points out that 93% of the 693 applications for exemption reviewed in 13 exemptions were granted. This has resulted in more than a third of the Swedish coast being exploited, which can negatively affect the natural environment and the conditions for public access to shorelandareas. 

     

    This thesis is conducted in collaboration with the municipality of Upplands-Bro, with the aim of comparing and analyzing building permit documents and shoreland protection exemptions. Methods used to answer the study's research questions and problem formulation consist of interviews, literature studies, and an analysis of building permit applications in shoreland  protected areas in the municipality of Upplands-Bro. 

     

    Factors such as the placement of the operation, the degree of detail in the drawings, and its impact on the water environment have been identified as decisive for whether an application is approved or rejected. However, the study shows that the decision-making process is not entirely predictable and is also influenced by other factors, such as political agendas. 

     

    The results indicate that in order to create a more predictable and fair decision-making process, a strengthening of the current regulations and increased supervision from the County Administrative Board is needed to ensure that the legislation is followed consistently. This study contributes to the ongoing discussion on the application of shoreland protection and provides concrete suggestions on how the process can be improved.

     

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  • 4.
    Ahola, Rebecka Marielle
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    ”Alone is not strong in these matters”: An analysis of a collaboration platform involving cultural heritage, sustainability and regional development2021Independent thesis Advanced level (degree of Master (Two Years)), 30 credits / 45 HE creditsStudent thesis
    Abstract [en]

    Sustainability and cultural heritage are both wide fields affecting people in the past, presence and future, on both local and global levels. Since they affect so many people it is difficult for the individual to make a change, instead working together is key. One way to work together is cooperation but how does one find projects/organisations/etc, to connect and collaborate with? Perhaps by using a form of collaboration platform? LAB190 is a just that, a collaboration platform meaning it is a non-physical tool for actors to use when reaching out to find others to either exchange ideas or trade services with. LAB190 focuses on an area surrounding a 70 km long road (road 190), reaching over four municipalities, Gothenburg, Lerum, Alingsås and Essunga. Involved actors vary from locals, pushing for changes they desire in the area, to officials in charge of possible changes. The goal of LAB190 is to make the territory around road 190 into an model area for sustainable development. To reach that goal three work groups has been created; Food (Green industries), Tourism (hospitality industry) and Infrastructure. The idea with the work-groups is to find projects and/or activities, relating to the field of focus for the work group. For example, the Tourism-group focuses on projects/ activities relating to the development of tourism. After reviewing LAB190 using the pilot-study, development plans and interviewing people involved, a conclusion was made. The physical area of LAB190, the landscape reaching out from road 190, is big and hard to manage single-handedly and therefore a collaboration platform is a usable tool and something that should be considered in future plans regarding the three fields, cultural heritage, sustainability and (regional) development. It is a way to come together, exchange knowledge and face challenges, both now and in the future.

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  • 5.
    Alev, Uellar
    et al.
    Tallinn Univ Technol, Bldg Phys & Energy Efficiency, EE-19086 Tallinn, Estonia..
    Kalamees, Targo
    Tallinn Univ Technol, Bldg Phys & Energy Efficiency, EE-19086 Tallinn, Estonia..
    Eskola, Lari
    Aalto Univ, Dept Energy Technol, Aalto 00076, Finland..
    Arumägi, Endrik
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation. Tallinn Univ Technol, Bldg Phys & Energy Efficiency, EE-19086 Tallinn, Estonia..
    Jokisalo, Juha
    Aalto Univ, Dept Energy Technol, Aalto 00076, Finland..
    Donarelli, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Siren, Kai
    Aalto Univ, Dept Energy Technol, Aalto 00076, Finland..
    Broström, Tor
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Indoor hygrothermal condition and user satisfaction in naturally ventilated historic houses in temperate humid continental climate around the Baltic Sea2016In: Architectural Science Review, ISSN 0003-8628, E-ISSN 1758-9622, Vol. 59, no 1, p. 53-67Article in journal (Refereed)
    Abstract [en]

    Indoor climate and user satisfaction were analysed by field measurement and a questionnaire in 67 traditional rural houses in Estonia, Finland and Sweden. Our findings showed that the indoor climate in all the investigated historic rural houses needs improvement. The room temperature was mainly too low during winter. Leaky houses had also a larger vertical temperature difference. The relative humidity in the unheated and periodically heated houses was high during winter and caused risk for mould growth in 17% of all houses and 33% of unheated houses. Significant differences of indoor humidity loads in different houses were revealed depending on the living density and usage profile. During the winter period, the design value of moisture excess was 4-5g/m(3) and the average moisture load was 2-3.5g/m(3). The indoor humidity load in historic houses was similar to that in modern houses. The results of the questionnaire showed that main problems were related to unstable or too low temperatures. At the same time, inhabitants rated the overall indoor climate as healthy and no statistically important relations were found between average indoor temperature and complaints about too cold or too warm indoor temperatures.

  • 6.
    Almevik, Gunnar
    et al.
    Göteborgs universitet Institutionen för Kulturvård.
    Gustafsson, ChristerUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Kulturvård: en introduktion2021Collection (editor) (Other academic)
    Abstract [sv]

    I Kulturvård – en introduktion undersöks kulturvård som universitetsämne och samhällspraktik, liksom relationen däremellan.

  • 7.
    Andersson, Agnes
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Glasmakarna Strömberg: En kartläggning av Edvard och Gerda Strömberg och Strömbergshyttan2024Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay introduces and explores the concept of “popular building preservation” in books and magazines, with the purpose to define patterns and characteristics within popular literature about building preservation. The study is based on common characteristics in popular history, to see if these characteristics can be applied on the popular literature regarding building preservation. The material and the characteristics are further discussed in relation to the philosophical ideas of “thought styles” and “thought collectives”, presented by the philosopher Ludwik Fleck. The study shows that popular building preservation embraces four main themes: built heritage, construction, aesthetics and lifestyle. The field is shown to be fundamentally commercial and its main focus is personal experience and emotion. The subject is further shown to be educational and entertaining at the same time. The study indicates that there could be a possibility for popular building preservation to increase the overall interest for built heritage, but that there also is a tendency for repeating themes and information. The magazines generally had more in common with the identified characteristics of popular history than the books. 

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  • 8.
    Arvholm, Elin
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Konstnärshemmens plats i kulturarvsförvaltningen: En studie av Bengtsfors kommuns hantering av Birkfeldtska villan2022Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The purpose of this essay is to investigate whether, and if so, what place smaller artists' homes can have in a rural municipality. Through a case study of Bengtsfors municipality's handling of the donated artists' home Birkfeldtska villan, their management work has been mapped. What may have influenced the administration and why the municipality acted as they did, are questions that are being discussed. Archive material and interviews have formed the basis of the investigation together with a small literature review. The result shows that the Birkfeldtska villan went from being considered worth preserving to not being deemed to fulfill a function. The management of the gift seems to be affected by a lack of interest and knowledge as well as financial resources. These three factors can be a challenge within the rural municipalities' work with cultural heritage. 

