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  • 1.
    Almgren, Anders
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Die umgekehrte Perspektive und die Fluchtachsenperspektive: eine Untersuchung der Zeichen für Raum und Körper in Kinderzeichnungen und anderen Bildern1971Doctoral thesis, monograph (Other academic)
  • 2.
    Bengtsson, Åke
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Idea and form: studies in the history of art : [to Gregor Paulsson]1959Collection (editor) (Other academic)
  • 3.
    Bengtsson, Åke
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Studies on the rise of realistic landscape painting in Holland 1610-16251952Doctoral thesis, monograph (Other academic)
  • 4.
    Bjurström, Per
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Contributions to the history and theory of art: [To the memory of Nils Gösta Sandblad]1967Collection (editor) (Other academic)
  • 5.
    Bjurström, Per
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Giacomo Torelli and baroque stage design1962 (ed. 2., rev. ed.)Book (Other academic)
  • 6.
    Bjurström, Per
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Giacomo Torelli and baroque stage design1961Doctoral thesis, monograph (Other academic)
  • 7.
    Boström, Hans-Olof
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Fünf Egerer Kabinettschränke des 17. Jahrhunderts in schwedischem Besitz1975Doctoral thesis, monograph (Other academic)
  • 8. Brander Jonsson, Hedvig
    Visual paraphrases: studies in mass media imagery1984Collection (editor) (Other academic)
  • 9.
    Brunius, Teddy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    David Hume on criticism1952Doctoral thesis, monograph (Other academic)
  • 10.
    Brunius, Teddy
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Mutual aid in the arts from the Second empire to Fin de siècle1972Book (Other academic)
  • 11.
    Brändén, Irina
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History.
    Bilder och berättelser om Sankt Nikolaus: Några vitaikoner studerade mot bakgrund av text och liturgi2018Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation concerns the pictorial language and communicative aspects of the vita icons of S Nicholas. The starting point is three vita icons of the saint of Russian origin in Nationalmuseum, Stockholm, dated to the end of the 15th century to the middle of the 17th century. Studies of the textual vitas of S Nicholas and texts of the services on the saint’s feast days leads to an understanding of the selection, sequence and location of episodes from the saint’s life in icons. The narrative and structural strategies of a number of S Nicholas vita icons are studied in comparison with vita icons of other saints (bishops, martyrs and monastic persons). These analyses reveal common narrative strategies and paradigmatic relations. Furthermore, attention is put on the spatial and semantic interactions between scenes within the cycle of S Nicholas vita icons, and their interplay with elements in the central part of the icons. The dissertation also discusses the possible connections between the pictorial language of S Nicholas vita icons, the structure and pictorial program of an iconostasis and some elements in the flow of liturgy. General patterns are noticed concerning the location of different themes in the narrative cycle of vita icons. The results show how the themes, colours and elements in the environment can link scenes together and help the viewers gaze through the pictorial landscape. A number of paradigmatic relationships between liturgy and vita icons of S Nicholas are identified, notably the scene with the translation of the saint’s relics, where the coffin is carried through or toward a passage. Central to the liturgy is carrying of the Gospel Book and the Holy Gifts through passages in the iconostasis. Rectangularity unites the coffin of the saint, the altar and the Gospel Book, in the vita icon, and in the church. Thus, various theoretical and methodological approaches to the study of icons, texts and liturgical context have resulted in a more nuanced understanding of the pictorial narrative program of S Nicholas vita icons.

  • 12.
    Bydler, Charlotte
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History.
    The Global Art World, Inc.: On the globalization of contemporary art2004Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This study examines certain segments of the art world-system in which geographical distances seemed to vanishing as a result of faster and more intense interaction levels. This particular art world-system has been conceptualized in contradictory ways. It has been called a “global village”, and has been seen as homogenized and diversified, as well as both expanding, and contracting. Experiences of mutual understanding and shared artistic values underly the possibilities of particular art world expanding. This premise was identified as a “western art concept”, so-called institutional art theory. However, the expectations of audiences, critics, and artists are changing. The widening cultural labour-market supplies new and unfamiliar historical references to the authoritative literature and artworks of the “western art concept”. I have sought out both shared and diverse authorities through case studies of contemporary art biennials held in Venice, Havana, Istanbul, and Kwangju, as well as the itinerant Manifesta. All of the above constitute an important labour-market for the increasing numbers of freelancing art world professionals.

