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A collection of ancient Babylonian texts concerning the question of theodicy. 

This article is an in-depth study of two cylinders seals with the goddess in a nimbus from the Bible Lands Museum, Jerusalem. It is commonly accepted that the goddess in a nimbus is Ishtar (Inana in Sumerian), the goddess of love and war. Although Ishtar is one of the best-attested motifs on ancient Mesopotamian seals, the appearance of the goddess surrounded by rays of light—reminiscent of Roman Catholic imagery of the Virgin Mary surrounded by sunshine—is limited primarily to the period between the eighth and seventh centuries BCE. This article offers an insight into the iconography of this mysterious goddess, as well as a glimpse of a small portion of the Bible Lands Museum Seal Collection, probably one of the largest such collections in the world.

Syntax analysis of Ludlul bēl nēmeqi I 9–12, in particular study of the less known stative form for the third feminine singular with subordinate marker. 

Analysis of the less known locative ending -āšu in Akkadian.

Examination of the iconography of the god in a nimbus in the first-millennium Mesopotamia.

Analysis of Genesis 11:1–9.

This volume combines the papers held at the Minerva Center's »Research on Israel and Aram in Biblical Times« conference (Leipzig 2018) on the subject of writing and re-writing history by deliberate destruction in the regions of Syria, Palestine, and Mesopotamia. An international group of scholars studies the subject using a multi-perspective and interdisciplinary approach. Archeological studies, ancient Near Eastern studies, and biblical studies focused on the destruction of ancient sites in Israel and Judah in the 1st millennium BC. The perspective of the defeated Israelites, Jerusalemites, and Judeans is described in detail in the Old Testament and in postbiblical literature and shows that the destructions in the past were a cultural and identity creator of the first magnitude. The longue durée of the practice of reshaping the past through the deliberate destruction of a cultural heritage in order to shape the present according to current interests becomes evident based on the Neo-Assyrian Empire's practice up to the modern era and is demonstrated by the example of the Arabian-Muslim conquest of Aram as well as current Turkish politics.