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  • 9.
    Balksten, Kristin
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Eriksson, Petra
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Learning traditional building techniques by practical work and implemented theory2016In: Innovation of teaching in materials and structures / [ed] Per Golterman, RILEM Publication S.A.R.L , 2016Conference paper (Refereed)
  • 10.
    Balksten, Kristin
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Strandberg-de Bruijn, Paulien
    Avdelningen för Byggnadsmaterial, Lunds tekniska högskola.
    Understanding Deterioration due to Salt and Ice Crystallization in Scandinavian Massive Brick Masonry2021In: Heritage, E-ISSN 2571-9408, Vol. 4, no 1, p. 349-370Article in journal (Refereed)
    Abstract [en]

    Extensive durability problems such as weathering and degradation are found in historic Scandinavian brick masonry buildings, especially from the neo-Gothic period. These are largely due to the crystallization of salts and frost action in the bricks and mortars. This article aims to show and illustrate which salts and crystals are found in historic brick masonry buildings and to describe their appearance and behavior. An additional aim is to explore possibilities of preventing salt-related damage on internal masonry wall surfaces, such as using hemp-lime sacrificial plaster beneath the plaster. The objective is to show the mechanisms behind salt-related problems and to perform a case study and a laboratory study on salt-damaged brick masonry containing sodium sulphate. In order to prevent and stop damage to the masonry, it is important to be able to identify the nature of the salt damage and the type of salt that caused the damage. Neo-Gothic brick masonry buildings require well-planned, continuous maintenance of the masonry. It is therefore of the utmost importance to have an understanding of the complex functions of the masonry and of the salts that can cause damage to these historic buildings.

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  • 11.
    Bengtsson, Marcus
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Om kalkindustrin på Gotland 2: Ur den gotländska kalkindustrins historia, åren 1942-19452015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Gotland has a very long tradition of lime burning. Traces of lime burning on Gotland stretch back to the 12th century. An inventory of all the lime kilns in Gotland was made in 1942. Since then the market, the use and the tradition of lime burning have changed significantly. By the start of WW2 a shortage of black coal occurred. This meant that the large, traditional lime kilns could no longer be operated with the same capacity. The small, wood-burning kilns were the only furnaces that survived. With the cement's entry the demand for lime mortar got heavily reduced, which in turn meant the end for the last lime kilns. The cement quickly proved inadequate in many situations, especially in the field of monument care​​, and the demand for traditional lime mortar increased again already in the 1960s. Since then, three lime kilns were taken into use on Gotland; two smaller, traditional lime kilns and one large, industrial kiln.

    This thesis intends to follow up on the inventory that was made in 1942 in order to create a basis for further discussion of the historical values the lime kilns possesses and how these values can be cared for.

    In order to ensure the being of cultural heritage of the traditional lime industry, it requires popular demand, care and knowledge of the furnace, its use and production and its product.

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  • 12.
    Berg, Fredrik
    et al.
    Norwegian Inst Cultural Heritage Res NIKU, Dept Bldg, Oslo, Norway.
    Donarelli, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Energy Performance Certificates and Historic Apartment Buildings: A Method to Encourage User Participation and Sustainability in the Refurbishment Process2019In: The Historic Environment: Policy & Practice, ISSN 1756-7505, E-ISSN 1756-7513, Vol. 10, no 2, p. 224-240Article in journal (Refereed)
    Abstract [en]

    This article presents and discusses the challenges of refurbishing historic apartment buildings by correlating findings from research projects LEAF and CulClim. Our aim is to shed light on how residents can partake in and optimise the refurbishment process after energy performance certificates (EPC) have been conducted. The background is that historic apartment buildings are generally more complex than single family buildings with respect to the energy efficiency process as they often have multiple owners with different priorities. The case studies from Norway and Sweden have conceptually contrasting energy performance certificate (EPC) systems. Identified advantages and shortcomings concerning both systems are discussed. In Sweden, the restrained recommendation of measures can lead to national mitigation targets not being realised. In Norway, excessive and unqualified recommendations risk reducing the cultural heritage values of the existing building stock as well as having a negative environmental impact on greenhouse gas emissions. A bottom-up approach incorporating the resident's objectives is presented and discussed. Results suggest that improved EPC-systems and a broadened procedural approach to decision making will ease the process and improve the outcome of the refurbishment with respect to both energy and heritage aspects.

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  • 13.
    Berg, Fredrik
    et al.
    Norwegian Inst Cultural Heritage Res NIKU, Pb 736 Sentrum, N-0105 Oslo, Norway..
    Flyen, Anne-Cathrine
    Norwegian Inst Cultural Heritage Res NIKU, Pb 736 Sentrum, N-0105 Oslo, Norway..
    Godbolt, Asne Lund
    SINTEF Bldg & Infrastruct, Pb 124 Blindern, N-0314 Oslo, Norway..
    Broström, Tor
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    User-driven energy efficiency in historic buildings: A review2017In: Journal of Cultural Heritage, ISSN 1296-2074, E-ISSN 1778-3674, Vol. 28, p. 188-195Article, review/survey (Refereed)
    Abstract [en]

    The paper draws from the general literature on energy efficiency and historic buildings to explain the importance and potential of user-driven energy efficiency in historic buildings. It is the first review that places the user as a central object of study in the research field of historic buildings and energy efficiency. Relevant interdisciplinary topics and research results that make up the core of the field are presented and discussed in relation to user behaviour and its impact on energy consumption. The paper also investigates how user behaviour aspects can be integrated in a procedural approach to energy refurbishment in historic buildings. Research and experience from the building stock in general clearly shows how a user's awareness and behaviour, such as choice of temperature, zone heating and controlled airing, can have a significant effect on energy demand yet have no physical impact on the building. However, this has not received enough attention with regards to the historic building stock, where many physical energy efficiency measures can have negative impacts on the historic qualities of the building. Modification of user behaviour can therefore be a way not only to reduce energy demand but also to minimise the physical impact of increasing energy efficiency on historic buildings. The paper concludes that the current research agenda on historic buildings and energy efficiency has broken much ground but remains focused more on technical solutions than bottom-up user perspectives. Two main topics are identified as key barriers and future research fields: First, energy performance modelling is identified as a general barrier to developing sustainable strategies that promote user impact in historic buildings. Accurate energy modelling of historic buildings is a complex field reliant on the thermal interplay between user-building and building-district. Improved knowledge and intensified research is necessary to avoid distorted energy modelling results and unwanted rebound effects. Practical tools also require that the modelling can be used for trade-off scenarios where other sustainability aspects such as cultural heritage and economy are weighed in. Second, awareness raising in order to foster a deeper understanding and knowledge about the construction, system and cultural heritage values of a building is proposed as a key ingredient and driver for improved and sustainable energy behaviour. The paper argues that while user-driven energy efficiency represents an important resource for fostering less energy-demanding and less intrusive interventions in historic buildings, there are no guarantees for achieving the planned level of energy efficiency without taking into account user behaviour and the actual operation and energy performance of the historic building. To do this without risking negative consequences, improved decision-making processes are needed on policy, building and user level. An interdisciplinary bottom-up approach to energy refurbishment is presented. The essence of the model is that users and residents should always play a central role in the decision-making process because the well-being of the historic building will always depend on its day-to-day users, and vice versa.