    The thesis derived from these examples is that the identification of the art concept as a western phenomenon, which is based on claiming the origins and even the ownership of practices represented within historical (historicist) institutions, is untenable. The avant-garde art world, in contrast, attempts to globally break with art concepts. It seeks out resistance to art world discourse, that which sits on the walls of educational institutions, museums, and the knowledge represented therein. Art worlds, however, are connected regionally. They are not stable, and are even less identifiably western. It is thus difficult to historicize the art concept in order to create this resistance. Nevertheless, it may be legitimate to attempt this, in order to provide a means of inspection and comparison. Individuals within the art world-system are nevertheless interpelled as subjects of history in reference to institutionalized precedents. This calls for a re-writing of art history, taking into account multiple discontinuities instead of relying on chronology.

  • 13.
    Cavallius, Gustaf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Velazquez' Las hilanderas: an explication of a picture regarding structure and associations1972Doctoral thesis, monograph (Other academic)
  • 14.
    Ellenius, Allan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Baroque dreams: art and vision in Sweden in the era of greatness2003Collection (editor) (Other academic)
  • 15.
    Ellenius, Allan
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    The natural sciences and the arts: aspects of interaction from the Renaissance to the 20th century : an international symposium [Uppsala, 1983]1985Conference proceedings (editor) (Other academic)
  • 16.
    Granath Lagercrantz, Mari
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History. Lagercrantz.
    Terrakottaföremål från Ghana på British Museum: Materiella och immateriella assemblage2018Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The purpose of the thesis is to identify, describe and interpret two series of terracotta objects from southern Ghana originally donated by Robert P. Wild to the British Museum in London between 1933 and 1936. The dissertation does not seek to answer questions of origin, intention and meaning, but seeks instead to show how phenomena such as production, distribution and consumption may better be understood as processes and situations that the object passes several times in its “social life”. The terracotta items donated by Wild to the British Museum can be related to what is commonly referred to as “Akan terracottas”, “Memorial terracottas” or “Terracotta funerary sculptures” in art- and cultural history-literature. These names identify a group of terracotta objects (mainly sculpture heads but also vessels) from southern and central Ghana, which have come to hold iconic positions in global cultural history, but also in the international art trade. As many researchers have shown, such terracotta objects are likely to be linked to some kind of funeral tradition, but they may also have had a number of other functions throughout their history. The dissertation is based on the study of a variety of materials relating to the institutional practices at the British Museum, and analyzes both material impressions left on the objects and also intangible aspects of them. By examining and analyzing the museal ethnographic object, the study highlights and discusses how such concepts as time, geographical space and institutional space have been materialized throughout history. In the study, the aim is related to Deleuze and Guattari’s thoughts about assemblage, rhizom and agency, which also assume that each body or object is a combination of different materials, ideas, and their abilities to connect to other bodies, objects, categories and concepts. The investigation also turns to the contemporary artist El Anatsui. The aim here is to show how El Anatsui’s work allows for a new interpretation of the terracotta objects. In the dissertation, it is shown that the circulation of the terracotta objects leaves its marks on them, transforming them, and that it is this ongoing process which creates the objects over and over again.

     

     

  • 17.
    Grate, Pontus
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Deux critiques d'art de l'epoque romantique1959Doctoral thesis, monograph (Other academic)
  • 18.
    Hedlin Hayden, Malin
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History.
    Out of Minimalism2003Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The dissertation involves a threefold investigation of sculpture. Firstly, the interpretations are focused on particular artworks by three British sculptors: Antony Gormley (b. 1950), Anish Kapoor (b. 1954), and Rachel Whiteread (b. 1963), respectively. The notion of applied minimalism is tentatively applied to their sculptures. A primary argument is that these works are idiomatically, thematically, and theoretically founded on the heritage of American Minimalism from the 1960s. The sculptures by these three artists are seen as readings and transformations in themselves of the Minimalist sculptural idiom. Secondly, the dissertation aims at an investigation of the notion of sculpture, which is explored as a discursive term, i.e. as a working notion. Therefore, each specific sculpture in the study is analysed in terms of the means it is manifested as such. Thirdly, interpretation per se is recognised as a performative act inscribed and restricted by specific contextual features. The constituent aspects are acknowledged and employed in terms of the white cube gallery locality, minimalist theory, sign theory, sculpture as staged, and the crucial recognition of a/the corporeal viewer's own presence and movements within the gallery space. Especially pertinent to the interpretations are Michael Fried's notion of theatricality, notions of performativity, and meaning as site-specific, respectively. The dissertation argues that the notion of sculpture, specifically in the wake of Minimal sculpture and the artworks inscribed by that category in art critical discourse, relies on the imperative of a corporeal acknowledged viewer/interpreter and that significant relations as regards the notion of sculpture are therefore external to a high degree.