  • 14.
    Bizzozero, August
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Begravd I magasinet: En studie kring mänskliga kvarlevor i förvaring inom museisamlingar2023Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
    Abstract [en]

    Human remains are a part of museums and other collections around the world. Concidering storage the storage of these individuals is a matter of ethics and respect for the dead. The museums follow guidelines to adress the ethical questions that arise from these concerns. ’Buried in the Magazine’ examines the collection management of human remains within the Swedishmuseums. Examining how this work is being preformed, and whether it is done with respect. Do museums view human remains differently than other other materials, what do museums consider most important? The essay takes the perspective that human remains should be treated differently to other pieces, as the human rights of the individuals should be considered from an ethical perspective. The essay is based on interviews and observations of museums and their collections as well as how the museum follow their guidlines to maintain respekt for the dead.

  • 15.
    Bravaglieri, Simona
    et al.
    Conservazione dei Beni Architettonici, Politecnico di Milano.
    Legnér, Mattias
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Ristic, Mirjana
    Department of History and Social Sciences, Technische Universität Darmstadt, Germany.
    Kosovo: Quelle statue che dividono2018In: Ananke 83: Idoli infranti: Intollerances 2017 / [ed] Marco Dezzi Bardeschi, Milano: Politecnico di Milano, Dipartimento ABC , 2018, p. 24-25Chapter in book (Other (popular science, discussion, etc.))
    Abstract [en]

    The use of monuments in urban space is often bounded to political power and social hierarchy; through spatial distribution, form and meanings of public statues one social group can convey political myths and stabilize or legitimize political authority. In Mitrovica, the divided city of Kosovo, since the conflict of 1999, and during the apartheid-like regime preceding it, uses of the past became more and more entangled with present-day political objectives connected to territory and national identity. here different interpretations of the past are manifested in public space by Kosovo Serbs and Kosovo Albanians. 

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  • 16.
    Brosché, Johan
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Social Sciences, Department of Peace and Conflict Research.
    Kreutz, Joakim
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Social Sciences, Department of Peace and Conflict Research.
    Legnér, Mattias
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Kulturarv i skottgluggen2016Other (Other (popular science, discussion, etc.))
    Abstract [sv]

    ANALYS Den Islamiska staten attacker mot Palmyra och andra kulturarv i Syrien och Irak har fått stor uppmärksamhet i internationella medier. Men attacker mot kulturarv i väpnade konflikter är inte unikt för IS, och dessa attacker kan ha en rad olika syften. Det skriver Johan Brosché, Joakim Kreutz och Mattias Legner utifrån ett nytt tvärvetenskapligt forskningsprojekt.

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  • 17.
    Brosché, Johan
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Social Sciences, Department of Peace and Conflict Research.
    Legnér, Mattias
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History.
    Kreutz, Joakim
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Social Sciences, Department of Peace and Conflict Research. Department of Political Science, Stockholm university, Stockholm, Sweden.
    Ijla, Akram
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Heritage under Attack: motives for targeting cultural property during armed conflict2017In: International Journal of Heritage Studies (IJHS), ISSN 1352-7258, E-ISSN 1470-3610, Vol. 23, no 3, p. 248-260Article in journal (Refereed)
    Abstract [en]

    Although attacks on cultural property have caused international outcry,our understanding of this phenomenon is still limited. In particular, littleresearch has been directed towards exploring the motivations for suchattacks. Therefore, we ask: What are the motives for attacking sites, buildingsor objects representing cultural heritage? By combining insights from peaceand conflict research with findings from heritage studies we present atypology of motivations for attacking cultural property. We identify four,not mutually exclusive, broad groups of motives: (i) attacks related to conflictgoals, in which cultural property is targeted because it is connected to theissue the warring parties are fighting over (ii), military-strategic attacks, inwhich the main motivation is to win tactical advantages in the conflict (iii),signalling attacks, in which cultural property is targeted as a low-risk targetthat signals the commitment of the aggressor, and (iv) economic incentiveswhere cultural property provides funding for warring parties. Our typologyoffers a theoretical structure for research about why, when, and by whom,cultural property is targeted. This is not only likely to provide academicbenefits, but also to contribute to the development of more effective toolsfor the protection of cultural property during armed conflict.

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  • 18.
    Broström, Tor
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Donarelli, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Berg, Fredrik
    Bygningsavdelingen - Norsk institutt for kulturminneforskning, NIKU.
    For the categorisation of historic buildings to determine energy saving2017In: AGATHON International Journal of Architecture, Art and Design, ISSN 2464-9309, Vol. 1, p. 135-142Article in journal (Refereed)
    Abstract [en]

    Technical characteristics and cultural values affect the possibility of saving energy in the historic building stock. The issue has been addressed and studied in monumental buildings. For the majority of historic buildings, defined in this research as traditional constructions built before 1945 when the building sector became more industrialised, there is still a need for further studies. In order to study a large building stock it is necessary to make generalisations. To break down the stock into a few statistically representative categories is one way of doing that.

    The aim of this article is to present the development of a method to categorise a historic building stock with the ability to identify the potential for energy saving and preservation of cultural values. By studying building categories and typical buildings in detail the results can be extrapolated to represent a large building stock.

    The method for categorisation is done in three steps: building inventory, categorisation and selection of typical buildings. The inventory is when data on the building stock is gathered and compiled. This is necessary in order to have a sound statistical basis for the following steps of the method. The categorisation is done by dividing the buildings in groups based on their basic characteristics; for example size and number of adjoining walls. A delimitation is done, if necessary, in order to exclude atypical buildings.

    Typical buildings from each category are then selected by letting the medium values within the categories decide the characteristics of the typical buildings. Other characteristics such as age, use, construction type etc. can be determined for the typical buildings and motivated statistically based on the data in the inventory.

    A case study has been carried out on the historic building stock in the town Visby in Sweden, a UNESCO World Heritage Site. When applying the method for categorisation on the buildings built before 1945 in Visby the results show that 70 % of the buildings’ volume is represented by 87 % of the buildings. The study shows that it is possible to generalise some aspects even in a relatively richly nuanced building stock by letting the basic characteristics constitute the first common denominators in a categorisation.

    The result of the categorisation facilitates the identification of representative typical buildings that can be used for energy modelling. The six groups of typical buildings identified in Visby are presented at the end of the article.

    This study has been conducted within the multi-disciplinary projects Potential and policies for energy efficiency in Swedish buildings built before 1945, financed by the Swedish Energy Agency and Energy Efficiency for EU Historic Districts, funded by the European Commission under its Seventh Framework Programme.

  • 19.
    Broström, Tor
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Legnér, Mattias
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Det byggda kulturarvet: Energi och klimat2020In: Att vårda ett hus: Byggnadsvård på Gotland / [ed] Cathrin Emdén, Visby: Gotlands museum , 2020, p. 78-89Chapter in book (Other (popular science, discussion, etc.))
  • 20.
    Broström, Tor
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Nilsen, LisaLisa Nilsen Kulturvård, Stockholm.Carlsten, SusannaUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Conference Report: The 3rd International Conference on Energy Efficiency in Historic Buildings2018Conference proceedings (editor) (Refereed)
    Abstract [en]

    We proudly present the postprints of the third International Conference on Energy Efficiency in Historic Buildings, held in Visby, Sweden September 26th to 27th, 2018.