  • 19. Jones, Mark Ian
    Vicke Lindstrand On the Periphery: Mid-Twentieth Century Design and the Reception of Vicke Lindstrand2016 (ed. 1)Book (Other academic)
    Abstract [en]

    Vicke Lindstrand On The Periphery is the first English language publication to examine the life and work of the Swedish artist and designer Vicke Lindstrand and his place in Swedish and Scandinavian design history.

     

    The richly illustrated text focusses on English language discourse on Swedish and Scandinavian Design during the 1950s and the reception and profile of Vicke Lindstrand. It reconstructs the context in which narratives and rhetoric emerged and analyses its effect on Lindstrand, between 1950–1970. Swedish and Scandinavian design are described in terms of a pared-down, clichéd aesthetic associated with 1950s ‘Scandinavian Design’, now held as a ‘construct’, continuously emphasising the same preeminent exemplars. Informed by extensive field study in Sweden, detailed archival research, informant interviews, object and text analysis, the book is divided into two parts.   

     

    Part I investigates the disproportional impact of a small actor-network associated with twentieth century English language discourse on Swedish and Scandinavian design. The author argues that this demonstrates the pervasive influence of the construction of a national ideal (Swedish design) that was loosely translated to fit a regional ideal (Scandinavian Design) by the formation of an exclusive filter that determined the fit of what was included in the promotion of a cohesive identity. This filter emphasised an ideology that shaped perceptions and has influenced the subsequent reception and visibility of individual designers. Not all designers were treated equally. Nationalist, regionalist and internationalist influences had an impact upon the critical reception of their work further complicated by past associations. The actor-network operated at the level of selective solidarity, which was exclusive rather than inclusive. Part II examines the consequences of this fit through an analysis of the position and reception of Lindstrand.

     

    Preeminent exemplars, familial influences and the agency of an actor-network were profoundly influential in shaping perceptions and determining taste in 1950s Sweden, presenting a filtered view of design from the region. Lindstrand was strongly affected by the activities of this network. An interesting outcome of this study was the realisation that our understanding of Swedish design is incomplete, and that there is another more pluralist aesthetic concealed behind that officially promoted and exhibited during the 1950s. This investigation brings unique and unprecedented readings of a peripheral individual in the context of English language representation, and of the Scandinavian milieu.

  • 20.
    Jonsson, Marita
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Monumentvårdens begynnelse: restaurering och friläggning av antika monument i Rom 1800-1830 = Denkmalspflege in Rom 1800-18301976Doctoral thesis, monograph (Other academic)
  • 21.
    Lundén, Rolf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of English.
    Man Triumphant.: The Divided Life of David Edstrom2014Book (Other academic)
    Abstract [en]

    A hundred years ago regarded, together with Carl Milles, as the hope of Swedish sculpture, David Edstrom is today more or less forgotten. Man Triumphant. The Divided Life of David Edstrom tells the fascinating rags-to-riches-and-back-to-rags story of the young boy who grew up in Småland, Sweden, emigrated to Iowa, U.S.A., and hoboed his way back in 1894 to get his education at the Royal Academy of Fine Arts in Stockholm. After twenty-one years in Europe—in Stockholm, Florence, Paris, and Berlin—he returned to the United States and settled in Hollywood. As a person of two cultures he found himself betwixt and between, divided in his allegiance equally to his mother country and his adopted one.