    The conference was organized jointly by the Swedish Energy Agency, Uppsala University and the Swedish National Heritage Board as part of their collaboration in the Swedish national research program on energy efficiency in historic buildings. The Region of Gotland kindly sponsored the conference dinner.

    There were close to one hundred abstracts submitted to the conference. We gratefully acknowledge the contributions from the Scientific Committee in the review process.

    Our thanks to Lisa Nilsen who has been the conference coordinator and editor of the papers, Susanna Carlsten who has been in charge of information and conference planning and Alice Sunnebäck who finished the layout of the papers and the report as a whole.

    The organizing committee for EEHB2018,

    Tor Broström Uppsala University

    Jörgen Sjödin Swedish Energy Agency

    Camilla Altahr-Cederberg Swedish National Heritage Board

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  • 21.
    Broström, Tor
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    van Schijndel, Jos
    Building Physics and Services, Department of the Built Environment, Technische Universiteit Eindhoven, .
    Wessberg, Magnus
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Klenz Larsen, Poul
    National museum of Denmark, Copenhagen, Denmark..
    Energy efficient climate control in historic buildings2014In: Climate for culture: Built culturalheritage in times of climate change / [ed] Johanna Leissner, Urban Kaiser, Ralf Kilian, Leipzig: Fraunhofer MOEZ , 2014, p. 29-32Chapter in book (Other academic)
  • 22.
    Brunskog, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    A Family Biography: Navigating Industrialisation, Migration, and Globalisation2024Book (Other (popular science, discussion, etc.))
    Abstract [en]

    This essay concerns Frances Womersley, Joseph Claughton, their children, and grandchildren. It is also about a handful of English citizens who left for Sweden during the mid-19th century and why and where they settled in different locations. The basis for the chronology is a few footprints accessible in historical records, public registers online, archived files, or remnant material in private custody. Therefore, it needs to be incomplete. To fill some gaps, I added adjacent materials such as photographs of the same area or buildings, descriptions of contemporary events and conditions, demographical data, biographical information on photographers, and personal memories. However, memories are flexible and tend to fade with time and distance. The complementary material is more or less random and may partly be indicative rather than irrefutable. Grandma and Grandpa, ancestors of a dearly beloved ´farmor´ (paternal grandmother), are the lowest common denominators. Beforehand, all I thought I knew was that the ´Claughtons´ came from Manchester and a legacy from Australia. Guided by curiosity, I explored several disparate topics and searched in different directions. I tried to delineate at least a vague idea of their practical and visual circumstances and, by placing it within a broader socio-economical context, better understand their histories.

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  • 23.
    Brunskog, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    ECOSOC-salens stolar: Tillståndsbedömning och åtgärdsbehov 20222022Report (Other (popular science, discussion, etc.))
    Abstract [en]

    The seating survey was pursued mainly in the ECOSOC Chamber, UN headquarters, for three days in April 2022. The original delegates' chairs, designed by Elias Svedberg, made at NK workshops, Sweden, were the main priority, together with the chairs replicated in the 1970ies and 1990ies. Another four delegates' chairs, partly dismantled, were observed in the upholstery workshop, and the number of armchairs in all was 213. Two collapsed chairs were also available for observation in the workshop area. According to oral information, chairs beyond repair are used as spare parts or templates for replacements. All delegates' chairs were scrutinised individually and in detail, including the construction of the wood frame, upholstery, signs of change, and their present condition assessed. The advisory chairs and the recently supplied secretary chairs were observed globally. Their current state was evaluated on their overall appearance.

    All individually observed chairs are marked in the spreadsheet (Appendix 2) with symbols depicting their essential construction details and assessed condition. The characters are drawn within [brackets].

    Supplementary data has been available in documents. The head of the Facilities Management Service, cabinetmaker, upholsterer, and indoor climate engineer supplied oral information on housekeeping and maintenance routines, answered specific questions about the use of the Chamber, provided samples, and facilitated the survey.

    The survey aimed to identify the different generations of delegates' chairs, their construction and material components. Secondly, to assess the damage and formulate alternatives for their future care, restoration, or replacement that consider their cultural-historical values and their significance for the interior design of the ECOSOC Chamber. Moreover, maintenance and comfort, useability, sustainability, and fair trade are essential.

    The outcome of this survey is partly compared with the one pursued in 2013, just before the re-inauguration of the Chamber and after the UN General Master Plan was completed in the room. Albeit the 2013 survey was limited to observation of exterior faces, the comparison facilitated the damage assessment and evaluation of the rate of deterioration.

    An overview of the ECOSOC Chamber is available in Appendix 2, and the photo documentation in Appendix 3, Figures 1─20. 

    The wood frame

    The results show that 76 (36%) of the delegates' armchairs suffer from extensive deterioration of the wood frame. Due to three [3b] or four [4b] unstable joints between the legs and the rails, they need immediate repair or have to be removed. Only 10% are rigid [D]. At least three synthetic glues are visible, showing that the joints have repeatedly become loose and re-adhered. In attempts to reinforce the leg joints, wood dowels and screws are inserted from the rails' insides and often perpendicular to corner braces. Screws are assumed to show only temporary improvement and maybe re-considered.

    The upholstery

    The results further show that the Enviroleather™ cover has not withstood the abrasion from use and mechanical wear. All armchairs show signs of deterioration [scale from green to red]. No cover material is in its pristine condition. It is a matter of time before the chairs in the best state (9%) [green] have deteriorated beyond the acceptable. A little less than 80% of the delegates' chairs need replacing the cover [yellow, orange] and another 4% [red] immediately. The padding is lumpy on most chairs. The synthetic stuffing seems excessively used, leading to a less well-defined overall shape. Slipping seams show in some instances between armrests and backs. The secondary decorative nails have rounded heads that appear wider than the original. The concealed stitching with piped cord seems to have been replaced with a thicker type. Old photos show a thinner version. All such details add to the poor impression of the design features and the deviation from what was initially intended.

    The 182 advisory chairs' cover is less deteriorated but assessed within the yellow-orange range. The cover material on the twelve secretary chairs are in better shape, but the chair is described as less comfortable than desired. However, the interior's original colour scheme and overall aesthetics may have to be considered if the ambition is to keep the "Swedishness" and sense of time in the Chamber.

    The conclusion is that, despite the final decision, the extant chairs need to be temporarily substituted with chairs supplied locally. The replacement chairs must meet several criteria, perhaps to a lesser degree than the permanent seating. The requirements include flexibility, comfort, sustainability, and design quality. The long-term alternatives for the current seating are threefold; to restore all delegate chairs, restore a selection of chairs (preferably NK products only), or refurbish the Chamber with functional, solid yet flexible, user-friendly, high-quality furniture with Swedish features.

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  • 24.
    Brunskog, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Miyakoshi, Tetsuo
    Department of Applied Chemistry, Meiji University, Tama-ku, Kawasaki-Shi, Japan.
    A Colourful Past: A Re-examination of a Swedish Rococo Set of Furniture with a Focus on the Urushi Components2020In: Studies in Conservation, ISSN 0039-3630, E-ISSN 2047-0584, Vol. 66, no 8, p. 477-501Article in journal (Refereed)
    Abstract [en]

    Two artefacts in royal custody, an étagère (inventory number HGK401) and a writing desk (inventory number HGK1249), display specific aspects of Swedish Rococo furniture in an exciting combination are re-examined through scientific means. Microscopy of cross sections, wood species identification, scanning electron microscopy with energy dispersive X-ray spectroscopy, X-ray fluorescence microscopy, and pyrolysis-gas chromatography-mass spectrometry analyses reveal some of their physical and chemical characteristics. The results show that the original wood includes hinoki, and the actual urushi ware originates from at least two different artefacts, of which one was made in Japan. A specific mixture of saps hitherto only confirmed on historical Ryukyu Island urushi artefacts was detected. Blue coloured urushi is verified.

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  • 25.
    Brunskog, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Miyakoshi, Tetsuo
    Department of Applied Chemistry, Meiji University, Kawasaki-shi, Japan.
    A Significant Japanese Coffer: A Multi-disciplinary Approach to Examining Late Sixteenth- — Early Seventeen-Century Export Urushi Ware2022In: Studies in Conservation, ISSN 0039-3630, E-ISSN 2047-0584, Vol. 67, no 7, p. 487-499Article in journal (Refereed)
    Abstract [en]

    A significant coffer in the Royal Swedish collection, inventory number HGK 406, is examined. The aim is to confirm or add new data concerning its age, provenance, and components. The scientific analyses include microscopy of cross and thin sections, wood species identification, scanning electron microscopy with energy-dispersive X-ray spectroscopy, X−ray fluorescence microscopy, pyrolysis-gas chromatography-mass spectrometry, strontium isotope ratio measurement, and radiocarbon dating. The investigation also includes excerpting and examining historical documents to a lesser degree. The results show that the body wood is Thujopsis dolabrata BUN 1248, a strong indication of the coffer's Japanese origin. The urushi coating is made with sap harvested in Japan from the species Toxicodendron vernicifluum. The decorations include gold powder, red iron oxide, and cinnabar pigments. Radiocarbon dating supports the dating of the coffer, also based on its style, as of the late sixteenth or early seventeenth century. While all the results may not stand alone, the study shows that a methodology with a multidisciplinary approach can produce new knowledge and support or reject hypotheses arrived at from other kinds of sources.

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  • 26.
    Brunskog, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Miyakoshi, Tetsuo
    Meiji Univ, Sch Sci & Technol, Dept Appl Chem, Kawasaki, Kanagawa, Japan..
    A White Gem from Kyoto2021In: Studies in Conservation, ISSN 0039-3630, E-ISSN 2047-0584, Vol. 66, no 4, p. 220-229Article in journal (Refereed)
    Abstract [en]

    A small box, hitherto described as white lacquerware, currently displayed at the Chinese Pavilion, Drottningholm, Sweden, is an unusual example of artefacts imported from the Far East during the era of the East India Companies. By using microscopy for cross- and thin sections, X-ray fluorescence microscopy, attenuated total reflection Fourier transform infrared spectroscopy, and pyrolysis-gas chromatography-mass spectrometry, some of the specific characteristics of the box are described, and it was possible to differentiate original from more recent restoration material. Among other findings, the results suggest that white glue tempera is a better description, based on indications of calcium carbonate and protein, and support an earlier attribution of the box to an Edo period doll maker in Kyoto.

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  • 27.
    Brunskog, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Miyakoshi, Tetsuo
    Meiji Univ, Dept Appl Chem, Kawasaki, Kanagawa, Japan..
    Lost and Found: Documentary Evidence and Scientific Examination of a Mid-Eighteenth Century Japanese Urushi Box2023In: Studies in Conservation, ISSN 0039-3630, E-ISSN 2047-0584, Vol. 68, no 8, p. 784-800Article in journal (Refereed)
    Abstract [en]

    This paper discusses a Japanese urushi box in the collection of the Swedish Museum of Far Eastern Antiquities, inventory number TEMP-0030. It documents a study that included scientific analyses by five different processes: sectional optical microscopy (OM/POL), wood taxonomy (WT), pyrolysis-gas chromatography-mass spectrometry (Py-GC-MS), X-ray fluorescence microscopy (XRF), and radiocarbon dating (C-14). To a lesser degree, the investigation also included an examination of the inscribed information on a paper label. The scientific results show that the box substrate is hinoki (Chamaecyparis obtusa Engl.), assembled with a proteinaceous glue. A cloth made from ramie fibres (Boehmeria nivea) covers the wood body. The main constituent in the coating is urushiol, derived from Toxicodendron vernicifluum trees. The black appearance on the exterior faces is due to a pigment of soot. The makie and nashiji decorations, on both exterior and interior faces, are composed of brass, silver, and gold, in flakes and powders. Radiocarbon dating suggests the time of manufacture as 1728-1764 CE, or the mid-Edo period. The information on the paper label suggests 1745 CE and the Zohiko, Kyoto, as the time and place of manufacture. Indirectly, this study emphasises the potential of these analytical techniques and a forensic approach in learning about other 'lost and found' objects.

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  • 28.
    Brunskog, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Miyakoshi, Tetsuo
    The Legacy of Carl Peter Thunberg Examined: Analyses of Unique Sources of Information on the Japanese Edo-Period Urushi Craft2024In: Materia. Journal of Technical Art History, no 4Article in journal (Refereed)
    Abstract [en]

    The research presented in this article aims to highlight the scholarly and cultural-historical significance of the lacquerware collected by the Swedish naturalist Carl Peter Thunberg (1743–1828) while also reflecting on its broader relationship with the Japanese lacquer craft known as urushi. Objects made with urushi carry substantial meaning as everyday commodities rather than rarities. In this way, Thunberg’s collection conveys a unique view of daily urban life and the urushi craft in Japan during a narrow time frame (1775–1776) and within a limited geographical area: Nagasaki, its vicinity, and along the feudal road between Kyoto and Tokyo. From the twenty-four examined objects in the Museum of Ethnography, Stockholm, hitherto significantly overlooked, four are analysed with microscopic, chemical, and physical methods. Thunberg’s view on Japanese material culture is excerpted from his travel diaries. A contemporary document about such artefacts and their immediate context is reviewed, partly assisted by the Miwo AI kuzushiji-script application developed by the Center for Open Data in the Humanities, Japan, which translates archaic cursive writing. Thunberg’s early life is briefly outlined while referencing a handful of contemporary scholars of renown.

    The results add physical and chemical data about everyday urushi wares from the mid-Edo period (1603–1868), made from sap blackened with soot and partly embellished with metal powders applied traditionally. The results also indicate the impression these artefacts are likely to have had on those people in Europe who came across them and provide information about how much Europeans might have known about lacquerware from East Asia at the end of the eighteenth century. Reading contemporary written documents parallel to studying the tangible artefacts themselves leads to a deeper understanding of tangible and intangible aspects.