    A stubborn, uncompromising man Edstrom managed to produce sculpture qualitatively well above what the average artist of the time could accomplish. He received acclaim from the best of the contemporary critics of Italy, Great Britain, Germany, the Netherlands, France, and Sweden. And yet, gradually he was disregarded and finally ousted from the canon of art. Over the years he came to know a number of the key figures of the period—Giovanni Papini (and some of the Italian Futurists-to-be), Gertrude Stein, who wrote two portraits of him, and her brother Leo, Henri Matisse, Frederik van Eeden, Crown Prince Gustaf Adolf and his wife Margaret, Ellen Key, Ernest Thiel, Harry Chandler, Robert A. Millikan, Gloria Swanson, and Charlie Chaplin of Los Angeles. This book thus presents, from Edstrom’s point of view, the turbulent period of early modernism in Europe and the vibrancy of  Southern California culture of the 1920s.

    Rolf Lundén is professor emeritus of American literature at Uppsala University, Sweden. He has written extensively on not only American literature but also other aspects of American Studies, such as the American influence in Sweden, literature and film, and business and religion in the United States.

  • 22.
    Lövgren, Sven
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    The genesis of modernism: Seurat, Gauguin, van Gogh and French symbolism in the 1880's1959Doctoral thesis, monograph (Other academic)
  • 23.
    Magnuson, Torgil
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Studies in Roman quattrocento architecture1958Doctoral thesis, monograph (Other academic)
  • 24.
    Malmquist, Tatiana
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Byzantine 12th century frescoes in Kastoria: Agioi Anargyroi and Agios Nikolaos tou Kasnitzi1979Doctoral thesis, monograph (Other academic)
  • 25.
    Nilsén, Anna
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Focal point of the sacred space: the boundary between chancel and nave in Swedish rural churches : from Romanesque to Neo-Gothic2003 (ed. Rev. and updated ed.)Book (Other academic)
  • 26.
    Nordström, Carl-Otto
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Ravennastudien: ideengeschichtliche und ikonographische Untersuchungen über die Mosaiken von Ravenna1953Doctoral thesis, monograph (Other academic)
  • 27.
    Nordström, Carl-Otto
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    The duke of Alba's Castilian Bible: a study of the rabbinical feaatures of the miniatures1967Book (Other academic)
  • 28.
    Nordström, Folke
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Goya, Saturn and melancholy: studies in the art of Goya1962Book (Other academic)
  • 29.
    Nordström, Folke
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    The Auxerre reliefs: a harbinger of the renaissance in France during the reign of Philip le Bel1974Book (Other academic)
  • 30.
    Nordström, Folke
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Virtues and vices on the 14th century corbels in the choir of Uppsala Cathedral1956Book (Other academic)
  • 31.
    Olsen, Harald
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Federico Barocci: a critical study in Italian cinquecento painting1955Doctoral thesis, monograph (Other academic)
  • 32.
    Omberg, Hildegard
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    William Hogarth's portrait of Captain Coram: studies on Hogarth's outlook around 17401974Doctoral thesis, monograph (Other academic)
  • 33.
    Palme, Per Olof
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Triumph of peace: a study of the Whitehall banqueting house1956Doctoral thesis, monograph (Other academic)
  • 34. Panofsky, Erwin
    Renaissance and renascences in Western art1965 (ed. 2. ed.)Book (Other academic)
  • 35. Panofsky, Erwin
    Renaissance and renascences in Western art1960Book (Other academic)
  • 36.
    Piltz, Elisabeth
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Bysans och Norden: akta för nordiska forskarkursen i bysantinsk konstvetenskap 19861989Conference proceedings (editor) (Other academic)
  • 37.
    Piltz, Elisabeth
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Kamelaukion et mitra: insignes byzantins impériaux et ecclésiastiques1977Book (Other academic)
  • 38.
    Piltz, Elisabeth
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Le costume officiel des dignitaires byzantins à l'époque Paléologue1994Book (Other academic)
  • 39.
    Piltz, Elisabeth
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Trois sakkoi byzantins: analyse iconographique1976Doctoral thesis, monograph (Other academic)
  • 40. Reuterswärd, Patrik
    Hieronymus Bosch1970Book (Other academic)
  • 41.
    Sahlström, Berit
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Political posters in Ethiopia and Mozambique: visual imagery in a revolutionary context1990Doctoral thesis, monograph (Other academic)
  • 42.
    Sandgren, Eva Lq
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts, Department of Art History.
    The Book of Hours of Johannete Ravenelle and the Parisian Book Illumination Around 14002002Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Within the French book of hours C 517e in the manuscript collection of the University Library in Uppsala, the name of the owner, Johannete Ravenelle, appears in a prayer. Examination of the decoration, miniatures and texts demonstrates that ms C 517e is consistent with Parisian art and books of hours around 1400. The main purpose of the dissertation is to document and present additional illuminated works by the painter of the Ravenelle Hours, identical with the Master of Paris BN fr. 159. For this purpose stylistic and iconographic criteria has been used. It has been possible to identify 25 extant manuscripts, of which 13 were illuminated solely by this artist. These comprise a representative sample of Parisian book production of the time. Several illuminators collaborated in 12 of the manuscripts. In some of them, the painters totalled more than four, but most of the works had two or three artists. Many of these illuminators are known from other works, and there is no reason to believe they constituted a workshop. Instead, other factors must have determined which artists worked together and when.