  • 29.
    Brunskog, Maria
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Miyakoshi, Tetsuo
    Meiji Univ, Dept Applied Chem, Kawasaki, Japan..
    The Material Complexity of Three Seventeenth-Century Cabinets Exported from the Far East2024In: Studies in Conservation, ISSN 0039-3630, E-ISSN 2047-0584, Vol. 69, no 4, p. 261-284Article in journal (Refereed)
    Abstract [en]

    This paper focuses on three Far East cabinets that have ended up in Sweden for various reasons and on various routes. Some specific characteristics have been analysed using various scientific methods: sectional microscopy, wood taxonomy, X-ray fluorescence microscopy, pyrolysis-gas chromatography-mass spectrometry, strontium isotope ratio measurement, and radiocarbon dating. The results show that the cabinets contain wood from species endemic to Japan, namely asunaro (Thujopsis dolabrata) and hinoki (Chamaecyparis obtuse). They are coated with urushi sap derived from Toxicodendron vernicifluum trees, in two cases confirmed to be harvested in China, and one case probably blended with sap exuded from Toxicodendron succedanea harvested in North Vietnam. Their black appearance is due to a soot pigment typical of many products from the early Edo period or older. The data obtained with scientific methods, unavailable in the past, improve knowledge about these cabinets. Such new information should be made available to scholars and the general public.

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  • 30.
    Buscema, Massimo
    et al.
    Univ Colorado, Dept Math & Stat Sci, Denver, CO USA.;Seme Res Ctr Sci Commun, Via Sersale 117, I-00128 Rome, Italy..
    Ferilli, Guido
    IULM Univ, Milan, Italy..
    Gustafsson, Christer
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation. Seme Res Ctr, Rome, Italy..
    Massini, Giulia
    Seme Res Ctr, Rome, Italy..
    Sacco, Pier Luigi
    Univ G dAnnunzio, Pescara, Italy.;ISPC CNR, Naples, Italy.;metaLAB Harvard, Cambridge, MA USA.;Univ G dAnnunzio, DiSFiPEQ, Viale Pindaro 42, I-65127 Pescara, Pescara, Italy..
    A nonlinear, data-driven, ANNs-based approach to culture-led development policies in rural areas: The case of Gjakove and Pee districts, Western Kosovo2022In: Chaos, Solitons & Fractals, ISSN 0960-0779, E-ISSN 1873-2887, Vol. 162, article id 112439Article in journal (Refereed)
    Abstract [en]

    We develop a computational approach to the analysis of cultural vibrancy and to the role of the cultural and cre-ative sectors in the socio-economic organization of two districts of Western Kosovo, Gjakove and Pee. Our anal-ysis is built on a geolocalized mapping of the cultural activities and facilities, and on the main socio-economic variables for the two districts, and makes use of innovative data analysis techniques: Theory of Impossible Words (TIW), the Topological Weighted Centroid (TWC), and the AutoCM ANN. We find that the dynamics of cul-tural vibrancy of the territory is mainly driven by the competing attraction pulls of the nearby countries of Serbia and Albania, that also form the region's main and often conflicting ethnicities, and that such dynamics are likely to further polarize in the future. We also find that the cultural system plays a marginal role in the territory's socio-economic organization. This situation makes a case for a more active role of cultural policy in shaping future local developmental models in rural areas and in acting as an agent of social cohesion.(c) 2022 Elsevier Ltd. All rights reserved.

  • 31.
    Buscema, Massimo
    et al.
    Seme Res Ctr, Rome, Italy.;Univ Colorado, Denver, CO USA.;Seme Res Ctr Sci Commun, Via Sersale 117, I-00128 Rome, Italy..
    Ferilli, Guido
    IULM Univ, Milan, Italy..
    Gustafsson, Christer
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Sacco, Pier Luigi
    Univ G dAnnunzio, Pescara, Italy.;ISPC CNR, Naples, Italy.;metaLAB Harvard, Cambridge, MA USA.;Univ G dAnnunzio, DiSFiPEQ, viale Pindaro, 42, I-35127 Pescara, Italy..
    Toward a precision, complexity-informed cultural policy design: Structural bottlenecks to culture-led development in Skaraborg, Sweden2023In: Communications in nonlinear science & numerical simulation, ISSN 1007-5704, E-ISSN 1878-7274, Vol. 116, article id 106886Article in journal (Refereed)
    Abstract [en]

    We analyze the spatial-temporal dynamics of cultural vibrancy in the Swedish sub-region of Skaraborg. Our database consists of 4170 geo-localized cultural activities and facilities, mapped between October 2013 and March 2014. We make use of the TWC methodology for the dynamic simulation of the evolution of geo-localized activity starting from an observed distribution of events, and of the AutoCM ANN architecture to understand how cultural variables are related to the rest of the Skaraborg socio-economy. We find that cultural vibrancy in Skaraborg is likely characterized by a 'flaring' pattern of initial, widespread activity followed by a re-concentration into the main local urban hubs. The deep reason behind this unsuccessful developmental trajectory is the lack of centrality of cultural production in the local socio-economy, and of integration across cultural production sectors. This is in turn due also to structural bottlenecks of a non-cultural nature such as insufficient access of women to higher education. We make a case for the necessity to develop a new precision cultural policy design approach founded upon the science of complexity for both policy design and assessment, and we provide and illustrate a first technical toolkit to this purpose.(c) 2022 Elsevier B.V. All rights reserved.

  • 32.
    Buscema, Paolo Massimo
    et al.
    Semeion Res Ctr, Rome, Italy;Univ Colorado, Dept Math & Stat Sci, Denver, CO 80202 USA.
    Ferilli, Guido
    Semeion Res Ctr, Rome, Italy;IULM Univ, Dept Humanities, Via Carlo Bo 1, I-20143 Milan, Italy.
    Gustafsson, Christer
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Sacco, Pier Luigi
    IULM Univ, Dept Humanities, Via Carlo Bo 1, I-20143 Milan, Italy;MetaLAB Harvard, Cambridge, MA USA;FBK IRVAPP, Trento, Italy.
    The Complex Dynamic Evolution of Cultural Vibrancy in the Region of Halland, Sweden2020In: International regional science review, ISSN 0160-0176, E-ISSN 1552-6925, Vol. 43, no 3, p. 159-202Article in journal (Refereed)
    Abstract [en]

    This article examines the implicit space grammar of the cultural vibrancy of the region of Halland in Southwest Sweden. By using a new computational approach, we implement for the first time a methodology that allows us, on the one side, to extrapolate the complex dynamic evolution of the region's cultural geography and, on the other side, to diagnose the structural causes of its eventual decay. The results provide a basis for a more systematic approach to evidence-based policy design at the regional scale, and for a more participatory, bottom-up public decision-making in the cultural and other policy spheres.

  • 33.
    Bäckfeldt, Christina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Jacob Sjölin: Alrotsmästaren i Mälardalen2021Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Jacob Sjölin var verksam som möbelsnickare under 1700-talet och signerade och numrerade i princip hela sin produktion. Det råder dock en osäkerhet kring exakt hur hans signering och numrering gick till. Han använde nämligen sig av tre olika stämplar samt hade skilda nummerserier för olika möbelkategorier. För att försöka få en klarhet kring detta har en verkförteckning upprättats innehållandes 337 av Sjölins tillverkade föremål från främst museisamlingar, auktioner och litteratur. Det här är den största samlade förteckningen över föremål tillverkade vid Jacob Sjölins verkstad och ger ett grepp om hans verkstads produktion. Vad som är typiskt för Sjölins produktion samt skillnader inom de olika möbeltyperna undersöks genom verkförteckningen. För en djupare förståelse för föremål tillverkade vid Sjölins verkstad undersöks även tre möbler närmare i fallstudier där konstruktion och stilistiska aspekter lyfts. Det kan konstateras att Sjölin använde sig av kategorierna byråar, fällbord och schatull/skrin. Utöver dessa finns det ytterligare kategorier som inte med säkerhet kan fastställas i denna uppsats. Inom de fastställda kategorierna är skillnaderna små, men de finns. Det handlar bland annat om form, storlek och detaljer. När det gäller stämplarna kan det fastställas att typ A kom först och att den även användes parallellt med typ C. Typ B kom därnäst och pryder föremål från verkstaden i Köping. När verkstaden flyttade till Kungsör började typ C att användas.

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  • 34.
    Califano, America
    et al.
    Univ Salerno, Dept Ind Engn, Giovanni Paolo II St, Fisciano Sa, Italy..
    Leijonhufvud, Gustaf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Bichlmair, Stefan
    Fraunhofer IBP, Holzkirchen, Germany..
    Kilian, Ralf
    Fraunhofer IBP, Holzkirchen, Germany..
    Wessberg, Magnus
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Sepe, Raffaele
    Univ Salerno, Dept Ind Engn, Giovanni Paolo II St, Fisciano Sa, Italy..
    Lamanna, Giuseppe
    Univ Campania Luigi Vanvitelli, Dept Engn, 29 Roma St, Aversa Ce, Italy..
    Bertolin, Chiara
    NTNU Norwegian Univ Sci & Technol, Fac Engn, Dept Mech & Ind Engn, Richard Birkelands Vei 2B, N-7491 Trondheim, Norway..
    Cumulative climate-induced fatigue damage in wooden painted surfaces: The case of wooden churches in Sweden2024In: Journal of Cultural Heritage, ISSN 1296-2074, E-ISSN 1778-3674, Vol. 67, p. 313-325Article in journal (Refereed)
    Abstract [en]

    Environmental variations of Temperature (T) and Relative Humidity (RH) in air cause a superficial and/or sub -surface deformation (shrinkage/swelling) of organic hygroscopic objects, as for example wood. These environmental variations may be due to the natural variability of climate, to the use of Heating, Ventilation and Air Conditioning (HVAC) systems and to the presence of people. This contribution focuses on a group of wooden rural churches located in harsh climates in Sweden. The churches, which are still in use for the local communities, are heated during wintertime to reach acceptable indoor comfort levels causing potentially risky T and RH fluctuations for hygroscopic objects. In this framework, the main goal is assessing the risk of fracture on wooden structural elements caused by hygrothermal fluctuations. The method is based on a preliminary approach for reconstructing the climate history experienced by a typical wooden structural element of these churches and that, over time, results in a cyclic fatigue loading, naturally induced by the outdoor climate. Then, the effect of the artificial heating on the indoor microclimate and, therefore, on the reconstructed fatigue curve is assessed. Main outcomes were obtained by using a methodology that is preliminary based on simplifying assumptions, due to a severe lack of knowledge, in literature, about the fatigue behavior of wood. Finally, main considerations on the fatigue behavior of exposed wooden elements are drawn up, namely the estimation of their residual life (or "lifeto -damage"), which may support conservators or church managers in better managing the microclimate to reduce the risk of fracture on valuable objects.

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  • 35.
    Calmestig, Cornelia
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Industriarvet i staden: CV-området, Örebro en stadsdel i förändring2023Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The purpose of the thesis is to understand an industrial heritage in transformation. The questions raised in thethesis are the following: how does the new district propose to preserve the cultural values of the buildings andhow will they be used in the future? How does the demolishing process of choosing a certain building happen?The questions will be answered by the chosen case study: CV. The CV district has been a part of Örebro Citt´s history and identity for more than 120 years but now the city has reached its limit with an industrial district inthe city centre. The district now faces a new challenge in transforming an industrial district into a residentialarea. The theories that have been used in answering the question comes from the field of industrial heritage.The discussion and the analysis have been answered with the help of different literature that covers the districtand the industrial heritage. This creates a better understanding of how Örebro municipality and the propertyowner, Jernhusen AB wants to develop the area in the future. Both parties understand that the cultural valueswill be changed and that the demolishing of buildings will affect the area. 

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    Cornelia_Calmestig_2023_Industriarvet_i_staden
  • 36.
    Carlsten, Susanna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    ”Back to Glory”: Renoveringen av Pera Palace2017In: Dragomanen: Förflutet och bevarat / [ed] Olof Heilo, Svenska Forskningsinstitutet Istanbul , 2017, 19, p. 71-87Chapter in book (Other academic)
    Abstract [sv]

    Pera Palace byggdes i slutet av 1800-talet som ett exklusivt internationellt hotell för Orientexpressens Istanbulresenärer. Med moderna faciliteter inbäddade i ett skal av både jugend och orientalism förkroppsligade hotellet föreställningen om ”öst” som möter ”väst”. Hotellet och stadsdelen Pera kom under årens lopp att förändras både vad gällde invånare, gäster och status, och Pera Palace stod kvar som ett minne över en svunnen tid, en guldålder som hade passerat. Hotellet omgavs tidigt av en mytbildning kring byggnaden och dess kända gäster, men samtidigt ansågs hotellets forna glans ha bleknat. 2008 påbörjades en påkostad renovering och omgestaltning med syfte att återuppliva dess status.

    Denna artikel syftar till att undersöka vilka berättelser och minnen som genom tiderna återgetts i reseskildringar och medierapportering om Pera Palace samt hur dessa kan ha påverkat renoveringens gestaltning. Som komplement har fotografier av interiören från olika tidsperioder analyserats med syfte att få en bild av hotellets ursprungliga utseende och förändringar. Historikern Geoffrey Cubitt menar att materiell kultur kan definieras som kulturellt minne, som fysiska lämningar vilka uppfattas ha symbolisk betydelse i ett samhälle eller för en grupp. Kulturhistoriska objekt eller platser är ofta starka minnesbärare och kan hjälpa individer till orientering i det förgångna såväl som i samtid och framtid. Bevarande – t.ex. restaurering och i viss mån renovering – kan ses som ett sätt att hålla minnen vid liv. Restaureringsideologi är en form av minneshantering, men också en materiell artikulering av minnen. De val som görs vid en renovering eller restaurering kan både lyfta fram, tona ner eller exkludera minnen, vilket i sin tur påverkar vilka minnen som överlever.