    The Ravenelle Painter is representative of Parisian contemporary art from both stylistic and iconographic perspective. He was not an innovator but worked within an established convention. At times his illuminations also reveal a greater familiarity with motifs found only within a limited group, that is, manuscripts illuminated by Jacquemart de Hesdin, Pseudo-Jacquemart, or their most immediate successors. The affiliation with these artists is displayed in style as well as in iconography. Motifs of particular interest are the Annunciation, Annunciation to the shepherds, Adoration of the Magi, Funeral Service, and St. John on Patmos. The figures and compositions of the Ravenelle Painter also show that he constantly utilized his own pictorial concepts, irrespective of for whom or with whom he worked. Simple modifications allowed the same figures or parts of compositions to be adapted to new ends.

    The Ravenelle Painter is a model representative of illuminators working in Paris at the turn of the 15th century. He worked within a two hundred-year tradition of book production, closely tied to the university. Many artisans combined various occupations within book production, thus creating a multi-faceted structure of cooperation within a fairly defined cadre of functionaries. In accordance with recent research, this study suggests that Parisian book illuminators not were organized hierarchically, with a master heading a group of more or less skilled assistants. Instead, it appears that the artisans cooperated within various coalitions in a much more loosely organized manner.

  • 43.
    Sandström, Sven
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Levels of unreality: studies in structure and construction in Italian mural painting during the Renaissance1963Doctoral thesis, monograph (Other academic)
  • 44.
    Uppsala universitet, Konstvetenskapliga institutionen
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Figura: edited by The Institute of Art History, University of Uppsala1951Collection (editor) (Other academic)
  • 45.
    Wonders, Karen
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Habitat dioramas: illusions of wilderness in museums of natural history1993Doctoral thesis, monograph (Other academic)
  • 46.
    Zeitler, Rudolf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Philosophy.
    Klassizismus und Utopia: Interpretationen zu Werken von David, Canova, Carstens, Thorvaldsen, Koch1954Book (Other academic)
  • 47.
    Zeitler, Rudolf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Les pays du Nord et Byzance (Scandinavie et Byzance): actes du Colloque nordique et international de byzantinologie, tenu à Upsal 20-22 avril 19791981Conference proceedings (editor) (Other academic)
  • 48.
    Zeitler, Rudolf
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Proceedings of the sixth international congress of aesthetics, Uppsala 1968: Actes du sixième congrès international d'esthétique, Uppsala 19681972Conference proceedings (editor) (Other academic)
  • 49.
    Ådahl, Karin
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    A Khamsa of Nizami of 1439: origin of the miniatures - a presentation and analysis1981Doctoral thesis, monograph (Other academic)
  • 50.
    Ådahl, Karin
    et al.
    Uppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Sahlström, BeritUppsala University, Disciplinary Domain of Humanities and Social Sciences, Faculty of Arts.
    Islamic art and culture in Sub-Saharan Africa1995Conference proceedings (editor) (Other academic)
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