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    kapitel
  • 37.
    Carlsten, Susanna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Prioriteringar i föremålssamlingar: beredskap inför krig och katastrof2023Report (Other academic)
    Abstract [sv]

    Denna rapport har som syfte att lyfta fram litteratur, forskning, processer och erfarenheter som kan ge stöd i museers arbete med värdering, urval och prioritering av föremål som ska evakueras i händelse av krig eller katastrof. Att värdera och sedan prioritera föremål och samlingar kan göras på olika sätt, men bör i möjligaste mån bygga på resonerande och verifierbara förklaringar samt vedertagna kriterier. Värden är varken statiska eller inneboende utan växlar över tid, i takt med att samhället och synen på kulturarv förändras, men också på grund av att kunskap om kulturarv hela tiden utvecklas. Målet är att råden och processerna som beskrivs i denna rapport ska vara praktiknära och anpassningsbara utifrån olika museers möjligheter.

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    FULLTEXT01
  • 38.
    Carlsten, Susanna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    “Property of the Swedish people" - The basis and change of the Swedish export control in relation to current cultural policy objectives2017In: Historical perspective of heritage legislation.: Balance between laws and values. / [ed] Riin Alatalu, Anneli Randla, Laura Ingerpuu, Diana Haapsal, Tallinn: ICOMOS Estonia NC; ICLAFI; Estonian Academy of Arts , 2017, p. 126-130Conference paper (Other academic)
    Abstract [en]

    Heritage legislation in general has a long tradition in Sweden. When it comes to export control of cultural goods the tradition is a bit shorter. A temporary proclamation in 1927 came to work as the first export control in the country. Since then the legislation has been updated several times. New threats, goals and cultural policy have all had an influence on what objects to protect and what the outspoken motives for the export legislation has been. But the changes have always been built on top of the same foundation and structure. This foundation was built in and affected by an ideologically nationalistic era. Today cultural heritage policy has a new approach including objectives relating to pluralism and diversity. The article aims to question and challenge the Swedish export control by asking; how does current cultural policy objectives relate to the foundation? Are there still ideological nationalistic ideas and structures left in the export control?

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    fulltext
  • 39.
    Carlsten, Susanna
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Brunskog, Maria
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Högre utbildning och museer i samverkan2019In: Kompetens i museisektorn: Politik, praktik och relationen till högre utbildning / [ed] Katja Lindqvist, Lund: Nordic Academic Press, 2019, p. 173-192Chapter in book (Refereed)
  • 40.
    Cerón, Amanda
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Inneklimat i konstmuseer: Hur fungerar det i praktiken?2021Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The museum climate is somewhat of a controversial subject and a lot of needs has to be taken into account within a limited area, such as the needs of the collections, staff and visitors. The museum building itself also have some needs as well as limitations regarding climate control to be able to provide proper care and protec- tion to its lodgers. Sometimes these different needs results in a conflict where only some- or none of these needs are met.

    A problem much like this is what sparked the idea to this paper, in this case the indoor climate problems that occurred at Gotlands konstmuseum. As a way to try and resolve this a project initiated where Uppsala Univer- sitet is involved among others. The goal is to try and resolve the problem with the poor indoor climate and at the same time provide guidance to other museums facing the same situation.

    This paper seeks answers to how museums in Sweden work to create and maintain their indoor climate, and how they have reached those decisions. It examines on what grounds the decisions are made and if the muse- ums have used any standards or other guidelines as support in the process. The purpose of this is to offer sup- port to Gotlands konstmuseum, as well as other small- or medium sized museums, struggling to create a eco- nomically sustainable environment for both objects and people within the building. This paper also seeks to investigate what requirements needs to be fulfilled in terms of indoor clime when other museums want to lend collections from larger museums.

    To gather information a question survey was sent and museums had the opportunity to answer questions about their indoor climate, the decision process regarding the current climate and if any standards or other guidelines had been used. The result showed that most museums strive to have a temperature around 18-20° C, and a relative humidity around 50% ± 5-10%. This is more or less difficult for the different museums to live by, depending on other conditions such as the state of the building and what kind of climate control system that is being used. There is no particular standard or guideline that is more common than any other.

    To find out more about the lending terms that the bigger museums have set out, a couple of interviews were carried out with some of their staff members from these museums. Eleven museums were asked but some did not reply. It was made quite clear that the requirements and extent varies from different museums. Generally the space where the collections are meant to be shown to the public has to be able to maintain a temperature of between 16-20° C and a relative humidity around 45-55% and avoid large deviation.

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    fulltext
  • 41.
    Chamoun, Afram
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Tudt, Daniel
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Nordströms museum i Norrtälje: Förslag till byggnadstekniska åtgärder för vind och tak2019Independent thesis Basic level (professional degree), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Nordströms museum is the heritage of Torsten Nordström. During his lifetime Torsten acquired a large variety of collectables that can be found in his museum. Due to a construction project in the neighborhood the foundation of Nordströms museum got disturbed. This led to the chimney of the building sinking, which gave rise to new problems for the construction. Today water is leaking through the plate roof and the building technology is outdated which has contributed to moisture damage in the attic. If nothing is to be done the collection is at risk to be destroyed.

     

    Prior to this written report relevant literature has been studied and two inspections has been carried out. Because of insufficient documentation regarding the construction of the building assumptions had to be made.

     

    With a curved roof full of cavities, rainwater is leaking through to underlying and sensitive parts of the building. The attic is without heating and its walls are missing vapor barriers and isolation. In combination all the above can cause major damage to the building.

     

    This study has resulted in a list of suggested actions against the moisture problem of the roof and is meant to be used as a basis for future decision regarding an eventual renovation of Nordströms museum.

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    Nordströms museum
  • 42.
    Christiernsson, Anna
    et al.
    Stockholms universitet.
    Malafry, Melina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Law, Department of Law.
    Geijer, Mia
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation. Länsstyrelsen i Örebro .
    Broström, Tor
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Tre vägar framåt för hållbara energiåtgärder på byggnader2024In: Fem perspektiv på stadens omställning: Kunskap och insikter om stadens roll i klimatomställningen, baserat på ny forskning inom Energimyndighetens program MESAM, Statens energimyndighet , 2024, , p. 9p. 40-49Chapter in book (Other academic)
  • 43.
    Colfach, Peder
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    3D Laserskanning: Verktyg för antikvarisk dokumentation2017Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This study aims to figure out if there is any heritage aspect when documenting heritage buildings with 3D laser scanning in Sweden. The paper is based on three case studies of two privately owned and one public building where the purpose for 3D scanning has had different goals. In simple words this paper aims to describe what laser scanning is and how you work with the laser scanning in the field.  Through comparing results from prior studies on the matter, this study also aims to describe the advantages that come from using 3D laser scanning on heritage buildings. This study finally wants to bring up the subject and discuss the terms and uses of fulfilling a building heritage documentation that suites our time.

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    fulltext
  • 44.
    Dahl, Humla
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History, Conservation.
    Solcellspaneler på kulturhistoriska tak – En skänk från ovan?: En komparativ fallstudie om Fläckebo kyrka och Stuguns nya kyrka2019Independent thesis Basic level (degree of Bachelor), 180 HE creditsStudent thesis
    Abstract [sv]

    Följande undersökning är en komparativ fallstudie av två tillståndsansökningar, genomförda i enlighet med Kulturmiljölag 1988:950, gällande solcellspaneler på kyrkligt kulturminne. Undersökningar belyser Fläckebo kyrka i Västmanlands län och Stuguns nya kyrka i Jämtlands län och studerar hur dessa fått avslag, respektive bifall t